Susanne Schulz-Falster Catalogue Eighteen - International League ...
Susanne Schulz-Falster Catalogue Eighteen - International League ...
Susanne Schulz-Falster Catalogue Eighteen - International League ...
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Scientific Illustration<br />
106. TOMASSI, Marchetti. Nuovo Trattato sulla vera<br />
Rettificazione del Circolo, with Dissertazione sul modo di navigare<br />
sott’Acqua. Fuligno, Feliciano Campitelli, 1817. £1,500<br />
4to, pp. 75, [1], 34, [2] blank, with six folding etched plates; uncut in<br />
contemporary wrappers, early reback; a little dog-eared.<br />
Second edition (first 1814) of a curious scientific work on ‘modes of navigating<br />
under water’, with a detailed description of a submarine, illustrated<br />
on a charming plate.<br />
Count Gaetano Marchetti Tomassi (1774–1857) was an amateur mathematician<br />
who studied various methods of squaring the circle, documented<br />
here in the first essay, the second part contains a discussion of conic<br />
sections, and the third of curves. The fourth essay, (with its own title page)<br />
is illustrated with an etching of the submarine propelled by oars. Tomassi<br />
describes his invention of a simple submarine, designed to protect a man<br />
while navigating under water for prolonged periods of time. He hints at<br />
military use of the invention and maintains that classical artillery could be<br />
kept dry and functional in the submarine. In the introduction he writes<br />
that he invented the submarine as early as 1799 and first published a note<br />
of it and built a prototype in 1800. He claims his idea was stolen, and<br />
six months later a copy was built in Rouen – Fulton’s ‘Nautilus’, the first<br />
practical submarine.<br />
Roller-G. II, 507; <strong>Catalogue</strong> Weil 6, 275; Anderson, Submarines, diving and the<br />
underwater world, 1254.<br />
With Trade Cards and Trade Advertisements<br />
susanne schulz-falster rare books catalogue eighteen<br />
107. [TRADE DIRECTORY – BIRMINGHAM.] Wrightson’s<br />
New Triennial Directory of Birmingham, including an alphabetical<br />
list of the Merchants, Tradesmen and respectable Inhabitants of the<br />
Town; the Different Trades arranged under their own particular<br />
heads; and the departures and arrivals of the various Mails, Coaches,<br />
Waggons, Boats, and every other Conveyance. Embellished with<br />
Plates, engraved purposely for this work. Birmingham,<br />
R. Wrightson, 1815. £1,600<br />
8vo, frontispiece advertisement, pp. [vi], 198, [1] blank, with 53 insert ed<br />
leaves (10 of which folding), mostly engraved some letterpress printed,<br />
one colour-printed; a couple of folding engravings with tears in fold;<br />
original printed boards, rebacked; corners rounded, still a good copy.<br />
First edition under this name, of one of the earliest illustrated trade directories<br />
for the city of Birmingham. Wrightson’s lists some 4000 names, with<br />
street address and profession, followed by an alphabetical list of the principal<br />
trades, which gives a firsthand insight into Birmingham industries. Listed<br />
are over eighty Brass Founders, twenty-eight Bridle- Bit & Stirrup-Makers,<br />
nearly one hundred Button Makers (including Matthow Bolton’s Soho<br />
Works), some eighty Gun Makers, about one hundred and twenty Jewellers<br />
and Silversmiths to mention but a few. The listing shows very clearly the<br />
predominant role that the metal-working industry had in the city.<br />
The great attraction of the work are the numerous advertisements<br />
placed within it, most of them finely engraved, similar to trade cards,<br />
showing business addresses and relevant tools or products, shop fronts<br />
and advertising material. Some of the inserts are letterpress printed and<br />
give price lists of products sold or services offered. The directory, one of<br />
the earliest of its type, was first published under the title New Triennial<br />
Directory in 1808. They continued to be published until 1839 – though<br />
not necessarily in three year intervals, but instead in 1815, 1818, 1823,<br />
1828–30, 1833 and 1839.<br />
The trade cards included provide a virtual gallery of classical or patriotic<br />
motifs, which indicate how the owners wished to present the culture of<br />
their business. Many engravings present the urban landscape, individual<br />
buildings, industrial processes and manufactured products. They provide<br />
an insight into how artists presented Birmingham’s architectural and<br />
economic life at the start of the 19th century.<br />
Norton 726; not in Kress or Goldsmiths’.