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EXCELSIOR - Treorchy Male Choir

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<strong>EXCELSIOR</strong> 31<br />

Voice <strong>Choir</strong> Competition at the National Eisteddfod welcomed 20,000 fans,<br />

such was the popularity of choral contests. This exciting, vibrant and youthful<br />

industrial heartland of South Wales, of which the Rhondda was the most<br />

famous, became an entire hotbed of musical fanaticism. Competitors were<br />

vindictive: big money was at stake in bets, law suits took place and sabotage<br />

was used on more than one occasion. Long before village rugby teams<br />

reached a position of prominence, it was the choirs who inspired villagers to<br />

turn out en masse to watch the "battle of the giants". Newspaper reports of<br />

the period tell some joyous tales of adjudicators fleeing for their lives when<br />

awarded the first prizes at various eisteddfodau. Tomatoes, boots, even chairs<br />

were thrown across marquees at the adjudicator’s table. At one semi-national<br />

in Carmarthen, the adjudicator escaped from his hotel dressed as a policeman<br />

to avoid an angry mob.<br />

Rhondda Glee Society<br />

One of the 20th centuries most eminent Welsh composers, William Mathias,<br />

summed up the story of Rhondda choral music in Victorian times by saying,<br />

“The tradition of the 19th century Welsh choralism was as much a sociological<br />

as a musical phenomenon, arising out of the need of the people to<br />

express religious fervour or to rise above hardship and poverty through the<br />

means of choral singing. They are to be honoured for doing so. They and<br />

their leaders were in bond to their time in taking the only means open to

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