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BRAZILIAN MUSIC AND SOCIAL CONSCIOUSNESS: - Elisabeth Blin

BRAZILIAN MUSIC AND SOCIAL CONSCIOUSNESS: - Elisabeth Blin

BRAZILIAN MUSIC AND SOCIAL CONSCIOUSNESS: - Elisabeth Blin

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please the abolitionists only, and it came at a time when many fazendeiros, (plantation<br />

owners) considered that the new immigrants from Europe would be a better and more<br />

dependable work force than the black ex-slaves.<br />

Most of the documents related to slavery were destroyed by the white authorities<br />

who were obviously trying to erase an embarassing past. Consequently, historians and<br />

anthropologists, like Claude Levi-Strauss (b.1908), in the twentieth century, have done<br />

extensive research to understand the problem of Brazilian identity.<br />

In 2007, Brazil’s population of 188 million, included fifty five per cent whites,<br />

thirty-eight per cent mixed (mestizos), six per cent blacks, and one percent of other races.<br />

This population was divided among Portuguese, Italians, German, Japanese, black and<br />

Amerindian origins. 17 The vast Brazilian culture is therefore dominated by three<br />

elements: its indigenous influence, which came from various Amerindian tribes, the<br />

European influences brought by different colonizers, and the African influence, which<br />

came from a massive slave trade.<br />

Brazil was settled by Portugal on March 8 th , 1500, when the Portuguese navigator<br />

Pedro Alvarez Cabral arrived by mistake at Porto Seguro, on the coast now called<br />

17 John W. Wright, editor, 2007 New York Times Almanac (New York: Penguin Group USA), 543-44<br />

5

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