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EXCELSIOR - Treorchy Male Choir

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<strong>EXCELSIOR</strong> 37<br />

the Controller of the Household making arrangements. But once again these<br />

were scuppered with the death of the Duke of Clarence, the Prince of<br />

Battenburg and that of Sir Hugh Ponsonby.<br />

Major Walter Quinn took up the suggestion again and finally on January 25th<br />

1898 – more than two years since Treorky’s visit – an official letter came from<br />

Quinn inviting them to appear at Windsor. It was closely followed by a<br />

telegram from Sir Walter Parratt, the Queen’s Organist, directing them to<br />

appear in evening dress – and not “Sunday Best” as had been Treorky’s way.<br />

While Treorky had taken Dr Joseph Parry as their guest of honour to Windsor,<br />

Tom Stephens invited his good friend Eos Dar, the famous Pennillion Singer<br />

and multiple-winner at the National Eisteddfod of Wales. Ironically enough,<br />

six members of the Glee Society had previously sang with Treorky and<br />

appeared with them before the Queen in 1895.<br />

On February 22nd 1898 the <strong>Choir</strong> left Ystrad train station to a huge sendoff.<br />

Along the hillsides of Penrhys and Gelli people waved at the royal singers<br />

while crowds gathered at Pontypridd and Cardiff to greet the choristers<br />

through the windows of their saloons of the Great Western Railway carriages.<br />

They reached Windsor at 6.10pm, settling into their accommodation at the<br />

White Hart Hotel and enjoying tea in the dining room where Mabon struck<br />

up “Crugybar” and the <strong>Choir</strong> sang for a few minutes before Tom Stephens<br />

ordered silence for fear they would lose their voices. He did, however allow<br />

them a rehearsal of “God Save the Queen” before they departed for their<br />

rooms to don their evening dress and white gloves, also bearing breast badges<br />

to say they’d won the National Eisteddfod in Pontypridd.<br />

At 8.45pm they formed a procession up Castle Hill and entered through the<br />

Grand Entrance to be met by Mr Miles of the Lord Chamberlain’s<br />

Department in the cloakroom. Then they were led up the grand staircase to<br />

St George’s Hall where an orchestra had been erected and six tiers of seats for<br />

the Welshmen. A group of 36 gilded chairs in six rows were placed for the<br />

audience with a low armed black oak chair, richly upholstered, stood in the<br />

centre alongside a small table holding a pair of opera glasses, a magnifying<br />

lens and a copy of the concert programme bound in red borocco.<br />

Mr D. Jones sat at the grand piano and Percie Smith was sat at the American<br />

organ. Punctually at 10pm the bells chimed and the doors opened into the<br />

hall. The Ladies and Gentlemen of the Household, with Lord Edward<br />

Clinton, Controller of the Household appearing to signal the Queen’s<br />

approach. They all rose to the majestic strains of the National Anthem. The<br />

Queen, bent over, walked slowly. Her right hand was resting on a stick, her<br />

left holding her Indian attendant. Dressed in black with a flowing white head

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