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Ralph Peterson 35th Annual Student Music Awards - Downbeat

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The<br />

Inside �<br />

14 I Riffs<br />

16 I European Scene<br />

18 I Julian Lage<br />

20 I AuM fidelity<br />

22 I Players<br />

Jazz Bakery<br />

Rises Again<br />

Moveable Feast Finds a<br />

Permanent Venue<br />

Ruth Price was playing a constant waiting game when it came to<br />

securing a second site for her suspended Jazz Bakery.<br />

The waiting game entered a new phase after Price received two generous<br />

gifts: an unsolicited $2 million donation from the Annenberg<br />

Foundation and a permanent venue site within the limits of Culver<br />

City, Calif.<br />

Price’s hand is also strengthened by the recent addition of the<br />

Bakery’s new Executive Director, violinist Jeff Gauthier. Gauthier, who<br />

helms the esteemed West Coast jazz label Cryptogramophone, also<br />

works with artistically ambitious Angel City Arts organization, which<br />

books cutting-edge musicians and the forward-thinking Angel City<br />

Jazz Festival.<br />

Price is unequivocal in her praise for Gauthier. “I love having him<br />

aboard,” Price said. “I’ve known him for a long time and I’ve always<br />

respected him as a musician. We did a paid search for an executive<br />

director and he was the choice; I was thrilled.”<br />

In 2009, Price’s landlord unceremoniously terminated the lease on<br />

her club’s original Culver City home, and she’s since been an impresario<br />

without a permanent venue. Price was far from idle during this setback<br />

and managed to book an ongoing schedule of tantalizing shows at<br />

various locations around Southern California, all under the Bakery banner<br />

of “Moveable Feast.”<br />

Even during this limbo-like holding period, Price has fulfilled the<br />

important role of presenting quality artists in Los Angeles: Trio M<br />

(with Myra Melford, Mark Dresser and Matt Wilson), guitarist Kurt<br />

Rosenwinkle, pianist Chano Domínguez, guitarist Pat Martino with<br />

pianist Eldar Djangirov, violinist Regina Carter’s Reverse Thread<br />

band and singer-guitarist Dori Caymmi.<br />

Still, the frustrations of booking—inclimate weather, venues with<br />

subpar equipment—are magnified as Price continuously deals with<br />

these many sets of variables while also keeping n eye on the ongoing<br />

progress of the Bakery’s new Culver City home. But as nerve-wracking<br />

as her post-eviction life has been, Price counts the great blessings<br />

that have come to her, including renowned architect Frank Gehry’s<br />

offer to design the forthcoming building.<br />

“He came to the Bakery a couple of times,” Price recalled. “I didn’t<br />

News & Views From Around The <strong>Music</strong> World<br />

EARl GiBSon iii<br />

know who he was. He was usually with Herbie Hancock and he didn’t<br />

say much. He told me later that when he heard we lost our lease, that he<br />

thought about helping us in some way.”<br />

“It was almost a shock,” she added, “when he came to us and offered<br />

his services on the first of the year. He said, ‘I’m doing this for two people—Sydney<br />

Pollack and my wife, Berta.’ It turns out she was a frequent<br />

visitor to the Bakery, as was Sydney.”<br />

The Jazz Bakery will co-produce the Angel City Jazz Festival this<br />

year. Though Gauthier will be stepping away from his position at Angel<br />

City Arts, he will participate in the programming of the festival with<br />

Price and ACA founder Rocco Somazzi.<br />

Gauther is extremely enthusiastic about the collaboration between<br />

the Bakery and the Angel City Jazz Festival. “I saw this as an opportunity<br />

to bring the two organizations closer together and help realize<br />

the Bakery’s vision for a beautiful new center for jazz in Culver City,”<br />

he said. “I’ve been creating opportunities for music and musicians for<br />

a long time in L.A., and I saw this as a once in a lifetime opportunity<br />

to really make an impact and advocate for jazz and creative music<br />

in Los Angeles.”<br />

Gehry’s involvement already has Price and Gauthier’s artistic<br />

wheels turning. “Frank has asked to consult with several musicians<br />

before putting the finishing touches on the room,” he reveals, “so he<br />

really wants to have a dialogue with musicians. We’d like to ask four<br />

different jazz composers to write a suite inspired by the new building<br />

and have it performed by an all-star group of L.A. players during the<br />

first season. Wouldn’t that be something?” —Kirk Silsbee<br />

JUNE 2012 DoWNBEAt 13

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