Art & Design Resource Pack - Madame Tussauds
Art & Design Resource Pack - Madame Tussauds
Art & Design Resource Pack - Madame Tussauds
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<strong>Madame</strong> <strong>Tussauds</strong><br />
<strong>Art</strong> & <strong>Design</strong> <strong>Resource</strong> <strong>Pack</strong><br />
Supports the National Curriculum<br />
for Key Stages 1 and 2<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Where Learning comes to life<br />
The <strong>Madame</strong> <strong>Tussauds</strong> <strong>Art</strong> and <strong>Design</strong> resource has been<br />
developed with practising teachers to provide school groups<br />
visiting <strong>Madame</strong> <strong>Tussauds</strong> with inspirational work to<br />
complete before, during and after their visit<br />
to the attraction.<br />
This resource contains the following:<br />
. Two A4 colour posters for classroom display<br />
. Eight photocopiable pupil worksheets, which address the following subject<br />
. areas within the <strong>Art</strong> and <strong>Design</strong> curriculum:<br />
. What is sculpture? . 3D sketching<br />
. Creating a sculpture . Colour in sculpture<br />
. What is a self-portrait . Drawing your own self-portrait<br />
. Collage . Masks and mask-making<br />
Four teacher sheets, which include:<br />
. A history of <strong>Madame</strong> <strong>Tussauds</strong><br />
. Extension activities with links into other curriculum subject areas<br />
. Learning objectives<br />
‘This vibrant and well-researched resource will enrich your visit to<br />
<strong>Madame</strong> <strong>Tussauds</strong>. With relevant background information, plus a<br />
wealth of high quality activities, this imaginative and creative pack<br />
will truly support your trip to one of London’s premier attractions.’<br />
Ron Naylor, Headteacher, Forefield Junior School<br />
Studio Secrets Mission<br />
A fun and engaging exercise for pupils to complete on the day of the visit.<br />
Free added benef its<br />
We give teachers all the support they need to make their visit a success<br />
including free planning tickets, free risk assessments and information sheets.<br />
Visit www.madametussauds.co.uk/schools for more details.<br />
Photography<br />
All photography featured in this pack is © Merlin Entertainments Group<br />
and is not forcommercial or publicity use.<br />
Visit the <strong>Madame</strong> <strong>Tussauds</strong> website at: www.madame-tussauds.co.uk/schools Booking number: 0871 222 0177*<br />
<strong>Madame</strong> <strong>Tussauds</strong>, Marylebone Road, London, NW1 5LR<br />
* Calls to 0871 numbers are charged at 10 pence per minute at all times from a BT landline. Calls from mobile operators and other networks may vary. The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
<strong>Resource</strong> <strong>Pack</strong> for:<br />
Key Stage 1 and 2 <strong>Art</strong> and <strong>Design</strong><br />
Introduction<br />
The <strong>Madame</strong> <strong>Tussauds</strong> London <strong>Art</strong><br />
and <strong>Design</strong> resource is aimed at Key<br />
Stages 1 and 2 of the <strong>Art</strong> and <strong>Design</strong><br />
curriculum.<br />
The resource has been written in close<br />
consultation with practising teachers,<br />
in association with <strong>Madame</strong> <strong>Tussauds</strong><br />
London. It offers relevant<br />
and stimulating<br />
exercises that fit into<br />
key areas of the <strong>Art</strong> and<br />
<strong>Design</strong> curriculum which<br />
bring the subject to life and also<br />
provide cross-curricular links to<br />
a range of subjects including<br />
English, Maths, ICT and Science.<br />
The sheets have been written<br />
for Key Stage 1 and 2 teachers.<br />
We offer an introduction to<br />
waxwork figures, how they are<br />
devised and constructed, advice<br />
for planning visits, ideas and<br />
strategies for what to do during<br />
a visit and suggestions for<br />
follow up work in linked areas of<br />
<strong>Art</strong> and <strong>Design</strong>.<br />
Contents<br />
The <strong>Madame</strong> <strong>Tussauds</strong> London<br />
<strong>Art</strong> resource consist of:<br />
Teacher Card One<br />
<strong>Madame</strong> <strong>Tussauds</strong> London<br />
.<br />
8 Teacher Sheets<br />
. 2 x full colour A4 posters for<br />
classroom display<br />
. 8 x photocopiable Pupil<br />
Worksheets<br />
<strong>Madame</strong> <strong>Tussauds</strong> London is themed around famous people,<br />
past and present, with key attention on using new<br />
technology to bring the figures to life. We offer an<br />
excellent visit to stimulate pupils’ imaginations<br />
in key areas of <strong>Art</strong> and <strong>Design</strong> including<br />
Sculpture, Materials and processes, 3D<br />
Modelling and Self-portraits.<br />
The figures at <strong>Madame</strong> <strong>Tussauds</strong> London offer<br />
school visitors exciting opportunities to approach<br />
art and design areas from different perspectives<br />
and disciplines, enabling pupils to get up close and<br />
personal with their favourite stars.<br />
Using the <strong>Resource</strong><br />
