30.01.2013 Views

Art & Design Resource Pack - Madame Tussauds

Art & Design Resource Pack - Madame Tussauds

Art & Design Resource Pack - Madame Tussauds

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Madame</strong> <strong>Tussauds</strong><br />

<strong>Art</strong> & <strong>Design</strong> <strong>Resource</strong> <strong>Pack</strong><br />

Supports the National Curriculum<br />

for Key Stages 1 and 2<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Where Learning comes to life<br />

The <strong>Madame</strong> <strong>Tussauds</strong> <strong>Art</strong> and <strong>Design</strong> resource has been<br />

developed with practising teachers to provide school groups<br />

visiting <strong>Madame</strong> <strong>Tussauds</strong> with inspirational work to<br />

complete before, during and after their visit<br />

to the attraction.<br />

This resource contains the following:<br />

. Two A4 colour posters for classroom display<br />

. Eight photocopiable pupil worksheets, which address the following subject<br />

. areas within the <strong>Art</strong> and <strong>Design</strong> curriculum:<br />

. What is sculpture? . 3D sketching<br />

. Creating a sculpture . Colour in sculpture<br />

. What is a self-portrait . Drawing your own self-portrait<br />

. Collage . Masks and mask-making<br />

Four teacher sheets, which include:<br />

. A history of <strong>Madame</strong> <strong>Tussauds</strong><br />

. Extension activities with links into other curriculum subject areas<br />

. Learning objectives<br />

‘This vibrant and well-researched resource will enrich your visit to<br />

<strong>Madame</strong> <strong>Tussauds</strong>. With relevant background information, plus a<br />

wealth of high quality activities, this imaginative and creative pack<br />

will truly support your trip to one of London’s premier attractions.’<br />

Ron Naylor, Headteacher, Forefield Junior School<br />

Studio Secrets Mission<br />

A fun and engaging exercise for pupils to complete on the day of the visit.<br />

Free added benef its<br />

We give teachers all the support they need to make their visit a success<br />

including free planning tickets, free risk assessments and information sheets.<br />

Visit www.madametussauds.co.uk/schools for more details.<br />

Photography<br />

All photography featured in this pack is © Merlin Entertainments Group<br />

and is not forcommercial or publicity use.<br />

Visit the <strong>Madame</strong> <strong>Tussauds</strong> website at: www.madame-tussauds.co.uk/schools Booking number: 0871 222 0177*<br />

<strong>Madame</strong> <strong>Tussauds</strong>, Marylebone Road, London, NW1 5LR<br />

* Calls to 0871 numbers are charged at 10 pence per minute at all times from a BT landline. Calls from mobile operators and other networks may vary. The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


<strong>Resource</strong> <strong>Pack</strong> for:<br />

Key Stage 1 and 2 <strong>Art</strong> and <strong>Design</strong><br />

Introduction<br />

The <strong>Madame</strong> <strong>Tussauds</strong> London <strong>Art</strong><br />

and <strong>Design</strong> resource is aimed at Key<br />

Stages 1 and 2 of the <strong>Art</strong> and <strong>Design</strong><br />

curriculum.<br />

The resource has been written in close<br />

consultation with practising teachers,<br />

in association with <strong>Madame</strong> <strong>Tussauds</strong><br />

London. It offers relevant<br />

and stimulating<br />

exercises that fit into<br />

key areas of the <strong>Art</strong> and<br />

<strong>Design</strong> curriculum which<br />

bring the subject to life and also<br />

provide cross-curricular links to<br />

a range of subjects including<br />

English, Maths, ICT and Science.<br />

The sheets have been written<br />

for Key Stage 1 and 2 teachers.<br />

We offer an introduction to<br />

waxwork figures, how they are<br />

devised and constructed, advice<br />

for planning visits, ideas and<br />

strategies for what to do during<br />

a visit and suggestions for<br />

follow up work in linked areas of<br />

<strong>Art</strong> and <strong>Design</strong>.<br />

Contents<br />

The <strong>Madame</strong> <strong>Tussauds</strong> London<br />

<strong>Art</strong> resource consist of:<br />

Teacher Card One<br />

<strong>Madame</strong> <strong>Tussauds</strong> London<br />

.<br />

8 Teacher Sheets<br />

. 2 x full colour A4 posters for<br />

classroom display<br />

. 8 x photocopiable Pupil<br />

Worksheets<br />

<strong>Madame</strong> <strong>Tussauds</strong> London is themed around famous people,<br />

