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Ralph Peterson 35th Annual Student Music Awards - Downbeat

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80 DoWNBEAt JUNE 2012<br />

Kat Edmonson<br />

Way Down Low<br />

SPINNERETTE 1202<br />

★★★★★<br />

Melissa Stylianou<br />

Silent Movie<br />

ANZIC 0036<br />

★★★★1/2<br />

When listening to singers who move in and out<br />

of jazz, pop and the kitchen sink, one question<br />

always lingers: Are we talking standards,<br />

or something else? In the case of singers Kat<br />

Edmonson and Melissa Stylianou, the answer<br />

for each on their new discs is somewhere in<br />

between. On Edmonson’s Way Down Low and<br />

Stylianou’s Silent Movie they tilt towards originals<br />

played in unconventional ways.<br />

In Houston native Edmonson’s case, don’t<br />

let her pixieish, almost child-like singing fool<br />

you: Her vibe is sophisticated and unique. Her<br />

Take To The Sky (2009) featured a more conventional<br />

jazz personnel and mostly covers.<br />

The self-produced Way Down Low is loaded<br />

with varied instrumentation, occasional background<br />

vocals and acute interpretations. The<br />

attention to detail can be mesmerizing, as on her<br />

exquisite, rarified take of Brian Wilson’s “I Just<br />

Wasn’t Made For These Times.” Edmonson’s<br />

voice is on the verge of tears amidst subdued,<br />

shimmering horn charts, piano sprinklings and<br />

a gentle sway in 3/4. This song follows on the<br />

heels of three more spritely or Latin-flavored<br />

confections that suggest love and being in love.<br />

“Lucky,” “I Don’t Know” and “What Else Can<br />

I Do” celebrate, whereas Wilson’s lament finds<br />

Edmonson venturing into more difficult terrain.<br />

“Whispering Grass” finds the singer in the<br />

middle of a breezy meadow of sound, the emotional<br />

currents once again uneven, the song<br />

full of space, a very slow gait and moments<br />

for pianist, bassist and drummer to move in<br />

and out of the song’s seemingly endless open<br />

sky. Edmonson’s voice, too, drops down a bit<br />

to reflect the song’s mysterious gaze. Strings,<br />

celeste and a slithering organ accompany<br />

Edmonson on the sweetly sour waltz “I’m Not<br />

In Love”; while in a playful duet with well-fitted<br />

guest Lyle Lovett, “The Long Way Home”<br />

is a whimsical, swinging ode to love, and, like<br />

everything else here, once again features the<br />

odd instrumental touch. A reprise/redo via a<br />

whispering crawl with “I Don’t Know” could<br />

take your breath away.<br />

Stylianou’s Silent Movie begins with an<br />

incredibly slow take of her own, this time with<br />

the standard “Smile.” She’s close-in, too, her<br />

own version of delicate delivery disarming as<br />

she almost whispers her lines to this famous<br />

tune, accompanied by a sympathetic and supportive<br />

group. While she relies more on the<br />

occasional standard, her takes are so original<br />

you’re inclined to forget who wrote it. James<br />

Taylor’s “Something In The Way She Moves,”<br />

Paul Simon’s “Hearts And Bones,” “The<br />

Folks Who Live On The Hill” and Mancini/<br />

Mercer’s “Moon River” all suggest a familiarity,<br />

a genuine connection, Stylianou’s delivery<br />

at times recalling, among others, Joni Mitchell<br />

when she plays with intervals in a more natural,<br />

less affected way.<br />

It’s too bad we don’t get more of her own<br />

material, the title track a narrative rich with<br />

allusions to heartbreak, the melody so sweet<br />

yet suggesting the pain that can come from intimate<br />

relationships, her voice sounding hopeful<br />

but filled with uncertainty. And her “Hearing<br />

Your Voice” (written with Vince Mendoza)<br />

and “First Impressions” (with Edgar Meyer)<br />

reinforce the impression that original material<br />

suits her. The slow and sad “Today I Sing The<br />

Blues” covers similar territory, but is delivered<br />

with less conviction, suggesting less regret.<br />

—John Ephland<br />

Way Down Low: Lucky; I Don’t Know; What Else Can I Do; I Just<br />

Wasn’t Made For These Times; This Was The One; Champagne;<br />

Whispering Grass; I’m Not In Love; Long Way Home; Nobody<br />

Knows That; Hopelessly Blue; I Don’t Know (Reprise). (55:40)<br />

Personnel: Kat Edmonson, Lyle Lovett (9), vocals; Kevin Lovejoy,<br />

keyboards, organ, whistle; Larry Goldings, organ; Danton Boller,<br />

bass, vibraphone, vocals; Matt Munisteri, Pete Smith, guitar; Frank<br />

LoCrasto, piano, glockenspiel; Matt Rey, piano; Brian Wolfe, Jeremy<br />

Carlstedt, drums; Chris Lovejoy, percussion, bass, vibraphone;<br />

Kathleen Sloan, Ina Veli, Kathleen Sloan, violin; Andrew Duckles,<br />

viola; Timothy Loo, cello; James R. Atkinson, French horn; Bob<br />

McChesney, Martin Sullivan, trombone; John Ellis, bass clarinet.<br />

ordering info: katedmonson.com<br />

Silent Movie: Smile; Something In The Way She Moves; Silent<br />

Movie; Onde Ir; Hearts And Bones; Today, I Sing The Blues; Hearing<br />

Your Voice; I Still Miss Someone; The Folks Who Live On The<br />

Hill; First Impressions; Swansea; Moon River. (54:63)<br />

Personnel: Melissa Stylianou, vocals; Pete McCann, electric and<br />

acoustic guitars; Gary Wang, bass; Rodney Green, drums; Jamie<br />

Reynolds, piano; Anat Cohen, soprano saxophone (2, 5), bass<br />

clarinet (4, 11), clarinet (9); James Shipp, percussion (2, 4, 5, 10,<br />

11); Yoed Nir, cello (4, 10, 11).<br />

ordering info: anzicrecords.com

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