Popular Culture in Counseling, Psychotherapy, and Play-Based ...

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PART I Literature
CHAPTER 1 Metaphors, Analogies, and Myths, Oh My! Therapeutic Journeys Along the Yellow Brick Road Lisa Saldaña A young girl, feeling alone and vulnerable, stands in a grey and overcast farm yard. Dark clouds hang in the background as she wistfully imagines a place “where there isn’t any trouble.” Yet, this place—as she tells her small furry companion—would not be a place you could get to by any normal means, for it’s located “behind the moon” and “beyond the rain.” Little does she know that she is about to be hurled over the rainbow, to experiences and relationships that will help her discover that you can’t run away from your fears, and whatever it is you seek, it’s always right there within you. THE WONDERFUL WIZARD OF OZ: AN AMERICAN FAIRY TALE For over 100 years, The Wonderful Wizard of Oz “has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” 1 At the dawn of the 20th century, The Wonderful Wizard of Oz was published in the United States (Baum, 1900). Often considered the fi rst American fairy tale (Library of Congress, 2000), this beloved children’s story has been the basis for a series of over 30 Oz books, and has generated toys, memorabilia, 3
Page 1 and 2: Popular Culture in Counseling, Psyc
Page 3 and 4: Copyright © 2008 Springer Publishi
Page 5 and 6: viii CONTENTS 3. Calvin and Hobbes
Page 7 and 8: x CONTENTS 10. Picking Up Coins: Th
Page 9 and 10: xii CONTENTS Sports Metaphors to Fa
Page 11 and 12: xiv CONTRIBUTORS is an adjunct prof
Page 13 and 14: xvi CONTRIBUTORS Trainer in private
Page 15 and 16: xviii CONTRIBUTORS Scott Riviere, M
Page 17 and 18: Foreword I’M A STRANGER HERE, MYS
Page 19 and 20: Foreword xxiii So pop culture is a
Page 21 and 22: Foreword xxv therapists in pop cult
Page 23 and 24: Foreword xxvii society as a whole.
Page 25 and 26: xxx ACKNOWLEDGMENTS contributed to
Page 27 and 28: xxxii INTRODUCTION POPULAR CULTURE
Page 29 and 30: xxxiv INTRODUCTION in the subtletie
Page 31 and 32: xxxvi INTRODUCTION identifi es a ne
Page 33 and 34: xxxviii INTRODUCTION and the iPod,
Page 35 and 36: xl INTRODUCTION order to help clien
Page 37: xlii INTRODUCTION Marrs, R. (1995).
Page 41 and 42: Metaphors, Analogies, and Myths, Oh
Page 59: Metaphors, Analogies, and Myths, Oh

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