past and present, with key attention on using new<br />

technology to bring the figures to life. We offer an<br />

excellent visit to stimulate pupils’ imaginations<br />

in key areas of <strong>Art</strong> and <strong>Design</strong> including<br />

Sculpture, Materials and processes, 3D<br />

Modelling and Self-portraits.<br />

The figures at <strong>Madame</strong> <strong>Tussauds</strong> London offer<br />

school visitors exciting opportunities to approach<br />

art and design areas from different perspectives<br />

and disciplines, enabling pupils to get up close and<br />

personal with their favourite stars.<br />

Using the <strong>Resource</strong><br />

A visit to <strong>Madame</strong> <strong>Tussauds</strong> London and the <strong>Art</strong> and<br />

<strong>Design</strong> resource boosts pupils’ learning for <strong>Art</strong> and<br />

<strong>Design</strong> at Key Stages 1 and 2, and introduces key areas<br />

of the <strong>Art</strong> and <strong>Design</strong> curriculum.<br />

These classroom resources aim to provide the tools<br />

teachers need to deliver exciting lessons in <strong>Art</strong> and<br />

<strong>Design</strong> in today’s classrooms. Our intention is to<br />

do much of the preparation and planning for you.<br />

<strong>Design</strong>ed to be flexible, this resource offers a<br />

range of activities and ideas so that you can select<br />

the topics and exercises suited to your pupils. Whilst<br />

the focus is on Key Stage 2 they can be adapted for use<br />

at Key Stage 1 and for pupils with varying abilities, with<br />

differentiation for less able pupils.<br />

.<br />

Extension activities for<br />

older pupils<br />

. Studio Secrets mission to<br />

. complete on the day of the visit<br />

www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


<strong>Resource</strong> <strong>Pack</strong> for:<br />

Key Stage 1 and 2 <strong>Art</strong> and <strong>Design</strong><br />

Curriculum<br />

Checklist<br />

Key Stages 1 and 2<br />

<strong>Art</strong> and <strong>Design</strong><br />

Teacher Sheets<br />

The Teacher sheets set out the learning objectives for each of the Pupil Worksheets<br />

and provide assistance in delivering the various activities, where necessary.<br />

Suggestions for extension activities and links into other areas of the curriculum are<br />

also provided.<br />

Pupil Worksheets<br />

The Pupil Worksheets are designed for use in the classroom with some exercises for<br />

use at <strong>Madame</strong> <strong>Tussauds</strong> London itself and can be easily photocopied. As well as key<br />

activities to complement the <strong>Art</strong> and <strong>Design</strong> curriculum, the worksheets offer<br />

cross-curricular exercises to take the fundamental learnings into other areas of<br />