A visit to <strong>Madame</strong> <strong>Tussauds</strong> London and the <strong>Art</strong> and<br />
<strong>Design</strong> resource boosts pupils’ learning for <strong>Art</strong> and<br />
<strong>Design</strong> at Key Stages 1 and 2, and introduces key areas<br />
of the <strong>Art</strong> and <strong>Design</strong> curriculum.<br />
These classroom resources aim to provide the tools<br />
teachers need to deliver exciting lessons in <strong>Art</strong> and<br />
<strong>Design</strong> in today’s classrooms. Our intention is to<br />
do much of the preparation and planning for you.<br />
<strong>Design</strong>ed to be flexible, this resource offers a<br />
range of activities and ideas so that you can select<br />
the topics and exercises suited to your pupils. Whilst<br />
the focus is on Key Stage 2 they can be adapted for use<br />
at Key Stage 1 and for pupils with varying abilities, with<br />
differentiation for less able pupils.<br />
.<br />
Extension activities for<br />
older pupils<br />
. Studio Secrets mission to<br />
. complete on the day of the visit<br />
www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
<strong>Resource</strong> <strong>Pack</strong> for:<br />
Key Stage 1 and 2 <strong>Art</strong> and <strong>Design</strong><br />
Curriculum<br />
Checklist<br />
Key Stages 1 and 2<br />
<strong>Art</strong> and <strong>Design</strong><br />
Teacher Sheets<br />
The Teacher sheets set out the learning objectives for each of the Pupil Worksheets<br />
and provide assistance in delivering the various activities, where necessary.<br />
Suggestions for extension activities and links into other areas of the curriculum are<br />
also provided.<br />
Pupil Worksheets<br />
The Pupil Worksheets are designed for use in the classroom with some exercises for<br />
use at <strong>Madame</strong> <strong>Tussauds</strong> London itself and can be easily photocopied. As well as key<br />
activities to complement the <strong>Art</strong> and <strong>Design</strong> curriculum, the worksheets offer<br />
cross-curricular exercises to take the fundamental learnings into other areas of<br />
the curriculum.<br />
A quick guide to the resource<br />
Worksheet<br />
Number Title Description<br />
1<br />
2<br />
3<br />
4<br />
5<br />
6<br />
7<br />
8<br />
What is sculpture?<br />
3D-sketching<br />
Creating a<br />
sculpture<br />
Colour in<br />
sculpture<br />
What is a<br />
self-portrait?<br />
Drawing your own<br />
self-portrait<br />
Collage<br />
Mask &<br />
mask-making<br />
. .<br />
Exploring and developing ideas<br />
. Investigating and making art,<br />
craft and design<br />
. Evaluating and developing work<br />
Understanding the processes and materials used<br />
to create sculpture. Investigating sculptures and<br />
sculptors.<br />
Investigating 3D drawing through sketching a wooden<br />
mannequin from different angles. Applying the 3D<br />
sketching process to a human form and applying colour.<br />
Creating a 3D sculpture from a range of materials.<br />
Exploring the use of tools to create texture and pattern.<br />
Applying colour to a sculpture. Exploring<br />
colour mixing and the use of other materials to<br />
create a likeness.<br />
Understanding and investigating self-portrait and<br />
relevant artists. Examining facial features and<br />
expression in order to create a self portrait.<br />
Examining the positioning of facial features to create<br />
true likeness. Creating a timeline to understand and<br />
predict how faces change.<br />
Creating a self-portrait collage to portray personality,<br />
interests and information about the artist.<br />
Creating a self-portrait mask. Applying colour to the<br />
mask to represent skin tone and the use of additional<br />
materials in decoration.<br />
Knowledge and understanding<br />
Full details of the learning objectives<br />
relating to each of the activities and<br />
pupil exercises are provided on the<br />
Teacher Cards.<br />
Teacher Card Two www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
A brief history<br />
of <strong>Madame</strong> <strong>Tussauds</strong><br />
Marie Grosholtz (later to become<br />
<strong>Madame</strong> Tussaud) was born in 1761 in<br />
Strasbourg, France, two months after her<br />
father’s death. Her mother took<br />
a job as a housekeeper in Berne for<br />
Philippe Curtius, a doctor who was<br />
skilled at modelling wax to create<br />
anatomical figures.<br />
Teacher Card Three<br />
In 1767 Marie moved with her mother and Philippe Curtius to Paris where<br />
Curtius opened his first exhibition.<br />
At a time when visual media such as cinema and TV did not exist, people flocked to<br />
the exhibition to see for themselves what the famous people of the time looked like.<br />
Dr Curtius taught Marie the art of wax sculpting from an early age and she<br />
demonstrated natural flair.<br />
Soon she was sculpting her own figures of many of the prominent people of the era.<br />
Marie’s skills came to the attention of Louis XVI’s sister and Marie was invited to live<br />
at and work in the palace of Versailles. Marie spent nine years at court and whilst<br />
there created figures of Louis XVI and his family.<br />
