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<strong>Walt</strong> <strong>Disney's</strong> <strong>Fantastic</strong> <strong>Cartoon</strong> <strong>World</strong><br />
newspaper, drawing political charicatures or comic strips. When nobody wanted to hire<br />
him either likes an artist or likes an ambulance driver. His brother Roy, who worked at a<br />
bank in the area, got a temporarily job for him at the Pesmen-Rubin Art Studio through a<br />
bank colleague. At Pesmen-Rubin, Disney created ads for newspapers, magazines and<br />
movie theaters. It was here that he met a cartoonist named Ubbe Iwerks. When their time<br />
at the Pesmen-Rubin Art Studio expired and both of them weren't having any job. So they<br />
decided to establish their own commercial company.<br />
In January 1920, <strong>Walt</strong> and Iwerks formed a short-lived company called,<br />
"Iwerks-Disney Commercial Artists". However, following a rough start, <strong>Walt</strong> left<br />
temporarily to earn money at Kansas City Film Ad Company, and was soon joined by<br />
Iwerks who was not able to run the business alone. While working for the Kansas City<br />
Film Ad Company, where he made commercials based on cutout animation, <strong>Walt</strong> took up<br />
an interest in the field of animation and decided to become an animator. He was allowed<br />
by the owner of the Ad Company, A.V. Cauger to borrow a camera from work, which he<br />
could use to experiment with at home. After reading a book by Edwin G. Lutz, called<br />
Animated <strong>Cartoon</strong>s: How They Are Made, Their Origin and Development, and he found<br />
cel animation to be much more promising than the cutout animation he was doing for<br />
Cauger. <strong>Walt</strong> eventually decided to open his own animation business, and recruited a<br />
fellow co-worker at the Kansas City Film Ad Company, Fred Harman as his first<br />
employee.<br />
1.3. Laugh O'Gram Studio<br />
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