the curriculum.<br />

A quick guide to the resource<br />

Worksheet<br />

Number Title Description<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

What is sculpture?<br />

3D-sketching<br />

Creating a<br />

sculpture<br />

Colour in<br />

sculpture<br />

What is a<br />

self-portrait?<br />

Drawing your own<br />

self-portrait<br />

Collage<br />

Mask &<br />

mask-making<br />

. .<br />

Exploring and developing ideas<br />

. Investigating and making art,<br />

craft and design<br />

. Evaluating and developing work<br />

Understanding the processes and materials used<br />

to create sculpture. Investigating sculptures and<br />

sculptors.<br />

Investigating 3D drawing through sketching a wooden<br />

mannequin from different angles. Applying the 3D<br />

sketching process to a human form and applying colour.<br />

Creating a 3D sculpture from a range of materials.<br />

Exploring the use of tools to create texture and pattern.<br />

Applying colour to a sculpture. Exploring<br />

colour mixing and the use of other materials to<br />

create a likeness.<br />

Understanding and investigating self-portrait and<br />

relevant artists. Examining facial features and<br />

expression in order to create a self portrait.<br />

Examining the positioning of facial features to create<br />

true likeness. Creating a timeline to understand and<br />

predict how faces change.<br />

Creating a self-portrait collage to portray personality,<br />

interests and information about the artist.<br />

Creating a self-portrait mask. Applying colour to the<br />

mask to represent skin tone and the use of additional<br />

materials in decoration.<br />

Knowledge and understanding<br />

Full details of the learning objectives<br />

relating to each of the activities and<br />

pupil exercises are provided on the<br />

Teacher Cards.<br />

Teacher Card Two www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


A brief history<br />

of <strong>Madame</strong> <strong>Tussauds</strong><br />

Marie Grosholtz (later to become<br />

<strong>Madame</strong> Tussaud) was born in 1761 in<br />

Strasbourg, France, two months after her<br />

father’s death. Her mother took<br />

a job as a housekeeper in Berne for<br />

Philippe Curtius, a doctor who was<br />

skilled at modelling wax to create<br />

anatomical figures.<br />

Teacher Card Three<br />

In 1767 Marie moved with her mother and Philippe Curtius to Paris where<br />

Curtius opened his first exhibition.<br />

At a time when visual media such as cinema and TV did not exist, people flocked to<br />

the exhibition to see for themselves what the famous people of the time looked like.<br />

Dr Curtius taught Marie the art of wax sculpting from an early age and she<br />

demonstrated natural flair.<br />

Soon she was sculpting her own figures of many of the prominent people of the era.<br />

Marie’s skills came to the attention of Louis XVI’s sister and Marie was invited to live<br />

at and work in the palace of Versailles. Marie spent nine years at court and whilst<br />

there created figures of Louis XVI and his family.<br />

In 1789 Dr Curtius asked Marie to return to Paris.<br />

Once back in Paris the French Revolution erupted and Marie<br />

was asked to make death masks of the prominent figures<br />

who were executed, including Louis XVI and his wife<br />

Marie Antoinette. Marie herself was imprisoned by the<br />

revolutionists but escaped the fate of the guillotine.<br />

In 1794 Curtius died and Marie inherited the exhibition.<br />

However the exhibition struggled in the economic decline<br />

following the revolution and Marie decided to take the<br />

exhibition to England where it was a great success. Marie and<br />

her husband, Francois Tussaud, toured the British Isles with<br />

the exhibition for years. In 1822 the ship carrying the figures<br />

was wrecked on a crossing to Ireland but fortunately some<br />

of the figures were saved.<br />

At the age of 74, <strong>Madame</strong> Tussaud decided to settle the<br />

exhibition permanently at the Baker Street Bazaar, very close<br />

to the present site.<br />

Marie continued to work at the exhibition until her death in 1850.<br />

Her sons and grandsons continued the business and in 1884 decided to<br />

move the exhibition to its present site.<br />

Over the years there have been several disasters which the exhibition<br />

has had to cope with.<br />

A fire in 1925 destroyed many of the figures but fortunately the moulds<br />

were saved so new figures could be cast, and in 1940, on the first night<br />

of the Blitz, 352 head moulds were damaged beyond repair, although<br />

ironically Hitler’s figure remained unscathed!<br />

Actual wax<br />

portrait of <strong>Madame</strong><br />

Tussaud herself.<br />

www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Making Figures in wax<br />

For most visitors to <strong>Madame</strong> <strong>Tussauds</strong>, wax figures are startling,<br />