In 1789 Dr Curtius asked Marie to return to Paris.<br />
Once back in Paris the French Revolution erupted and Marie<br />
was asked to make death masks of the prominent figures<br />
who were executed, including Louis XVI and his wife<br />
Marie Antoinette. Marie herself was imprisoned by the<br />
revolutionists but escaped the fate of the guillotine.<br />
In 1794 Curtius died and Marie inherited the exhibition.<br />
However the exhibition struggled in the economic decline<br />
following the revolution and Marie decided to take the<br />
exhibition to England where it was a great success. Marie and<br />
her husband, Francois Tussaud, toured the British Isles with<br />
the exhibition for years. In 1822 the ship carrying the figures<br />
was wrecked on a crossing to Ireland but fortunately some<br />
of the figures were saved.<br />
At the age of 74, <strong>Madame</strong> Tussaud decided to settle the<br />
exhibition permanently at the Baker Street Bazaar, very close<br />
to the present site.<br />
Marie continued to work at the exhibition until her death in 1850.<br />
Her sons and grandsons continued the business and in 1884 decided to<br />
move the exhibition to its present site.<br />
Over the years there have been several disasters which the exhibition<br />
has had to cope with.<br />
A fire in 1925 destroyed many of the figures but fortunately the moulds<br />
were saved so new figures could be cast, and in 1940, on the first night<br />
of the Blitz, 352 head moulds were damaged beyond repair, although<br />
ironically Hitler’s figure remained unscathed!<br />
Actual wax<br />
portrait of <strong>Madame</strong><br />
Tussaud herself.<br />
www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Making Figures in wax<br />
For most visitors to <strong>Madame</strong> <strong>Tussauds</strong>, wax figures are startling,<br />
three-dimensional likenesses of all manner of people but little is<br />
known about how the figures are actually created. This is because<br />
the studios can never be visited - apart from by the subjects who<br />
come to be modeled in the private,<br />
purpose-built area.<br />
At the sitting, the sculptor has<br />
the opportunity to take precise<br />
measurements with a tape<br />
measure and calipers, and<br />
to photograph the subject’s<br />
head and body from every possible<br />
angle. During the sitting the sculptor<br />
also makes the all-important observations<br />
that will convey personality and character as the<br />
sculpture progresses.<br />
A moulder is responsible for making<br />
a plaster “negative” from the<br />
sculptor’s portrait, and great care<br />
must be taken to avoid damaging<br />
the precious clay original. Once<br />
the wax head has been cast it<br />
requires eyes, hair and colour.<br />
Eyes are made individually to<br />
exactly match the colour and<br />
detail of the subject, human<br />
hair is inserted strand by<br />
strand into the wax scalp and<br />
colour is carefully applied to<br />
bring the face and features “to life”.<br />
The final assembly of<br />
the figure is supervised<br />
by the sculptor and<br />
wardrobe mistress.<br />
When a figure enters <strong>Madame</strong><br />
<strong>Tussauds</strong>, the studio remain closely<br />
concerned with its appearance and like<br />
every other figure it will undergo an early<br />
morning routine of checking and cleaning<br />
before the attraction opens each day.<br />
This rigorous attention to detail is constantly maintained and<br />
continues to uphold the high standards for which <strong>Madame</strong> <strong>Tussauds</strong> is<br />
famed.<br />
Read our studio’s blog online for amazing behind-the-scenes info from<br />
our world famous artists at www.madame-tussauds.co.uk/blog.<br />
Teacher Card Four www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Sculpture: What is Sculpture?<br />
Section Notes on Pupil Worksheet 1<br />
This worksheet introduces the concept of sculpture and the various techniques and<br />
materials it encompasses. You may wish to introduce the topic via a class discussion<br />
to ascertain levels of pupil understanding.<br />
The sequence of pictures showing how <strong>Madame</strong> <strong>Tussauds</strong> creates its sculptures<br />
can be used to encourage sequential writing and to demonstrate processes. The<br />
pictures can be used as a storyboard against which the pupils can record the method<br />
employed by <strong>Madame</strong> <strong>Tussauds</strong>. This process can also form a model for pupils to refer<br />
to when they make their own sculpture.<br />
Activity 2<br />
This activity offers a multi-cultural dimension. Pupils could be asked to explore<br />
sculptures from different origins and cultures to explore the choice and use of<br />
indigenous materials, for example the use of stone to form the Easter Island statues<br />
and rainforest artefacts.<br />
Pupils should be encouraged to use a variety of references, including library resources<br />
and the internet.<br />
Extension Activities<br />
Pupils could be asked to look for examples of sculpture in their own home or to<br />
research local sculptors by investigating sculptures they find in the local area.<br />
