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Art of the American Soldier Art of the American Soldier - US Army ...

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ARTIST’S STATEMENT<br />

Finally when War came to our country, I was allotted <strong>the</strong> unpleasant<br />

though interesting and exciting opportunity <strong>of</strong> depicting havoc<br />

wrought by man and machines. For this I was commissioned<br />

Captain in <strong>the</strong> <strong>Army</strong> Air Forces to work as an <strong>of</strong>ficial artist with <strong>the</strong><br />

Historical Division, in painting a record <strong>of</strong> <strong>the</strong> Air Force activities.<br />

After completing my training at Officers Training School, Miami<br />

Beach, I was ordered to Alaska where I was attached to <strong>the</strong> 11th Air<br />

Force at Anchorage. From <strong>the</strong>re I flew out to <strong>the</strong> Aleutian Islands,<br />

visiting many bases on that chain; Amchitka, Adak, Umnac, etc.<br />

Meanwhile at home in Washington, Congress passed a bill refusing<br />

appropriations to <strong>the</strong> <strong>Army</strong> for War Records in painting. . . . I was put<br />

on inactive duty to continue <strong>the</strong> work originally planned for me to do,<br />

as a War <strong>Art</strong> Correspondent for Life Magazine.<br />

It was in this capacity that I completed <strong>the</strong> Aleutian pictures.<br />

In <strong>the</strong> spring <strong>of</strong> ’44 I flew to Prestwick, Scotland and <strong>the</strong>nce<br />

to London where I made my headquarters, as it were, for my<br />

assignment with <strong>the</strong> 8th and 9th Air Forces. Traveling about<br />

England visiting various airdromes, as <strong>the</strong> British call <strong>the</strong>m, I<br />

became well acquainted with <strong>the</strong> countryside and <strong>the</strong> “buzzbombs”<br />

that were coming over in droves. When <strong>the</strong> Normandy<br />

Invasion came about, though my orders were to stay in <strong>the</strong><br />

British Isles, after playing various angles, I managed to get to<br />

<strong>the</strong> “far shore” where I painted <strong>the</strong> group <strong>of</strong> pictures at <strong>the</strong> time<br />

<strong>of</strong> <strong>the</strong> terrific St. Lo breakthrough.<br />

—OGDEN PLEISSNER<br />

From his papers, Archives <strong>of</strong> <strong>American</strong> <strong>Art</strong><br />

35

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