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stemmed from other factors as well. One concerns a mortal<br />
organization with which the Ordo Dracul is occasionally<br />
(and usually incorrectly) linked — the Freemasons.<br />
The Freemasons are believed by some to have evolved<br />
from a much older organization of monastic soldiers called<br />
the Knights Templar, but their incarnation even in 1717<br />
(when the Mother Grand Lodge of Freemasons opened in<br />
London) bore little resemblance to the Crusader knights<br />
of old. The Masons were not warriors or monks, but men<br />
who came together with only a reverence for truth and<br />
individuality binding them. The Ordo Dracul was less interested<br />
in the Masons’ origins or ideology, however, and<br />
more interested in their information network. Masons from<br />
all over the world could recognize each other with a handshake<br />
or a gesture, and the organization’s membership included<br />
leaders, scientists and artists of the highest caliber.<br />
If the Ordo Dracul ever made a serious attempt to penetrate<br />
or gain influence over the Masonic Order, current<br />
records do not speak of it. Over time, however, the<br />
Ordo Dracul did gain advantage from studying the rites<br />
and practices of the brotherhood, and, by the beginning<br />
of Queen Victoria’s reign in 1837, the Ordo Dracul had<br />
withdrawn from Kindred society almost entirely. For the<br />
next six decades, the covenant remained quiet, its members<br />
never advertising themselves as such. The Ordo<br />
Dracul had become a secret society rather than an open<br />
covenant, and, for a brief time, it was possible for a vampire<br />
to claim membership in the Lancea Sanctum, the<br />
Invictus or even the Circle of the Crone as well as the<br />
Ordo Dracul. Just as their unholy ancestor Vlad Tepes<br />
had supposedly done, Dragons could learn the secrets of<br />
blood magic as well as the Coils of the Dragon.<br />
In short, for much of the Victorian period, the Ordo Dracul<br />
did very well for itself. The leaders of the covenant took the<br />
codes and titles that they had inherited from Dracula and<br />
his brides, and worked this ideology into the extensive practices<br />
that the Ordo still follows tonight. The covenant probably<br />
would have been happy to remain a secret society, a<br />
quaint fable from the “land beyond the forest,” remembered<br />
only in the torpid dreams of elders. But in 1897, Bram Stoker<br />
introduced Vlad Dracula to the world.<br />
✬✿✷✶✺✼✹✬<br />
Vampire legendry was and remains a staple of life in<br />
Romania, the birthplace of Dracula and the Ordo Dracul.<br />
All cultures have taken half-remembered encounters<br />
with the Kindred and turned them into tales of horror,<br />
complete with proscriptions and remedies that seldom<br />
have any other effect but to make their undead targets<br />
laugh. The Gothic literature movement that produced<br />
Frankenstein and The Hunchback of Notre Dame also produced<br />
several other works about the undead. John<br />
Polidori’s story “The Vampyre” saw print in 1819, and<br />
Joseph Sheridan Le Fanu’s Carmilla was published 53<br />
years later. The Kindred of some domains reacted with<br />
a history of the ordo dracul<br />
mild interest, but the Masquerade had seen and survived<br />
the circulation of tales of horror, even of vampires, before.<br />
Such tales seldom reflected enough of reality to be<br />
worrisome outside of a few unfortunate domains.<br />
✺✻✶✲✬✹’✺✂✴★✺✻✬✹✷✰✬✪✬<br />
And then, in 1897, an Irish writer named Abraham<br />
Stoker published a novel about Count Dracula and his travels<br />
from Transylvania to England. The mortal audiences<br />
loved it; a stage version of the novel, four hours in length,<br />
was being performed before the novel actually saw print.<br />
The Kindred, of course, were somewhat less than amused.<br />
As with any reaction to a mortal phenomenon, the<br />
undead were slow to react to Dracula. The novel didn’t<br />
immediately inspire mortals to grab torch, rifle and Bowie<br />
knife and go hunting through the abbeys of England for<br />
wayward vampires, after all, so it didn’t seem to do much<br />
harm. But as news of the novel filtered back to some<br />
older Kindred, alarms sounded. Although the Ordo<br />
Dracul had been out of sight for decades, some Kindred<br />
did remember a blasphemous society of vampires named<br />
for the title character of Stoker’s novel, even if none of<br />
them remembered Dracula himself.<br />
The Ordo Dracul did its best to avoid exposure, but<br />
there was precious little the Dragons could do. Members<br />
of other covenants performed their own “investigations”<br />
in many domains, flushing out the hidden members of<br />
the Order into the common sight of Kindred society. The<br />
Ordo Dracul realized that wasting energy hiding was no<br />
longer useful, so the Dragons simply declared their allegiance<br />
formally. Thus the Ordo Dracul transformed, in<br />
many domains, from a secret society within the hidden<br />
world of the Kindred into a covenant of its own.<br />
In many domains, the emergence of the Order shook<br />
the solidarity of other covenants and broke the bonds of<br />
trust between many Kindred. Loyalties shifted, allegiances<br />
collapsed and suspicion spread like spilled ink in many<br />
cities. Some Kindred kept their status as Dragons secret,<br />
or quietly withdrew from the Order. Those Dragons who<br />
had held joint membership in the Ordo Dracul and other<br />
covenants often became sacrificial lambs during those<br />
nights, though some of them retreated from Kindred society<br />
and became Kogaions. This was the beginning of<br />
the modern incarnation of that position.<br />
✾✯★✻✂✫✰✫✂✺✻✶✲✬✹✂✲✵✶✾✦<br />
Bram Stoker took inspiration from several sources: Romanian<br />
legends, historical accounts of Vlad Tepes, the<br />
works of Le Fanu and Polidori and discussions with Hungarian<br />
professor Arminius Vambery, thought to be the<br />
inspiration for Abraham Van Helsing. Some evidence<br />
exists to suggest that Stoker also studied the history of<br />
Elizabeth Bathory, the “Blood Countess” of Hungary who<br />
murdered hundreds of young women in the 18th century.<br />
It is not at all beyond the realm of possibility that he made<br />
25<br />
chapter one<br />
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