They should consider the types of materials used and the reasons why these<br />
materials were selected. Encourage pupils to record their findings in a table or<br />
spreadsheet. They could also take photographs or draw sketches of sculptures<br />
that they find to add to their portfolio.<br />
Sculpture: 3D Sketching<br />
Section Notes on Pupil Worksheet 2<br />
This worksheet encourages pupils to think about objects in 3D form and consider<br />
representation of objects from differing viewpoints.<br />
Pupils can be encouraged to experiment with a range of different sketching and<br />
shading techniques (including the use of different leaded pencils to achieve<br />
appropriate shadings).<br />
Ideally, pupils should have one wooden mannequin between two, however if this is<br />
not possible, they can work in larger groups with the mannequin clearly visible<br />
to all.<br />
Activity 2<br />
This exercise incorporates life drawing skills, encouraging pupils to sketch the human<br />
form by focusing on a specific pose.<br />
Activity 3<br />
Pupils may wish to create a complete colour sketch of their character or item.<br />
Alternatively pupils could simply label the sketch to indicate the colours to be used<br />
on the individual parts.<br />
Curriculum Links.<br />
. ICT<br />
. History<br />
. Geography<br />
. <strong>Design</strong> & Technology<br />
Learning Objectives<br />
. To collect visual and other information<br />
to help pupils develop their ideas<br />
. To explore materials and processes used<br />
in art, craft and design and how these<br />
can be matched to ideas and intentions<br />
. To understand the roles and purposes<br />
of artists, craftspeople and designers<br />
working in different times and cultures<br />
Curriculum Links<br />
. ICT<br />
Learning Objectives<br />
. To record from experience and first-hand<br />
observation and to explore ideas for<br />
different purposes<br />
. To collect visual and other information to<br />
help develop ideas, including using<br />
a sketchbook<br />
Teacher Card Five www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Sculpture: Creating a Sculpture<br />
Section Notes on Pupil Worksheets 3-4<br />
These worksheets assist pupils in making a finished 3D sculpture. Pupils are<br />
encouraged to think about choice of materials, texture and colour to ensure the<br />
finished model is an accurate likeness of the item or character selected.<br />
If pupils are modelling from a pliable material, they must be encouraged to mould<br />
their sculpture (including arms and legs) out of a single piece of material.<br />
Additional methods of modelling/sculpture can be offered for more able pupils,<br />
dependant on available materials and tools. Alternative sculptures can be made in<br />
3D form by using wire. Old coat hangers can be unbent and reformed into sculptures.<br />
Chicken wire (which can be bought in various formats), can be used for sculpture<br />
structure work and then papier-mâchéd over.<br />
All wire work will require additional teacher help with cutting and bending the<br />
materials into shape.<br />
Completed classroom sculptures can be displayed, next to the item they were<br />
modelled from, so other class members can compare work.<br />
Extension Activities<br />
Photographs of the sculptures can be displayed in the classroom or on the<br />
school website (where applicable). This could be undertaken as part of an ICT<br />
exercise using a digital camera.<br />
Pupils can also be encouraged to work in small groups and evaluate each<br />
other’s work, recording their findings and presenting their rationale to select<br />
the sculpture that represents the truest likeness.<br />
Additional Idea<br />
Section Notes<br />
Pupils can create a storyboard to demonstrate how they made their sculpture. They<br />
can be encouraged to look at the Creating a Sculpture poster supplied with this<br />
resource as stimulus and perhaps create their own poster to demonstrate their work.<br />
Curriculum Links.<br />
. ICT<br />
. English<br />
. Science<br />
. <strong>Design</strong> & Technology<br />
Learning Objectives<br />
. To use a range of materials and processes<br />
to investigate visual and tactile qualities<br />
of materials and processes and to match<br />
these to the purposes of their work<br />
. To develop control of tools and techniques<br />
. To explore colour, pattern and texture<br />
Worksheet 4 – Colour in sculpture<br />
. To compare ideas, methods and<br />
approaches in their own and others’ work<br />
. To adapt their work according to their<br />
views and describe how it might<br />
develop further<br />
Curriculum Links<br />
. English<br />
Learning Objectives<br />
. To explore a range of starting points for<br />
practical work<br />
. To record from experience, imagination<br />
and first hand experience<br />
Teacher Card Six www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Self-portrait: What is Self-portrait?<br />
Section Notes on Pupil Worksheet 5<br />
This worksheet is designed to examine closely what makes a face unique. Pupils<br />
should be encouraged to become aware of their features in order to progress to<br />
replicating that image in a self-portrait.<br />
