USING DRAMA AS A TEACHING TOOL - Reeling & Writhing
USING DRAMA AS A TEACHING TOOL - Reeling & Writhing
USING DRAMA AS A TEACHING TOOL - Reeling & Writhing
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Warm down games<br />
TITLE: P<strong>AS</strong>S THE OBJECT TITLE: MIRRORING<br />
LEARNING OUTCOMES: A feast for the imagination<br />
and brilliant for stimulating follow-up creative writing<br />
sessions. Fun to conclude a session with<br />
because each participant can add information from<br />
his or her own imagination.<br />
WHAT YOU NEED: A clear empty space<br />
DESCRIPTION: Sit or stand in a circle with some<br />
space in between each person.The group leader or<br />
teacher should secretively take a small (imaginary)<br />
object out of his/her jacket or trouser pocket, concealing<br />
it from the group and cupping it in the<br />
hands. Tell the group that you have brought this<br />
special thing for them to see. Tell them not to be<br />
frightened (reverse psychology!) and that the<br />
object won’t bite them. (These instructions are<br />
very important as they encourage the participants’<br />
imaginations to run wild). Next, gently hand the<br />
imaginary animal or object to the person next to<br />
you. Make a fuss about handing the thing over,<br />
ensuring it is ok and that the next person has it<br />
securely in their hands. By concealing it from the<br />
group as you hand ‘the object’ over, curiosity is<br />
heightened and imaginations crank up another gear.<br />
Hints and Tips:The ‘objects’ can be as big or small,<br />
as heavy or light, as dangerous or cute as the individuals’<br />
imagination will allow. Encourage participants<br />
to change the size and weight of the object<br />
and to show that change in their bodies.<br />
LEARNING OUTCOME: This is a fantastic exercise<br />
for getting the group to focus and concentrate but<br />
it’s also useful to slow down the pace of the group<br />
towards the end of a practical session.<br />
WHAT YOU NEED TO PLAY: A clear empty space.<br />
DESCRIPTION: The participants pair up, and face<br />
one another in their pairs. They stand with the<br />
palm of one hand at shoulder level, facing their<br />
partner. It is essential that if one participant is holding<br />
up their right hand, then the other is holding up<br />
their left, as the idea of the exercise is to mirror<br />
one another.<br />
Neither participant should instigate or lead the<br />
exercise. Once the pair is confident about copying<br />
one another’s movements, more of the body can<br />
be used in the exchange. There should be a constant,<br />
imperceptible exchange of leadership and<br />
control as they move and follow each other’s<br />
movements as if facing a mirror.<br />
When the partners are confident enough in doing<br />
this, they can explore different physical levels, for<br />
example, moving close to the floor or moving with<br />
their back to the ‘mirror’. Speed of movement can<br />
also be tested.<br />
HINTS AND TIPS: Participants should be made<br />
aware that in order to be accurate, it is best to mirror<br />
slowly.The aim of the exercise is not to catch<br />
people out by making them copy difficult movements.<br />
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