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EXCELSIOR - Treorchy Male Choir

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<strong>EXCELSIOR</strong> 33<br />

the methods of singing and conducting. Caradog, the Trecynon blacksmith<br />

who later became landlord of the <strong>Treorchy</strong> Hotel, influenced his musical<br />

technique more than anyone else. In fact it was Caradog who appointed him<br />

as one of the alto singers in Aberdare Choral Union when Tom was a boy<br />

working in the local colliery. After Caradog retired and Rhys Evans took up<br />

mantle, Tom was his deputy and continued to develop his craft.<br />

It was his musical prowess that led him to accept a position as precentor (or<br />

chorusmaster) to Bethesda Chapel in Ton Pentre in 1877. At the same time<br />

Rhondda Glee Society was being formed by schoolmaster Rees Jones and<br />

James Thomas, originally of Llandysul. Together they approached Tom to<br />

become Conductor, recognising his musical accomplishment as the<br />

Conductor of the Aberdare Glee Society, Aberdare Temperance Bank and the<br />

Mid Rhondda Choral Union. He was also the deputy of the Sylvia Opera<br />

Company and trained the Santiago <strong>Choir</strong>s during the Cardiff Exhibition some<br />

years later.<br />

For the next few years his training and mastery over the Rhondda Glee Society<br />

continued to bear fruit. In 1881 the Glee Society entered the male voice competition<br />

at Aberdare, beating the immortal Danny Davies and other capable<br />

musical leaders of his generation. Two years later in 1883 – the year Treorky<br />

<strong>Male</strong> <strong>Choir</strong> was formed - the performance of the victorious Rhondda Glee<br />

Society at the National Eisteddfod in Cardiff, led to a revolution in their particular<br />

style of singing, attracting thousands of spectators. At long last the<br />

male voice choir contest became the rage, with the largest prizes attracting<br />

larger crowds and competitors.<br />

Over the coming years the list of first-prizes for the Glee Society increased,<br />

with major wins at Aberdare, Merthyr, Porth, Pentre and Treharris. By 1887<br />

the membership had increased to forty and that year they shared the first<br />

prize at the National Eisteddfod, held in London, with the Huddersfield<br />

<strong>Choir</strong>. Incredibly in 1889 the party toured the Welsh settlements of the<br />

United States of America for months on end, but according to reports<br />

returned “somewhat disorganised and a long period of readjustment took<br />

place until Stephens could pull them together again”. If truth be told, they<br />

returned virtually bankrupt and entered numerous competitions in an effort<br />

to recover their financial losses. It was a new golden era for them with 15 successive<br />

wins and only three defeats in the next two years.<br />

The 1888 National Eisteddfod at Brecon marked the start of the bitter rivalry<br />

between the Rhondda Glee Society and Treorky <strong>Male</strong> <strong>Choir</strong> that occupied the<br />

Welsh music scene for a decade. During their next encounter the constabulary<br />

was called to the riot-like scene of bloody-faced choristers fighting in the

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