Activity 1<br />
As an introduction to self-portrait pupils can be encouraged to use both library and<br />
internet resources to research the named artists.<br />
Activity 2<br />
Encourage the use of creative language amongst pupils when completing this<br />
activity. You may wish to introduce this exercise through a class discussion, perhaps<br />
encouraging the pupils to study your face and describe a variety of expressions using<br />
adjectives. If you have ‘expression’ cards use these to stimulate pupil vocabulary by<br />
asking pupils to guess or describe the expression shown.<br />
Section Notes on Pupil Worksheet 6<br />
Activity 1<br />
These portraits can be used as the basis for the mask-making exercises on Pupil<br />
Worksheet 4 and as such should be drawn to scale. Pupils should be asked to form<br />
pairs and take detailed measurements of each others’ heads.<br />
Pupils could be encouraged to think about how artists use colour to show meaning<br />
in their work and consider which colours would tell people about themselves. Pupils<br />
may also want to focus on a personal experience and include it within their picture.<br />
Activity 2<br />
This activity will probably require a letter home to parents, asking permission for<br />
their children to bring into school any photographs and personal items. Family<br />
photographs and other treasured items will need to be photocopied so that originals<br />
can be returned safely with the child the same day. Pupils must place or draw their<br />
pictures in chronological/sequential order and date the pictures. Key events (for<br />
example the Queen’s Jubilee) could be included on the timeline in order to provide<br />
a historical context.<br />
Extension Activities<br />
Pupils could be asked to look for examples of sculpture in their own home or to<br />
research local sculptors by investigating sculptures they find in the local area.<br />
They should consider the types of materials used and the reasons why these<br />
materials were selected. Encourage pupils to record their findings in a table or<br />
spreadsheet. They could also take photographs or draw sketches of sculptures<br />
that they find to add to their portfolio.<br />
Curriculum Links.<br />
. ICT<br />
. English<br />
. History<br />
Learning Objectives<br />
. To understand the roles of artists and<br />
designers in different times and cultures<br />
. To record from experience and first-hand<br />
observation<br />
. To explore themselves as a starting point<br />
for practical work<br />
Self-portrait: Drawing your own self-portrait<br />
Curriculum Links<br />
. History<br />
. Mathematics<br />
Learning Objectives<br />
. To record from experience and first-hand<br />
observation<br />
. To explore themselves and their<br />
experiences as a starting point for<br />
practical work<br />
. To work on projects in two dimensions<br />
and to adapt and develop their work<br />
according to their views<br />
Teacher Card Seven www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Self-portrait: Collage<br />
Section Notes on Pupil Worksheet 7<br />
Again, a letter home to parents should be sent in advance of this activity being<br />
undertaken and any necessary photocopying of treasured items made ahead of the<br />
lesson. Additional help with cutting may be required.<br />
A pictorial reference to <strong>Madame</strong> Tussaud is provided on Teacher card 3, however<br />
pupils should be encouraged to research their own references using library resources<br />
or the internet. You may wish to ask them to use a pictorial reference to <strong>Madame</strong><br />
Tussaud rather than use their own picture.<br />
Activity 3<br />
When visiting <strong>Madame</strong> <strong>Tussauds</strong>, encourage pupils to collect items from the trip for<br />
later use in the <strong>Madame</strong> Tussaud collage they will create. Items such as ticket stubs,<br />
free literature and photographs from the trip could be used.<br />
Pupils could again be encouraged to research France on the internet or in the library<br />
and use their findings to help theme their <strong>Madame</strong> Tussaud collage.<br />
Extension Activities<br />
Encourage the study of artists such as Matisse, who famously worked with<br />
collage and cut-out paper shapes to produce his works.<br />
Self-portrait: Mask-making<br />
Section Notes on Pupil Worksheet 8<br />
Activity 1<br />
In addition to the methods of colour and decoration outlined, pupils could be<br />
encouraged to look through magazines to find examples of colour that matches their<br />
skin tone. They can use these cuttings to create a collage base to their mask.<br />
Assistance may be required to cut out eye and mouth holes in the mask. Pupils can<br />
also be encouraged to use real props, such as hair clips and combs.<br />
Assistance may also be required securing the wooden stick to the base of<br />
the mask.<br />
Extension Activities<br />
Encourage pupils to investigate the use of masks in religion (in celebration<br />
and ceremony for example). This would provide a cross-curricular link to<br />
Religious Education.<br />
Pupils can also be invited to research, via reference books or the internet, the<br />