three-dimensional likenesses of all manner of people but little is<br />

known about how the figures are actually created. This is because<br />

the studios can never be visited - apart from by the subjects who<br />

come to be modeled in the private,<br />

purpose-built area.<br />

At the sitting, the sculptor has<br />

the opportunity to take precise<br />

measurements with a tape<br />

measure and calipers, and<br />

to photograph the subject’s<br />

head and body from every possible<br />

angle. During the sitting the sculptor<br />

also makes the all-important observations<br />

that will convey personality and character as the<br />

sculpture progresses.<br />

A moulder is responsible for making<br />

a plaster “negative” from the<br />

sculptor’s portrait, and great care<br />

must be taken to avoid damaging<br />

the precious clay original. Once<br />

the wax head has been cast it<br />

requires eyes, hair and colour.<br />

Eyes are made individually to<br />

exactly match the colour and<br />

detail of the subject, human<br />

hair is inserted strand by<br />

strand into the wax scalp and<br />

colour is carefully applied to<br />

bring the face and features “to life”.<br />

The final assembly of<br />

the figure is supervised<br />

by the sculptor and<br />

wardrobe mistress.<br />

When a figure enters <strong>Madame</strong><br />

<strong>Tussauds</strong>, the studio remain closely<br />

concerned with its appearance and like<br />

every other figure it will undergo an early<br />

morning routine of checking and cleaning<br />

before the attraction opens each day.<br />

This rigorous attention to detail is constantly maintained and<br />

continues to uphold the high standards for which <strong>Madame</strong> <strong>Tussauds</strong> is<br />

famed.<br />

Read our studio’s blog online for amazing behind-the-scenes info from<br />

our world famous artists at www.madame-tussauds.co.uk/blog.<br />

Teacher Card Four www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Sculpture: What is Sculpture?<br />

Section Notes on Pupil Worksheet 1<br />

This worksheet introduces the concept of sculpture and the various techniques and<br />

materials it encompasses. You may wish to introduce the topic via a class discussion<br />

to ascertain levels of pupil understanding.<br />

The sequence of pictures showing how <strong>Madame</strong> <strong>Tussauds</strong> creates its sculptures<br />

can be used to encourage sequential writing and to demonstrate processes. The<br />

pictures can be used as a storyboard against which the pupils can record the method<br />

employed by <strong>Madame</strong> <strong>Tussauds</strong>. This process can also form a model for pupils to refer<br />

to when they make their own sculpture.<br />

Activity 2<br />

This activity offers a multi-cultural dimension. Pupils could be asked to explore<br />

sculptures from different origins and cultures to explore the choice and use of<br />

indigenous materials, for example the use of stone to form the Easter Island statues<br />

and rainforest artefacts.<br />

Pupils should be encouraged to use a variety of references, including library resources<br />

and the internet.<br />

Extension Activities<br />

Pupils could be asked to look for examples of sculpture in their own home or to<br />

research local sculptors by investigating sculptures they find in the local area.<br />

They should consider the types of materials used and the reasons why these<br />

materials were selected. Encourage pupils to record their findings in a table or<br />

spreadsheet. They could also take photographs or draw sketches of sculptures<br />

that they find to add to their portfolio.<br />

Sculpture: 3D Sketching<br />

Section Notes on Pupil Worksheet 2<br />

This worksheet encourages pupils to think about objects in 3D form and consider<br />

representation of objects from differing viewpoints.<br />

Pupils can be encouraged to experiment with a range of different sketching and<br />

shading techniques (including the use of different leaded pencils to achieve<br />

appropriate shadings).<br />

Ideally, pupils should have one wooden mannequin between two, however if this is<br />

not possible, they can work in larger groups with the mannequin clearly visible<br />

to all.<br />

Activity 2<br />

This exercise incorporates life drawing skills, encouraging pupils to sketch the human<br />

form by focusing on a specific pose.<br />

Activity 3<br />

Pupils may wish to create a complete colour sketch of their character or item.<br />

Alternatively pupils could simply label the sketch to indicate the colours to be used<br />

on the individual parts.<br />

Curriculum Links.<br />

. ICT<br />

. History<br />

. Geography<br />

. <strong>Design</strong> & Technology<br />

Learning Objectives<br />

. To collect visual and other information<br />

to help pupils develop their ideas<br />

. To explore materials and processes used<br />

in art, craft and design and how these<br />

can be matched to ideas and intentions<br />

. To understand the roles and purposes<br />

of artists, craftspeople and designers<br />

working in different times and cultures<br />

Curriculum Links<br />

. ICT<br />

Learning Objectives<br />

. To record from experience and first-hand<br />

observation and to explore ideas for<br />

different purposes<br />

. To collect visual and other information to<br />

help develop ideas, including using<br />

a sketchbook<br />

Teacher Card Five www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Sculpture: Creating a Sculpture<br />

