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Mies van der Rohe and Photography - Villa Grisebach Auktionen ...

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Berlin, March 25 2009: Icons of the history of architecture on view at <strong>Villa</strong> <strong>Grisebach</strong>: A group of<br />

more than two dozen photographs illustrating the work of architect Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />

(1886-1969) will be offered as part of the upcoming photography auction in early June. In the run-up<br />

to the sale, the photographs will be presented in the exhibition “<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> <strong>and</strong> <strong>Photography</strong>”,<br />

on view at <strong>Villa</strong> <strong>Grisebach</strong> from April 16 to June 3, 2009.<br />

The top lot is a photograph by Curt Rehbein of 1922 showing <strong>Mies</strong>' famous model of a glass<br />

skyscraper. <strong>Mies</strong> designed this building for a fictitious location shortly after the competition for the<br />

“Tower House at Friedrichstraße” (1921). The model is programmatic for his revolutionary h<strong>and</strong>ling<br />

of a multiply curved form as well as the use of glass instead of traditional wall material. In addition<br />

to this rare print, <strong>Villa</strong> <strong>Grisebach</strong> will offer two original glass negatives of the same motif as well<br />

as a variation.<br />

The auction will include photographs from <strong>Mies</strong>' early period, such as the Weissenhof settlement in<br />

Stuttgart of 1927 <strong>and</strong> his pavilion for the World Fair in Barcelona (1929). There is an ongoing debate<br />

in academic circles about the authorship of the famous photographs of the pavilion. Not least due to<br />

the exceptional quality of the series, a congenial photographic translation of this key work of mo<strong>der</strong>n<br />

architecture, the name of photographer Sasha Stone is being discussed. Of the sixteen-piece series<br />

<strong>Villa</strong> <strong>Grisebach</strong> will offer eleven prints in the auction on June 4, 2009. Other works depict <strong>Mies</strong>’<br />

aforementioned contribution to the competition “Tower House at Friedrichstraße”, also referred<br />

to as “Wabe” (honeycomb), his design for the memorial at Neue Wache, the residential houses in<br />

Afrikanische Straße, Lemke House in Hohenschönhausen, <strong>and</strong> the drinking hall in Dessau which<br />

was dismantled in the 1970s.<br />

Provenance:<br />

All the works in the exhibition are from the bequest of Eduard Ludwig (1906-1960), an architect<br />

<strong>and</strong> former Bauhaus student, who worked as an assistant to <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong>. Both men kept a<br />

life-long friendship. Ludwig had enrolled as a Bauhaus student in 1928. His teachers were Wassily<br />

K<strong>and</strong>insky, Paul Klee, Josef Albers, Walter Peterhans <strong>and</strong> <strong>Mies</strong>. After earning his degree in 1932,<br />

Ludwig’s first job was at the Bauhaus building department. After the closing of the school in<br />

September 1932, Ludwig worked at <strong>Mies</strong>’ office in Berlin <strong>and</strong>, since 1935, also at the studio of<br />

Lilly Reich. Today, documents from Ludwig's bequest are held in the collections of The Museum<br />

of Mo<strong>der</strong>n Art, New York, Werkbundarchiv, Berlin, Akademie <strong>der</strong> Künste, Berlin, <strong>and</strong> Bauhaus<br />

Foundation in Dessau, among others.<br />

Franziska Schmidt<br />

For further information please contact Franziska Schmidt, phone +49-30-885 915-27,<br />

E-mail f.schmidt@villa-grisebach.de or visit www.villa-grisebach.de<br />

<strong>Villa</strong> <strong>Grisebach</strong> <strong>Auktionen</strong> GmbH<br />

Fasanenstraße 25 · D-10719 Berlin<br />

Telefon: +49-30-885 915-0<br />

Telefax: +49-30-882 4145<br />

auktionen@villa-grisebach.de<br />

www.villa-grisebach.de

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