use of masks historically, providing a link to the History Curriculum.<br />
Curriculum Links.<br />
. ICT<br />
. History<br />
. English<br />
. <strong>Design</strong> & Technology<br />
Learning Objectives<br />
. To collect visual and other information to<br />
help pupils develop their ideas<br />
. To use a variety of methods and<br />
approaches to communicate<br />
observations ideas and feelings<br />
. To use a range of materials and processes<br />
Curriculum Links<br />
. ICT<br />
. History<br />
Learning Objectives<br />
. To investigate visual and tactile qualities<br />
of materials and processes and to<br />
match these to the purposes of their work<br />
. To use a range of materials and<br />
processes and develop control of tools<br />
and techniques<br />
. To explore colour, pattern, texture, line<br />
and tone and how these elements<br />
can be combined and organised for<br />
different purposes<br />
Teacher Card Eight www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
What is Sculpture?<br />
Search Engine Keywords:<br />
. Sculptor . Sculpture<br />
. Materials . Modelling<br />
Worksheet One<br />
3<br />
Sculptures can be made from many different types of materials. At<br />
<strong>Madame</strong> <strong>Tussauds</strong> we use wax for our sculptures.<br />
This helps us to create the best likeness of the celebrities we are<br />
modelling. Other materials can also be used in sculpture. These include<br />
wood, plastic, clay, metal and even ice!<br />
Activity One<br />
a) Match the following materials with the word which you feel best describes<br />
its properties.<br />
.Glass<br />
.Metal<br />
.Clay<br />
.Sponge<br />
.Strong<br />
.Transparent<br />
.Absorbant<br />
.Mouldable<br />
b) Sculptures may also be made from other materials such as concrete. Find<br />
the names of other materials that might be used.<br />
Think of words to describe these materials.<br />
Here is how we create our sculptures<br />
1<br />
Activity Two<br />
2<br />
4<br />
Look at the pictures and make notes on how<br />
<strong>Madame</strong> <strong>Tussauds</strong> create their figures.<br />
Find pictures of sculptures in magazines, books or on the internet. Cut out<br />
or sketch the sculptures that you find and record the name of the sculptor.<br />
Investigate which materials the sculptor has used.<br />
5<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
3D Sketching<br />
Search Engine Keywords:<br />
. Angles . Likeness<br />
. Sketch . Portfolio<br />
Worksheet Two<br />
At <strong>Madame</strong> <strong>Tussauds</strong> our guests are allowed to walk up to their favourite<br />
celebrity figure and walk around them. It is important for us to create a<br />
true likeness from all angles.<br />
Activity One<br />
1<br />
4<br />
Activity Two<br />
Using a wooden<br />
mannequin,<br />
sketch the figure<br />
from the front.<br />
Now that you have practiced 3D drawing with a wooden mannequin,<br />
choose somebody you would like to make a sculpture of. It can be a<br />
famous sports, music or TV personality, or a friend.<br />
Decide on the pose for your sculpture. For example, kicking a ball or<br />
singing into a microphone. Find different references or ask a friend to<br />
pose in that position.<br />
a) Start by sketching the pose from the front<br />
b) Now create a sketch of the same pose from the side<br />
c) Now draw a sketch from behind<br />
d) Add the necessary details to your sketch to make your person recognisable<br />
Activity Three<br />
2 3<br />
Now move your<br />
mannequin.<br />
Sketch how it<br />
looks from a<br />
sideways angle.<br />
Move the mannequin into some different positions and sketch them too.<br />
Keep a portfolio of your sketches.<br />
Move the wooden<br />
mannequin<br />
to a reverse<br />
facing position.<br />
Sketch how the<br />
mannequin looks<br />
from behind.<br />
Create a colour sketch of the person you have chosen to refer to when you<br />
make your sculpture.<br />
To do this, you<br />
can use:<br />
• powder paints<br />
• watercolour paints<br />
• coloured pencils<br />
• felt tip pens<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Creating a Sculpture?<br />
Search Engine Keywords:<br />
. Pliable . 3D<br />
. Texture . Pattern<br />
Worksheet Three<br />
Once you have a portfolio of 3D sketches, you are ready to create your<br />
sculpture. You will need a pliable material (such as plasticine, playdough<br />
or clay). These materials are easier to mould into shape. You<br />
could also use modroc or papier mâché.<br />
Activity One<br />
a) Create a 3D sculpture from your sketches. If you are able to choose the<br />
material to use, think about which would be best.<br />
Think about the texture of the item. Should the surface of your sculpture<br />
be smooth or rough?<br />
Use tools to help create the texture and patterns you need<br />
by digging into the smooth surface.<br />
If you are sculpting with plasticine, clay or play-dough,<br />
use your fingers to smooth over the joins.<br />
If you are using play-dough or plasticine, you can<br />
experiment with different colours to create a marbled<br />
effect, or even to create new colours.<br />