Section Notes on Pupil Worksheets 3-4<br />

These worksheets assist pupils in making a finished 3D sculpture. Pupils are<br />

encouraged to think about choice of materials, texture and colour to ensure the<br />

finished model is an accurate likeness of the item or character selected.<br />

If pupils are modelling from a pliable material, they must be encouraged to mould<br />

their sculpture (including arms and legs) out of a single piece of material.<br />

Additional methods of modelling/sculpture can be offered for more able pupils,<br />

dependant on available materials and tools. Alternative sculptures can be made in<br />

3D form by using wire. Old coat hangers can be unbent and reformed into sculptures.<br />

Chicken wire (which can be bought in various formats), can be used for sculpture<br />

structure work and then papier-mâchéd over.<br />

All wire work will require additional teacher help with cutting and bending the<br />

materials into shape.<br />

Completed classroom sculptures can be displayed, next to the item they were<br />

modelled from, so other class members can compare work.<br />

Extension Activities<br />

Photographs of the sculptures can be displayed in the classroom or on the<br />

school website (where applicable). This could be undertaken as part of an ICT<br />

exercise using a digital camera.<br />

Pupils can also be encouraged to work in small groups and evaluate each<br />

other’s work, recording their findings and presenting their rationale to select<br />

the sculpture that represents the truest likeness.<br />

Additional Idea<br />

Section Notes<br />

Pupils can create a storyboard to demonstrate how they made their sculpture. They<br />

can be encouraged to look at the Creating a Sculpture poster supplied with this<br />

resource as stimulus and perhaps create their own poster to demonstrate their work.<br />

Curriculum Links.<br />

. ICT<br />

. English<br />

. Science<br />

. <strong>Design</strong> & Technology<br />

Learning Objectives<br />

. To use a range of materials and processes<br />

to investigate visual and tactile qualities<br />

of materials and processes and to match<br />

these to the purposes of their work<br />

. To develop control of tools and techniques<br />

. To explore colour, pattern and texture<br />

Worksheet 4 – Colour in sculpture<br />

. To compare ideas, methods and<br />

approaches in their own and others’ work<br />

. To adapt their work according to their<br />

views and describe how it might<br />

develop further<br />

Curriculum Links<br />

. English<br />

Learning Objectives<br />

. To explore a range of starting points for<br />

practical work<br />

. To record from experience, imagination<br />

and first hand experience<br />

Teacher Card Six www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Self-portrait: What is Self-portrait?<br />

Section Notes on Pupil Worksheet 5<br />

This worksheet is designed to examine closely what makes a face unique. Pupils<br />

should be encouraged to become aware of their features in order to progress to<br />

replicating that image in a self-portrait.<br />

Activity 1<br />

As an introduction to self-portrait pupils can be encouraged to use both library and<br />

internet resources to research the named artists.<br />

Activity 2<br />

Encourage the use of creative language amongst pupils when completing this<br />

activity. You may wish to introduce this exercise through a class discussion, perhaps<br />

encouraging the pupils to study your face and describe a variety of expressions using<br />

adjectives. If you have ‘expression’ cards use these to stimulate pupil vocabulary by<br />

asking pupils to guess or describe the expression shown.<br />

Section Notes on Pupil Worksheet 6<br />

Activity 1<br />

These portraits can be used as the basis for the mask-making exercises on Pupil<br />

Worksheet 4 and as such should be drawn to scale. Pupils should be asked to form<br />

pairs and take detailed measurements of each others’ heads.<br />

Pupils could be encouraged to think about how artists use colour to show meaning<br />

in their work and consider which colours would tell people about themselves. Pupils<br />

may also want to focus on a personal experience and include it within their picture.<br />

