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Sigmund Freud-Museum | Newsletter - Sigmund Freud Museum Wien

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Seit Mai 2002 präsentiert das <strong>Sigmund</strong> <strong>Freud</strong>-<strong>Museum</strong> eine neue Installation von Joseph Kosuth mit<br />

dem Titel ‚Ansicht der Erinnerung‘ – ‘A View to Memory’ an der Außenfront des Hauses Berggasse<br />

19. Das neben dem Hauseingang gelegene Lokal, in dem bis 1938 Siegmund Kornmehl eine koschere<br />

Fleischerei geführt hat, bietet mit seinem großen Schaufenster den Schauplatz von Kosuths<br />

Installation.<br />

Die Projekte des <strong>Museum</strong>s konnten in den letzten Jahren nur durch die grundlegende finanzielle<br />

Unterstützung des Vereins der Freunde des <strong>Sigmund</strong> <strong>Freud</strong>-<strong>Museum</strong>s <strong>Wien</strong> realisiert werden. Dieser<br />

Verein blickte 2001 auf eine zehnjährige Tätigkeit zurück und hat zu diesem Anlass seine<br />

Programmatik neu formuliert, die er in diesem <strong>Newsletter</strong> vorstellt.<br />

Die verstärkte Öffnung des <strong>Museum</strong>s für neue <strong>Wien</strong>er Publikumsschichten wird auch in den<br />

kommenden Jahren im Zusammenspiel mit internationalen wissenschaftlichen Kooperationen und<br />

Ausstellungen im Mittelpunkt der Zielsetzung stehen.<br />

Inge Scholz-Strasser<br />

Direktorin<br />

Dear Readers,<br />

In several building phases over the past ten years, the <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong> has been able to nearly<br />

double its exhibition space and has made the infrastructural improvements necessary for the<br />

establishment of a scientific research library. Now that it has rented a street-level storefront that<br />

provides a display surface on the building’s exterior, the <strong>Museum</strong> is able as of this year to draw<br />

attention to its activities through installations in public space. These new developments offer an<br />

opportunity to consider the manifold functions of the location Berggasse 19 and the spatial concepts<br />

that have been realized there. The <strong>Museum</strong>’s spatial planning and its realization by architect Wolfgang<br />

Tschapeller are documented in an architecture folder that was compiled this year by Lydia Marinelli<br />

and Georg Traska.<br />

In last year’s phase of the remodeling of all the facilities at Berggasse 19, the renovation of the original<br />

parquet flooring in the library area and the complete renovation of the administrative rooms on the<br />

house’s ground floor have been completed. From 1895 to 1908, <strong>Sigmund</strong> <strong>Freud</strong> had his first office in<br />

what are now the administrative rooms. Today these rooms are also used as space for presenting the art<br />

collection of the “Foundation for the Arts, <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong> Vienna” which can be viewed on<br />

request. The renovation was co-funded by Austrian Lotteries, one of the <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong>’s<br />

sponsors.<br />

In addition to maintaining its usual high frequency of international visitors the <strong>Sigmund</strong> <strong>Freud</strong><br />

<strong>Museum</strong> has been able to reach a new, mainly young public in Vienna in particular by organizing<br />

events in which psychoanalytic approaches overlap with the performing arts, literature and new media.<br />

Berggasse 19 is now seen as a contemporary forum for scientific and cultural discourse. In this context<br />

we are also printing the text of this year’s <strong>Sigmund</strong> <strong>Freud</strong> Lecture, given by Sherry Turkle and entitled<br />

“Whither Psychoanalysis in a Computer Culture?” This lecture elaborated on the effects of the new<br />

media on individual forms of communication.<br />

The exhibition “<strong>Sigmund</strong> <strong>Freud</strong>: Conflict and Culture,” a cooperative effort of the Library of<br />

Congress, the <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong> Vienna and the <strong>Freud</strong> <strong>Museum</strong> London was shown in Brazil at<br />

the Museu de Arte Moderna São Paulo from 10 October 2000 through 8 January 2001 and at the<br />

Museu de Arte Moderna in Rio de Janeiro from 6 February through 19 March 2001. Thereafter the<br />

show was on view for the last time in the USA at the Field <strong>Museum</strong> in Chicago from 3 October<br />

through 9 December 2001. Currently the exhibition can be seen in a facsimile version at Beth<br />

Hatefutsoth Tel Aviv. For this show in Israel, the <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong> has made available first<br />

editions of <strong>Freud</strong> writings and the <strong>Sigmund</strong> <strong>Freud</strong> Gymnasium in Vienna has lent the protocol of<br />

<strong>Sigmund</strong> <strong>Freud</strong>’s final examination.<br />

The <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong> has realized numerous exhibition projects at Berggasse 19 during the last<br />

year. The exhibitions explored the interaction between psychoanalysis and art in the areas of literature<br />

and new media. Julius Deutschbauer’s “Library of Unread Books at the <strong>Sigmund</strong> <strong>Freud</strong> <strong>Museum</strong>” was<br />

on view in the exhibition and lecture room from 6 April to 10 June 2001. Readings were held in this<br />

context and events were also hosted within the framework of the citywide “Long Night at the

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