b) When your sculpture is complete and you are happy with its likeness to<br />
your 3D sketches, leave it somewhere safe to dry.<br />
Remember:<br />
Don’t forget to refer back<br />
to your 3D sketches to<br />
make sure you create a<br />
likeness from all angles.<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Colour in Sculpture?<br />
If you have sculpted your model from clay, papier mâché or modroc,<br />
your sculpture will now need painting.<br />
You can use:<br />
• poster paints •readimix<br />
• coloured paper •fabrics<br />
Activity One<br />
a) Choose the method or methods that will give the best texture for<br />
your sculpture.<br />
b) Refer to your colour sketch to apply colour to your sculpture.<br />
c) Can you guess which colours are made by mixing the colours shown?<br />
d) Experiment with colour mixing and record your findings in a table.<br />
If you are using paints, you may need to mix several colours together to<br />
get the shade or colour you want. By adding a little paint at a time, you<br />
create new shades.<br />
Yellow<br />
Yellow<br />
Green<br />
Red<br />
Blue<br />
Red<br />
White<br />
Blue<br />
Black<br />
Lighter shades may be created by adding your colour to white paint.<br />
When we describe colour we say that reds are warm colours and<br />
blues cold.<br />
Activity Two<br />
Now that your sculpture is complete, compare it to your<br />
original sketches.<br />
a) Is there a good likeness between your original sketches and the<br />
completed sculpture?<br />
b) If not, why not? Do you think you could have selected a more suitable<br />
material to model with?<br />
Worksheet Four The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
What is a Self-portrait?<br />
The wax models that you see in <strong>Madame</strong> <strong>Tussauds</strong> are known as ‘wax<br />
figures or portraits’ because they are an exact likeness of a famous<br />
person. The face, hair, height and body-shape are all copied exactly.<br />
A self-portrait is when an artist<br />
attempts to create an artistic<br />
likeness of himself. Many famous<br />
artists have created self-portraits.<br />
A portrait can tell you many<br />
things about a person. It can show<br />
you what fashions were like at<br />
the time, how people lived and it<br />
can also tell you about important<br />
events that happened at the time.<br />
Activity One<br />
Select one of the above artists<br />
and investigate their self-portrait<br />
work. What name did they give to<br />
their self-portraits?<br />
Activity Two<br />
a) Describe your classmate’s face. On a separate piece of<br />
paper record the following details:<br />
1. What colour eyes do they have? 2. What shape are their eyes?<br />
3. What is their hair like? 4. How would you describe its style?<br />
5. What are their teeth like? 6. What is their skin tone?<br />
7. What is the shape of their mouth like? 8. What is their expression?<br />
What else do you notice?<br />
b) Practice pulling a happy and sad face. How does your face change with<br />
your expressions? What happens to each of your features as you change<br />
from a sad to a happy face:<br />
Happy face Sad face<br />
Eyes<br />
Mouth<br />
Nose<br />
Self-potrtraits created by:<br />
L.S. Lowry, Picasso, Van Gough<br />
and Salvador Dali<br />
Worksheet Five The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Drawing your own Self-portrait<br />
Keywords:<br />
. Portrait . Self-portrait<br />
. Likeness . Expressions<br />
Worksheet Six<br />
Activity One<br />
Use a mirror to help you to draw a self-portrait. With this you can create<br />
your own self-portrait. Follow instructions 1,2,3 and 4. Remember to<br />
keep looking in the mirror to help you.<br />
a) Once you have finished, look at your picture. Does it look like you? If not,<br />
why not? Which features do you think you have drawn incorrectly?<br />
b) Swap portraits with the person sitting next to you. Does their portrait look<br />
like them? If not, why not? Which features do you think they have<br />
drawn incorrectly?<br />
1<br />
Draw a horizontal line to show the<br />
level of your eyes<br />
3 4<br />
Draw a second line to mark the<br />
bottom of your nose<br />
Draw a vertical line of symmetry.<br />
Draw 5 ovals across the eye line<br />
Draw a third line to show where your<br />
mouth appears<br />
Activity Two<br />
Collect photos of yourself or family members. Describe the differences in<br />
clothing styles, hairstyles, facial expressions and age.<br />
a) Study photographs of yourself from when you were a baby. How have<br />
you changed?<br />
b) Draw a timeline of yourself, as a baby, when you<br />
first started school and as you are now.<br />
2<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Collage<br />
Search Engine Keywords:<br />
. Portrait . Self-portrait<br />
. Likeness . Expressions<br />
Using a self-portrait you can create a self-portrait collage.<br />
Before you begin this activity you will need to bring into school a<br />
collection of your favourite mementos from home.<br />
These could include:<br />
. Family photographs<br />
. Photographs of friends<br />
. Favourite postcards<br />
. Magazine articles<br />
. Favourite pop group pictures<br />
. Autograph collections<br />
