Global Impact on the Survival of Wayang Kulit ... - Siew Lian Lim
Global Impact on the Survival of Wayang Kulit ... - Siew Lian Lim
Global Impact on the Survival of Wayang Kulit ... - Siew Lian Lim
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aspects <strong>of</strong> it in o<strong>the</strong>r arts, primarily visual art, which has been <strong>the</strong> practice <strong>of</strong> <strong>the</strong> researcher.<br />
One significant visual artist influenced by <strong>Wayang</strong> <strong>Kulit</strong> is Aris A Yaacob (Yaacob blogspot).<br />
He studied painting and print-making with Malaysian-French educated artist, Mansor Ibrahim,<br />
from 1994-1996 and <strong>the</strong>n moved to Britain in 1996 to study architecture (Leeds). However, his<br />
interest was more in art, so he earned a Masters degree in Scenography (time-based art namely<br />
puppetry) from Wimbled<strong>on</strong> School <strong>of</strong> Art, L<strong>on</strong>d<strong>on</strong> in 2000. At that time he co-founded <strong>the</strong> Doo-<br />
Lali Group with poet Rozmanshah Abdullah and puppeteer Patrizia Adami Suter. Yaacob’s<br />
work in L<strong>on</strong>d<strong>on</strong> frequently referenced <strong>Wayang</strong> <strong>Kulit</strong>. In 2009, he put <strong>on</strong> a nine-week exhibiti<strong>on</strong>,<br />
High Priest: The S<strong>on</strong>gs <strong>of</strong> Destructi<strong>on</strong> at Liverpool Novas C<strong>on</strong>temporary Urban Centres<br />
(Yaacob blogspot). This exhibiti<strong>on</strong> included drawings, paintings and a performance piece<br />
reinterpreting a wayang performance. In his statement for <strong>the</strong> show, Yaacob states that his goal<br />
is to break “…<strong>the</strong> boundary <strong>of</strong> visual and performance art, freeing <strong>the</strong> space and separati<strong>on</strong>.” In<br />
2006, Yaacob put <strong>on</strong> a live art presentati<strong>on</strong> based <strong>on</strong> <strong>Wayang</strong> <strong>Kulit</strong> at a night club in L<strong>on</strong>d<strong>on</strong>.<br />
This was not a modernized <strong>Wayang</strong> <strong>Kulit</strong> performance but ra<strong>the</strong>r “live art” in which he produced<br />
sp<strong>on</strong>taneous paintings in fr<strong>on</strong>t <strong>of</strong> an audience. "I love painting and I love performing, so I<br />
combine <strong>the</strong> two." Yaacob has since earned his Ph.D and is now teaching at University Science<br />
<strong>of</strong> Malaysia, Penang, School <strong>of</strong> <strong>the</strong> Arts.<br />
Aris A Yaacob, Live Art<br />
Two artists from Yogyakarta, Java's main center for <strong>Wayang</strong> <strong>Kulit</strong> and also Ind<strong>on</strong>esia's<br />
major art center as home to <strong>the</strong> Institut Seni Ind<strong>on</strong>esia Yogyakarta (ISI, Ind<strong>on</strong>esia Institute <strong>of</strong> <strong>the</strong><br />
Arts, Yogyakarta) are am<strong>on</strong>g those whose art has incorporated and been inspired by Ind<strong>on</strong>esian<br />
<strong>Wayang</strong> <strong>Kulit</strong>, and both have exhibited <strong>the</strong>ir work worldwide including <strong>the</strong> U.S. One is Heri<br />
D<strong>on</strong>o , who graduated from ISI in 1987, which was followed by a year <strong>of</strong> being trained in<br />
<strong>Wayang</strong> <strong>Kulit</strong> by a leading Yogyakarta dalang, Sukasman (Heri D<strong>on</strong>o). Since <strong>the</strong>n he has served<br />
in a series <strong>of</strong> residencies worldwide, including H<strong>on</strong>g K<strong>on</strong>g, Japan, Australia, Switzerland,<br />
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