B U L L S E Y E G L A S S - Have Glas

BY BUllsEYE
Publications
52
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BULLSEyE GALLERy CATALOGS (CONTINUED)
JEssICa lOUGHlIN aT BUllsEYE Glass,
laNDsCaPE: MINDsPaCE
Elegant and minimalist shallow vessels and wall panels
from her Bullseye residency. Essays by Dr. Grace
Cochrane of the Powerhouse Museum and Susanne K.
Frantz, former curator at the Corning Museum.
{ 8216 $25.00
JEssICa lOUGHlIN: sHIFTING VIEws
In these abstract kilnformed, wheel-cut, and coldworked
pieces, Loughlin “wrestles with expressing
the sense of limitlessness in the immensity of nature.”
Essay by Portland Art Museum curator Bruce Guenther.
2005, soft cover, 24 pages, color.
{ 8287 $15.00
RICHaRD MaRQUIs
Documents works from the artist’s exhibition at the
Bullseye Connection Gallery, including such techniques
as hot slab construction, kilnforming, blowing,
coldworking, and mixed media. Essay by Tina
Oldknow, Curator of Modern Glass, Corning Museum
of Glass. 2004, soft cover, 32 pages, color.
{ 8283 $25.00
lINO TaGlIaPIETRa aT BUllsEYE Glass:
MasTERwORks FROM FURNaCE aND kIlN
A visual record of La Carta dei Sogni (dream sketchbook),
created in Bullseye’s studios with hand-pulled
filigrana and zanfirico canes and a team of glassworkers.
Essay by glass author and journalist Silvano Tagliapietra;
interview with Tina Oldknow of the Corning
Museum of Glass. 1999, soft cover, 64 pages, color.
{ 8209 $40.00
BERTIl VallIEN aT BUllsEYE Glass
A documentation of the Swedish glass master’s hot
cast process, elemental imagery, and twenty-five
finished works created while in residency at Bullseye
Glass Co. Essay by Suzanne Greening, former director
and CEO of the International Glass Museum. 1997, hard
cover, spiral bound, 44 pages, color.
{ 8205 $25.00
MaRk ZIRPEl: CElEsTIal/TERREsTRIal
Works and ideas for Zirpel’s exhibition at the Bullseye
Gallery were developed during his residency at north
Lands in the Scottish highlands. Zirpel explores his
response to time, nature and landscape in kilnformed
and blown glass and photography. 2005, soft cover, 16
pages, color.
{ 8285 $15.00
FOUND IN TRaNslaTION: Nw PaINTERs aND
PRINTMakERs TRaNsITION TO kIlN-Glass
Selected pieces from the exhibition by painters and
printmakers Judy Cooke, Martha Pfanschmidt, Eric
Stotik, and Mark Zirpel, created during a residency at
Bullseye. Introduction by project technical director Ted
Sawyer. 2004, soft cover, 12 pages, color.
{ 8284 $10.00
mARkETING
CURRENCY: CONTEMPORaRY sTUDIO
Glass JEwElRY aND BEaDs
Selected works from an invitational exhibition at
Bullseye Gallery in 2004 features cutting-edge work by
28 artists from ten countries. Essay by Lani McGregor,
Executive Director, Bullseye Gallery. 2004, soft cover,
32 pages, color.
{ 8219 $25.00
BETwEENNEss: a COllaBORaTION
BETwEEN DEsIGN aND INDUsTRY
Bullseye Glass Co. and Columbia Wire and Iron Works
collaborated with a group of architects, designers, and
fabricators to create sculptural room dividers. Essay by
architecture writer and project curator Randy Gragg.
2003, soft cover, 48 pages, color.
{ 8217 $40.00
MUlTIPlIED lIGHT: THE BUllsEYE
CHaNDElIER PROJECT
Architects and Bullseye’s research and education
team created innovative kiln-glass chandeliers.
Essay by Randy Gragg, architecture writer for the
Oregonian. 2002, hard cover, spiral bound, 30 pages,
15 in color.
{ 8213 $30.00
TEN CIRClEs: DaNTE MaRIONI,
saM aNDREakOs, BUllsEYE Glass
Commemorates ten years of Dante and friends Janusz
Pozniak and Paul Cunningham coming to Bullseye to
blow “cups” for an awestruck audience, using a different,
specially formulated glass by glass technologist
Sam Andreakos every year. 2004, soft cover, 34 pages,
color.
{ 8282 $20.00
MakING & MaRkETING BETTER aRTwORk
Milton Townsend. Information you may not have
learned in art school. Checklists supplement the text
and range from details to big picture considerations:
writing artist statements, CVs and bios, teaching,
managing a studio, working with galleries, packing
artwork and much more. 2001, soft cover, 150 pgs.
{ 7810 $18.00