. Photographs of your pets<br />
. Theme park tickets<br />
Activity One<br />
a) Take a photocopy of the self-portrait. You may also want to photocopy any<br />
items (such as family photographs) which need to be returned.<br />
b) Carefully cut out the photocopy of your face with a pair of scissors.<br />
c) On a large piece of card, create a background for your collage. You can<br />
draw or paint your background or use wrapping paper, comics, magazines<br />
or newspaper.<br />
d) Now stick the<br />
cut-out of your<br />
self-portrait to<br />
the card.<br />
e) Lastly, stick your<br />
mementos to the<br />
background of<br />
your collage.<br />
Activity Two<br />
Write a short paragraph describing your favourite mementos and<br />
explain why they are special to you.<br />
Activity Three<br />
Draw a picture of <strong>Madame</strong> Tussaud and create a portrait collage.<br />
During your visit to <strong>Madame</strong> <strong>Tussauds</strong> think about what you might<br />
include on your collage. For example your <strong>Madame</strong> <strong>Tussauds</strong> ticket<br />
and photographs you have taken on the trip. You could also add items<br />
which relate to her job and her life, for example a piece of candle wax or<br />
pictures of France where she was born.<br />
Worksheet Seven The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Masks and Mask-making<br />
Worksheet Eight<br />
<strong>Madame</strong> Tussaud, the creator of <strong>Madame</strong> <strong>Tussauds</strong>, began her business<br />
by making wax masks. During the French Revolution she created masks<br />
of important people of the time.<br />
Masks are used in many different<br />
cultures for lots of different reasons.<br />
They can be used in religious<br />
practices, in celebration and at<br />
carnivals, such as the famous Venice<br />
Carnival.<br />
Activity One<br />
When decorating your mask you might want to use<br />
poster paints to colour your skin tone, or props<br />
including different coloured wool to stick onto your<br />
mask for hair.<br />
Here are some extra materials you might want to add to<br />
your mask:<br />
.Coloured beads .Glitter .Pipe cleaners<br />
.Silver foil .Coloured fabrics<br />
1<br />
3<br />
5<br />
Trace or take a photocopy of the<br />
self-portrait you have already created<br />
in Worksheet Two.<br />
Now cut out holes for the eyes and<br />
mouth. Ask your teacher to help you.<br />
2<br />
4<br />
Stick your picture to a piece of card<br />
and cut around the outside.<br />
Now you can decorate your mask<br />
however you like!<br />
To make a handle for your mask, tape<br />
a wooden lolly stick or a thick piece of<br />
card to the base.<br />
The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Studio Secrets<br />
1.What happens when you press<br />
Jamie Oliver’s tummy?<br />
A) music plays<br />
B) he talks<br />
C) it rumbles<br />
Answer:<br />
2.Who blushes when you whisper<br />
in her ear?<br />
Answer:<br />
3.What colour are Britney’s shoes?<br />
Answer:<br />
4.What animal sound can<br />
you hear when one of Sherlock<br />
Holmes’ books is pulled?<br />
Cat, Dog or a Horse<br />
Answer:<br />
You have a mission to complete<br />
and some exciting secrets to<br />
discover as you take a walk<br />
around <strong>Madame</strong> <strong>Tussauds</strong>.<br />
Find and write the<br />
correct answers<br />
5.What part of Sleeping Beauty’s<br />
body moves?<br />
Answer:<br />
6.What was Jenson Button’s top<br />
score on Batak?<br />
What is yours?<br />
Answer:<br />
7.What award is Britney Spears<br />
holding?<br />
Answer:<br />
8.Who in your class has the<br />
same eye colour as Madonna?<br />
Answer:<br />
9.On the Spirit of London Ride,<br />
what is William Shakespeare<br />
writing with?<br />
Answer:<br />
10.Which is the largest figure in<br />
the attraction?<br />
Answer:<br />
Pupil worksheet The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>
Studio Secrets<br />
1.What happens when you press<br />
Jamie Oliver’s tummy?<br />
A) music plays<br />
B) he talks<br />
C) it rumbles<br />
Answer: It rumbles<br />
2.Who blushes when you whisper<br />
in her ear?<br />
Answer: J-Lo<br />
3.What colour are Britney’s shoes?<br />
Answer: Silver<br />
4.What animal sound can<br />
you hear when one of Sherlock<br />
Holmes’ books is pulled?<br />
Cat, Dog or a Horse<br />
Answer: Dog<br />
You have a mission to complete<br />
and some exciting secrets to<br />
discover as you take a walk<br />
around <strong>Madame</strong> <strong>Tussauds</strong>.<br />
Find and write the<br />
correct answers<br />
5.What part of Sleeping Beauty’s<br />
body moves?<br />
Answer: Her chest<br />
6.What was Jenson Button’s top<br />
score on Batak?<br />
What is yours?<br />
Answer: 56<br />
7.What award is Britney Spears<br />
holding?<br />
Answer: MTV Award<br />
8.Who in your class has the<br />
same eye colour as Madonna?<br />
Answer:<br />
9.On the Spirit of London Ride,<br />
what is William Shakespeare<br />
writing with?<br />
Answer: A feather/quill<br />
10.Which is the largest figure in<br />
the attraction?<br />
Answer: The Hulk<br />
Pupil worksheet www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>