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Sensation & Perception

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Overtones<br />

Overtones: Makes the distinction among musical<br />

instruments possible.<br />

The Ear<br />

Outer Ear: Pinna. Collects sounds.<br />

Middle Ear: Chamber between eardrum and<br />

cochlea containing three tiny bones (hammer,<br />

anvil, stirrup) that concentrate the vibrations of<br />

the eardrum on the cochlea’s oval window.<br />

Inner Ear: Innermost part of the ear, containing<br />

the cochlea, semicircular canals, and vestibular<br />

sacs.<br />

Theories of Audition<br />

Place Theory suggests that sound frequencies<br />

stimulate the basilar membrane at specific places<br />

resulting in perceived pitch.<br />

Can not explain<br />

low frequencies<br />

http://www.pc.rhul.ac.uk<br />

79<br />

81<br />

83<br />

The Ear<br />

Cochlea<br />

Cochlea: Coiled, bony, fluid-filled tube in the inner<br />

ear that transforms sound vibrations to auditory<br />

signals.<br />

Theories of Audition<br />

Frequency Theory states that the rate of nerve impulses<br />

traveling up the auditory nerve matches the frequency<br />

of a tone, thus enabling us to sense its pitch.<br />

Can not explain<br />

high frequencies<br />

Sound<br />

Frequency<br />

100 200 Hz<br />

Auditory Nerve<br />

Action Potentials<br />

80<br />

82<br />

84<br />

Dr. Fred Hossler/ Visuals Unlimited<br />

14

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