The guide to spectacular property in and around ... - Quinta Properties
The guide to spectacular property in and around ... - Quinta Properties
The guide to spectacular property in and around ... - Quinta Properties
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S<strong>in</strong>ce then Ferro Design has cont<strong>in</strong>ued<br />
<strong>to</strong> build new, excit<strong>in</strong>g <strong>and</strong> exceptional<br />
pieces, for clients <strong>in</strong> Portugal <strong>and</strong><br />
<strong>in</strong>creas<strong>in</strong>gly abroad. In addition, Beau<br />
himself has recently begun <strong>to</strong> concentrate<br />
more <strong>and</strong> more on design. “In design it is<br />
always crucial <strong>to</strong> know what is happen<strong>in</strong>g<br />
with new technology <strong>and</strong> materials – so<br />
that you know what is possible – or what<br />
might be possible.”<br />
<strong>The</strong> art of light<br />
Beau has just designed his own new<br />
‘Beau McClellan’ range of light<strong>in</strong>g for<br />
German light<strong>in</strong>g giant Brumberg, which<br />
will be launched <strong>in</strong> April of 2006 at the<br />
Light <strong>and</strong> Build<strong>in</strong>g Fair <strong>in</strong> Frankfurt. “I met<br />
Johannes Brumberg Jun.. at the Milan<br />
Design Fair about four years ago <strong>and</strong> we<br />
became good friends <strong>and</strong> I have built a<br />
very healthy work<strong>in</strong>g relationship with<br />
Johannes <strong>and</strong> his father. It’s a huge<br />
opportunity for a designer <strong>to</strong> be asked <strong>to</strong><br />
design for one of the world leaders, <strong>and</strong> I<br />
am doubly lucky, because the Brumberg<br />
team <strong>and</strong> I all seem <strong>to</strong> be on the<br />
same wave-length.”<br />
Beau McClellan<br />
Ferro Design<br />
Tel: 00351 919 808995<br />
www.ferrodesign.net<br />
In design<br />
everyth<strong>in</strong>g has its<br />
own language<br />
“I have always had a problem expla<strong>in</strong><strong>in</strong>g <strong>to</strong> people<br />
exactly what it is that I do. At the end of the day<br />
what I really feel I am is a crea<strong>to</strong>r of th<strong>in</strong>gs, whether<br />
its sculpture, design, art, music or whatever – I th<strong>in</strong>k<br />
all these th<strong>in</strong>gs come from the same part of the<br />
bra<strong>in</strong>. Some people th<strong>in</strong>k that you can’t be good at<br />
so many th<strong>in</strong>gs, that you should just concentrate on<br />
one. But I f<strong>in</strong>d that each creative project <strong>in</strong>forms the<br />
next – everyth<strong>in</strong>g is <strong>in</strong>terl<strong>in</strong>ked <strong>and</strong> I th<strong>in</strong>k it gives my<br />
work, I hope, a certa<strong>in</strong> freshness <strong>and</strong> orig<strong>in</strong>ality.<br />
Noth<strong>in</strong>g is given the chance <strong>to</strong> stagnate. Some<br />
people may not like what I do, but that’s OK. I create<br />
– then it’s a matter of taste whether people like it or<br />
not. But as a designer, as opposed <strong>to</strong> a pure artist, so<br />
<strong>to</strong> speak, I do try <strong>to</strong> have a good idea of what’s<br />
already out there, <strong>and</strong> be aware of the limits that are<br />
set by the people who are commission<strong>in</strong>g me. That’s<br />
very much the approach I take with the Brumberg<br />
work – it’s strik<strong>in</strong>g that balance between produc<strong>in</strong>g<br />
someth<strong>in</strong>g orig<strong>in</strong>al <strong>and</strong> beautiful <strong>and</strong> useful, but at the<br />
same time not be<strong>in</strong>g so far out there that people are<br />
just not go<strong>in</strong>g <strong>to</strong> underst<strong>and</strong> the forms I use. In<br />
essence, I suppose, functionality needs design <strong>and</strong><br />
design needs <strong>to</strong> be functional. With Brumberg, they<br />
supply me with the technology <strong>and</strong> I supply them<br />
with aesthetic solutions for the practical use <strong>and</strong>, of<br />
course, market<strong>in</strong>g of that technology”.<br />
Functionality needs design<br />
<strong>and</strong> design needs<br />
<strong>to</strong> be functional<br />
“I fell <strong>in</strong><strong>to</strong> light<strong>in</strong>g design by be<strong>in</strong>g commissioned <strong>to</strong><br />
design light<strong>in</strong>g for large Qu<strong>in</strong>ta do Lago houses – there<br />
was just noth<strong>in</strong>g out there big enough <strong>to</strong> create impact!<br />
I saw the potential but I needed <strong>to</strong> know more – so I<br />
went <strong>to</strong> Milan <strong>and</strong> studied light<strong>in</strong>g design <strong>and</strong> the art of<br />
light (<strong>and</strong> shadow). It can transform the way you live by<br />
the mood, atmosphere <strong>and</strong> ambience it creates.<br />
Coloured light can also look fantastic if used well – but<br />
used badly it can look catastrophic!”<br />
So what’s next? “I’m design<strong>in</strong>g more <strong>and</strong> more of my<br />
own light<strong>in</strong>g range for Brumberg, <strong>and</strong> you can soon<br />
expect <strong>to</strong> see some pretty <strong>in</strong>terest<strong>in</strong>g stuff. And I am still<br />
design<strong>in</strong>g one off pieces with Ferro Design. It’s a<br />
tremendous sense of relief <strong>and</strong> achievement when we<br />
f<strong>in</strong>ish a one-off piece <strong>and</strong> complete the <strong>in</strong>stallation but<br />
now I can add my knowledge <strong>and</strong> underst<strong>and</strong><strong>in</strong>g of light;<br />
it adds another dimension <strong>to</strong> whatever I do”<br />
But it’s not just about me, it’s the whole of the Ferro<br />
Design team – I am a lucky man <strong>to</strong> have such talented<br />
<strong>and</strong> supportive people <strong>around</strong> me.”<br />
Qu<strong>in</strong>ta <strong>Properties</strong><br />
20 Pho<strong>to</strong>: Vasco Celio<br />
21