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HEaT wORk aND COlOR OF BUllsEYE <strong>Glas</strong>s<br />
Full-color instructional chart showing how glass color, surface and shape can<br />
change as a result of heat work in the kiln at various temperatures. Essential<br />
teaching tool for kiln-glass instructors with examples of striking opalescent<br />
and transparent colors, notes on firing processes and examples of cycles for<br />
low-temperature and standard slumping, tack and full fusing. 36” x 24”<br />
(914 x 610 mm).<br />
{ 8095 $15.00<br />
CONNECTIONs<br />
nine internationally known artists work<br />
glass in the glory hole, torch, kiln, and<br />
cold shop. narcissus Quagliata, Klaus<br />
Moje, Dante Marioni, Dale Chihuly, Linda<br />
Ethier, Kéké Cribbs, Lino Tagliapietra,<br />
Rudi Gritsch, and Brian Kerkvliet in brief<br />
interviews and working sessions. An<br />
award-winning overview of contemporary<br />
studio glass as it happens in residence at<br />
Bullseye. Includes a mini-catalog of the<br />
related exhibition. 1994. DVD, 30 min.<br />
{ 8288 $40.00<br />
{ VOLUME DISCOUnTS DO nOT APPLy TO ThIS ITEM<br />
BULLSEyE GALLERy CATALOGS<br />
New JaNE BRUCE: CONTaINED aBsTRaCTION<br />
Refined, formalist glass sculptures from the artist’s<br />
first solo exhibition at Bullseye Gallery. Photos of<br />
the works, which were fabricated in collaboration<br />
with Portland’s Studio Ramp, are accompanied by<br />
drawings and paintings, made by Bruce as studies.<br />
Essays by Dan Klein and Robert Morgan. 2008, soft<br />
cover, 20 pages, color.<br />
{ 8292 $20.00<br />
New BUllsEYE: THE kaNEkO PROJECT<br />
Representing over three years of collaboration<br />
between Jun Kaneko and Bullseye, this project<br />
resulted in the creation of a body of works in<br />
glass that are both monumental in scale and<br />
groundbreaking in their material approach. Essay by<br />
Richard Speer. Commentary by Lani McGregor. 2007,<br />
soft cover, 48 pages, color.<br />
{ 8272 $20.00<br />
GIlEs BETTIsON: PROXIMITY<br />
Innovative use of fused strips of sheet glass cut into<br />
pattern tiles and incorporated into blown-glass<br />
vessels and slumped bowls. Essays by Ian Were of the<br />
Queensland Art Gallery in Brisbane; Lani McGregor,<br />
Bullseye Gallery; and the artist. 2003, soft cover, 32<br />
pages, color.<br />
{ 8218 $30.00<br />
MaURIZIO DONZEllI: ON THE VERGE OF BECOMING<br />
Italian artist Donzelli started his Bullseye residency<br />
by beguiling spectators with performances as the<br />
Macchina dei Disegni (Drawing Machine), creating<br />
spontaneous watercolor paintings later transformed<br />
into monumental glass panels. Essay by curator Annette<br />
Dixon, Portland Art Museum. 2005, soft cover,<br />
16 pages, color.<br />
{ 8286 $15.00<br />
FlUX: EDOls & EllIOTT<br />
Bullseye factory residency and superb finished works<br />
of Australian artists Ben Edols and Kathy Elliott. Essay<br />
by Grace Cochrane, Curator of Decorative Arts and<br />
Design, Powerhouse Museum, Sydney, Australia.<br />
{ 8212 $25.00<br />
sIlVIa lEVENsON 2005: I sEE YOU’RE a BIT NERVOUs<br />
Argentina-born Levenson uses cast glass and mixed<br />
media to create a domestic setting with explosive<br />
undercurrents. This “recipe book” catalog includes<br />
essays by Tina Oldknow, Curator of Modern <strong>Glas</strong>s,<br />
Corning Museum of <strong>Glas</strong>s, and Lani McGregor, Executive<br />
Director, Bullseye Gallery. 2005, soft cover, spiral<br />
bound, 20 pages, color.<br />
{ 8206 $20.00<br />
BY BUllsEYE<br />
Publications<br />
51<br />
Toll-free order line 888.220.3002 • Order online at www.bullseyeglass.com
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