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VII - RoseRed

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stemmed from other factors as well. One concerns a mortal<br />

organization with which the Ordo Dracul is occasionally<br />

(and usually incorrectly) linked — the Freemasons.<br />

The Freemasons are believed by some to have evolved<br />

from a much older organization of monastic soldiers called<br />

the Knights Templar, but their incarnation even in 1717<br />

(when the Mother Grand Lodge of Freemasons opened in<br />

London) bore little resemblance to the Crusader knights<br />

of old. The Masons were not warriors or monks, but men<br />

who came together with only a reverence for truth and<br />

individuality binding them. The Ordo Dracul was less interested<br />

in the Masons’ origins or ideology, however, and<br />

more interested in their information network. Masons from<br />

all over the world could recognize each other with a handshake<br />

or a gesture, and the organization’s membership included<br />

leaders, scientists and artists of the highest caliber.<br />

If the Ordo Dracul ever made a serious attempt to penetrate<br />

or gain influence over the Masonic Order, current<br />

records do not speak of it. Over time, however, the<br />

Ordo Dracul did gain advantage from studying the rites<br />

and practices of the brotherhood, and, by the beginning<br />

of Queen Victoria’s reign in 1837, the Ordo Dracul had<br />

withdrawn from Kindred society almost entirely. For the<br />

next six decades, the covenant remained quiet, its members<br />

never advertising themselves as such. The Ordo<br />

Dracul had become a secret society rather than an open<br />

covenant, and, for a brief time, it was possible for a vampire<br />

to claim membership in the Lancea Sanctum, the<br />

Invictus or even the Circle of the Crone as well as the<br />

Ordo Dracul. Just as their unholy ancestor Vlad Tepes<br />

had supposedly done, Dragons could learn the secrets of<br />

blood magic as well as the Coils of the Dragon.<br />

In short, for much of the Victorian period, the Ordo Dracul<br />

did very well for itself. The leaders of the covenant took the<br />

codes and titles that they had inherited from Dracula and<br />

his brides, and worked this ideology into the extensive practices<br />

that the Ordo still follows tonight. The covenant probably<br />

would have been happy to remain a secret society, a<br />

quaint fable from the “land beyond the forest,” remembered<br />

only in the torpid dreams of elders. But in 1897, Bram Stoker<br />

introduced Vlad Dracula to the world.<br />

✬✿✷✶✺✼✹✬<br />

Vampire legendry was and remains a staple of life in<br />

Romania, the birthplace of Dracula and the Ordo Dracul.<br />

All cultures have taken half-remembered encounters<br />

with the Kindred and turned them into tales of horror,<br />

complete with proscriptions and remedies that seldom<br />

have any other effect but to make their undead targets<br />

laugh. The Gothic literature movement that produced<br />

Frankenstein and The Hunchback of Notre Dame also produced<br />

several other works about the undead. John<br />

Polidori’s story “The Vampyre” saw print in 1819, and<br />

Joseph Sheridan Le Fanu’s Carmilla was published 53<br />

years later. The Kindred of some domains reacted with<br />

a history of the ordo dracul<br />

mild interest, but the Masquerade had seen and survived<br />

the circulation of tales of horror, even of vampires, before.<br />

Such tales seldom reflected enough of reality to be<br />

worrisome outside of a few unfortunate domains.<br />

✺✻✶✲✬✹’✺✂✴★✺✻✬✹✷✰✬✪✬<br />

And then, in 1897, an Irish writer named Abraham<br />

Stoker published a novel about Count Dracula and his travels<br />

from Transylvania to England. The mortal audiences<br />

loved it; a stage version of the novel, four hours in length,<br />

was being performed before the novel actually saw print.<br />

The Kindred, of course, were somewhat less than amused.<br />

As with any reaction to a mortal phenomenon, the<br />

undead were slow to react to Dracula. The novel didn’t<br />

immediately inspire mortals to grab torch, rifle and Bowie<br />

knife and go hunting through the abbeys of England for<br />

wayward vampires, after all, so it didn’t seem to do much<br />

harm. But as news of the novel filtered back to some<br />

older Kindred, alarms sounded. Although the Ordo<br />

Dracul had been out of sight for decades, some Kindred<br />

did remember a blasphemous society of vampires named<br />

for the title character of Stoker’s novel, even if none of<br />

them remembered Dracula himself.<br />

The Ordo Dracul did its best to avoid exposure, but<br />

there was precious little the Dragons could do. Members<br />

of other covenants performed their own “investigations”<br />

in many domains, flushing out the hidden members of<br />

the Order into the common sight of Kindred society. The<br />

Ordo Dracul realized that wasting energy hiding was no<br />

longer useful, so the Dragons simply declared their allegiance<br />

formally. Thus the Ordo Dracul transformed, in<br />

many domains, from a secret society within the hidden<br />

world of the Kindred into a covenant of its own.<br />

In many domains, the emergence of the Order shook<br />

the solidarity of other covenants and broke the bonds of<br />

trust between many Kindred. Loyalties shifted, allegiances<br />

collapsed and suspicion spread like spilled ink in many<br />

cities. Some Kindred kept their status as Dragons secret,<br />

or quietly withdrew from the Order. Those Dragons who<br />

had held joint membership in the Ordo Dracul and other<br />

covenants often became sacrificial lambs during those<br />

nights, though some of them retreated from Kindred society<br />

and became Kogaions. This was the beginning of<br />

the modern incarnation of that position.<br />

✾✯★✻✂✫✰✫✂✺✻✶✲✬✹✂✲✵✶✾✦<br />

Bram Stoker took inspiration from several sources: Romanian<br />

legends, historical accounts of Vlad Tepes, the<br />

works of Le Fanu and Polidori and discussions with Hungarian<br />

professor Arminius Vambery, thought to be the<br />

inspiration for Abraham Van Helsing. Some evidence<br />

exists to suggest that Stoker also studied the history of<br />

Elizabeth Bathory, the “Blood Countess” of Hungary who<br />

murdered hundreds of young women in the 18th century.<br />

It is not at all beyond the realm of possibility that he made<br />

25<br />

chapter one<br />

6

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