Ralph Peterson 35th Annual Student Music Awards - Downbeat
Ralph Peterson 35th Annual Student Music Awards - Downbeat
Ralph Peterson 35th Annual Student Music Awards - Downbeat
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80 DoWNBEAt JUNE 2012<br />
Kat Edmonson<br />
Way Down Low<br />
SPINNERETTE 1202<br />
★★★★★<br />
Melissa Stylianou<br />
Silent Movie<br />
ANZIC 0036<br />
★★★★1/2<br />
When listening to singers who move in and out<br />
of jazz, pop and the kitchen sink, one question<br />
always lingers: Are we talking standards,<br />
or something else? In the case of singers Kat<br />
Edmonson and Melissa Stylianou, the answer<br />
for each on their new discs is somewhere in<br />
between. On Edmonson’s Way Down Low and<br />
Stylianou’s Silent Movie they tilt towards originals<br />
played in unconventional ways.<br />
In Houston native Edmonson’s case, don’t<br />
let her pixieish, almost child-like singing fool<br />
you: Her vibe is sophisticated and unique. Her<br />
Take To The Sky (2009) featured a more conventional<br />
jazz personnel and mostly covers.<br />
The self-produced Way Down Low is loaded<br />
with varied instrumentation, occasional background<br />
vocals and acute interpretations. The<br />
attention to detail can be mesmerizing, as on her<br />
exquisite, rarified take of Brian Wilson’s “I Just<br />
Wasn’t Made For These Times.” Edmonson’s<br />
voice is on the verge of tears amidst subdued,<br />
shimmering horn charts, piano sprinklings and<br />
a gentle sway in 3/4. This song follows on the<br />
heels of three more spritely or Latin-flavored<br />
confections that suggest love and being in love.<br />
“Lucky,” “I Don’t Know” and “What Else Can<br />
I Do” celebrate, whereas Wilson’s lament finds<br />
Edmonson venturing into more difficult terrain.<br />
“Whispering Grass” finds the singer in the<br />
middle of a breezy meadow of sound, the emotional<br />
currents once again uneven, the song<br />
full of space, a very slow gait and moments<br />
for pianist, bassist and drummer to move in<br />
and out of the song’s seemingly endless open<br />
sky. Edmonson’s voice, too, drops down a bit<br />
to reflect the song’s mysterious gaze. Strings,<br />
celeste and a slithering organ accompany<br />
Edmonson on the sweetly sour waltz “I’m Not<br />
In Love”; while in a playful duet with well-fitted<br />
guest Lyle Lovett, “The Long Way Home”<br />
is a whimsical, swinging ode to love, and, like<br />
everything else here, once again features the<br />
odd instrumental touch. A reprise/redo via a<br />
whispering crawl with “I Don’t Know” could<br />
take your breath away.<br />
Stylianou’s Silent Movie begins with an<br />
incredibly slow take of her own, this time with<br />
the standard “Smile.” She’s close-in, too, her<br />
own version of delicate delivery disarming as<br />
she almost whispers her lines to this famous<br />
tune, accompanied by a sympathetic and supportive<br />
group. While she relies more on the<br />
occasional standard, her takes are so original<br />
you’re inclined to forget who wrote it. James<br />
Taylor’s “Something In The Way She Moves,”<br />
Paul Simon’s “Hearts And Bones,” “The<br />
Folks Who Live On The Hill” and Mancini/<br />
Mercer’s “Moon River” all suggest a familiarity,<br />
a genuine connection, Stylianou’s delivery<br />
at times recalling, among others, Joni Mitchell<br />
when she plays with intervals in a more natural,<br />
less affected way.<br />
It’s too bad we don’t get more of her own<br />
material, the title track a narrative rich with<br />
allusions to heartbreak, the melody so sweet<br />
yet suggesting the pain that can come from intimate<br />
relationships, her voice sounding hopeful<br />
but filled with uncertainty. And her “Hearing<br />
Your Voice” (written with Vince Mendoza)<br />
and “First Impressions” (with Edgar Meyer)<br />
reinforce the impression that original material<br />
suits her. The slow and sad “Today I Sing The<br />
Blues” covers similar territory, but is delivered<br />
with less conviction, suggesting less regret.<br />
—John Ephland<br />
Way Down Low: Lucky; I Don’t Know; What Else Can I Do; I Just<br />
Wasn’t Made For These Times; This Was The One; Champagne;<br />
Whispering Grass; I’m Not In Love; Long Way Home; Nobody<br />
Knows That; Hopelessly Blue; I Don’t Know (Reprise). (55:40)<br />
Personnel: Kat Edmonson, Lyle Lovett (9), vocals; Kevin Lovejoy,<br />
keyboards, organ, whistle; Larry Goldings, organ; Danton Boller,<br />
bass, vibraphone, vocals; Matt Munisteri, Pete Smith, guitar; Frank<br />
LoCrasto, piano, glockenspiel; Matt Rey, piano; Brian Wolfe, Jeremy<br />
Carlstedt, drums; Chris Lovejoy, percussion, bass, vibraphone;<br />
Kathleen Sloan, Ina Veli, Kathleen Sloan, violin; Andrew Duckles,<br />
viola; Timothy Loo, cello; James R. Atkinson, French horn; Bob<br />
McChesney, Martin Sullivan, trombone; John Ellis, bass clarinet.<br />
ordering info: katedmonson.com<br />
Silent Movie: Smile; Something In The Way She Moves; Silent<br />
Movie; Onde Ir; Hearts And Bones; Today, I Sing The Blues; Hearing<br />
Your Voice; I Still Miss Someone; The Folks Who Live On The<br />
Hill; First Impressions; Swansea; Moon River. (54:63)<br />
Personnel: Melissa Stylianou, vocals; Pete McCann, electric and<br />
acoustic guitars; Gary Wang, bass; Rodney Green, drums; Jamie<br />
Reynolds, piano; Anat Cohen, soprano saxophone (2, 5), bass<br />
clarinet (4, 11), clarinet (9); James Shipp, percussion (2, 4, 5, 10,<br />
11); Yoed Nir, cello (4, 10, 11).<br />
ordering info: anzicrecords.com