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Dunn is President, Co-Founder and Program Director <strong>of</strong> the Art and Science<br />

Laboratory and President <strong>of</strong> the Acoustic Ecology Institute, both in Santa Fe, <strong>New</strong><br />

Mexico. His compositions and wildlife sound recordings have appeared in<br />

hundreds <strong>of</strong> international forums, concerts, broadcasts, and exhibitions. Besides<br />

his multiple books, recordings and soundtracks, he has been anthologized in over<br />

50 journals and books. Dunn was the recipient <strong>of</strong> the prestigious Alpert Award for<br />

Music in 2005.<br />

http://davidddunn.com/~david/<br />

DAY TWO: SATURDAY 20 AUGUST<br />

PLENARY<br />

AMY BALKIN<br />

Public Smog and Other Place-Based Projects<br />

California-based artist Amy Balkin will discuss her work Public Smog, an<br />

atmospheric park, and other spatial projects. These include attempts to<br />

construct counterfactual spaces, and remap existing ones.<br />

Public Smog (2004+) is a series <strong>of</strong> attempts to open a public clean-air park in the<br />

sky through economic and political activities. These include purchasing and<br />

withholding emission credits in regulated carbon trading schemes, and an<br />

attempt to add the Earth's atmosphere to the UNESCO World Heritage List. In the<br />

context <strong>of</strong> Australia's upcoming carbon tax and future carbon floor price, Public<br />

Smog is a consideration <strong>of</strong> the commodified atmosphere and how financial<br />

logic plays out in the sky.<br />

The landscape as property, political participation and disenfranchisement, and<br />

environmental justice, connect Public Smog to her other counter-cartographic<br />

efforts. These include This is the Public Do<strong>main</strong>, an ongoing attempt to initiate a<br />

permanent global commons in rural Kern County, California; and Invisible-5, a<br />

self-guided critical audio tour <strong>of</strong> the I-5, California's <strong>main</strong> transport corridor.<br />

Together, her projects are concerned with how landscape is produced, and the<br />

problems involved with producing other, politically dormant landscapes instead.<br />

They also run up against the discontented relationship between art and activism,<br />

and the stakes over the ongoing commodification <strong>of</strong> the landscape and just<br />

access to the world's common-pool resources.<br />

BIOGRAPHY<br />

Amy Balkin is an artist whose work involves land and the geopolitical relationships<br />

that frame it. Her projects include This is the Public Do<strong>main</strong>, an ongoing effort to<br />

create a permanent international commons, free to all in perpetuity, through the<br />

legal transfer <strong>of</strong> 2.64 acres <strong>of</strong> land near Tehachapi, California to the global<br />

34

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