Activity 2<br />

This activity will probably require a letter home to parents, asking permission for<br />

their children to bring into school any photographs and personal items. Family<br />

photographs and other treasured items will need to be photocopied so that originals<br />

can be returned safely with the child the same day. Pupils must place or draw their<br />

pictures in chronological/sequential order and date the pictures. Key events (for<br />

example the Queen’s Jubilee) could be included on the timeline in order to provide<br />

a historical context.<br />

Extension Activities<br />

Pupils could be asked to look for examples of sculpture in their own home or to<br />

research local sculptors by investigating sculptures they find in the local area.<br />

They should consider the types of materials used and the reasons why these<br />

materials were selected. Encourage pupils to record their findings in a table or<br />

spreadsheet. They could also take photographs or draw sketches of sculptures<br />

that they find to add to their portfolio.<br />

Curriculum Links.<br />

. ICT<br />

. English<br />

. History<br />

Learning Objectives<br />

. To understand the roles of artists and<br />

designers in different times and cultures<br />

. To record from experience and first-hand<br />

observation<br />

. To explore themselves as a starting point<br />

for practical work<br />

Self-portrait: Drawing your own self-portrait<br />

Curriculum Links<br />

. History<br />

. Mathematics<br />

Learning Objectives<br />

. To record from experience and first-hand<br />

observation<br />

. To explore themselves and their<br />

experiences as a starting point for<br />

practical work<br />

. To work on projects in two dimensions<br />

and to adapt and develop their work<br />

according to their views<br />

Teacher Card Seven www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Self-portrait: Collage<br />

Section Notes on Pupil Worksheet 7<br />

Again, a letter home to parents should be sent in advance of this activity being<br />

undertaken and any necessary photocopying of treasured items made ahead of the<br />

lesson. Additional help with cutting may be required.<br />

A pictorial reference to <strong>Madame</strong> Tussaud is provided on Teacher card 3, however<br />

pupils should be encouraged to research their own references using library resources<br />

or the internet. You may wish to ask them to use a pictorial reference to <strong>Madame</strong><br />

Tussaud rather than use their own picture.<br />

Activity 3<br />

When visiting <strong>Madame</strong> <strong>Tussauds</strong>, encourage pupils to collect items from the trip for<br />

later use in the <strong>Madame</strong> Tussaud collage they will create. Items such as ticket stubs,<br />

free literature and photographs from the trip could be used.<br />

Pupils could again be encouraged to research France on the internet or in the library<br />

and use their findings to help theme their <strong>Madame</strong> Tussaud collage.<br />

Extension Activities<br />

Encourage the study of artists such as Matisse, who famously worked with<br />

collage and cut-out paper shapes to produce his works.<br />

Self-portrait: Mask-making<br />

Section Notes on Pupil Worksheet 8<br />

Activity 1<br />

In addition to the methods of colour and decoration outlined, pupils could be<br />

encouraged to look through magazines to find examples of colour that matches their<br />

skin tone. They can use these cuttings to create a collage base to their mask.<br />

Assistance may be required to cut out eye and mouth holes in the mask. Pupils can<br />

also be encouraged to use real props, such as hair clips and combs.<br />

Assistance may also be required securing the wooden stick to the base of<br />

the mask.<br />

Extension Activities<br />

Encourage pupils to investigate the use of masks in religion (in celebration<br />

and ceremony for example). This would provide a cross-curricular link to<br />

Religious Education.<br />

Pupils can also be invited to research, via reference books or the internet, the<br />

use of masks historically, providing a link to the History Curriculum.<br />

Curriculum Links.<br />

. ICT<br />

. History<br />

. English<br />

. <strong>Design</strong> & Technology<br />

Learning Objectives<br />

. To collect visual and other information to<br />

help pupils develop their ideas<br />

. To use a variety of methods and<br />

approaches to communicate<br />

observations ideas and feelings<br />

. To use a range of materials and processes<br />

Curriculum Links<br />

. ICT<br />

. History<br />

Learning Objectives<br />

. To investigate visual and tactile qualities<br />

of materials and processes and to<br />

match these to the purposes of their work<br />

. To use a range of materials and<br />

processes and develop control of tools<br />

and techniques<br />

. To explore colour, pattern, texture, line<br />

and tone and how these elements<br />

can be combined and organised for<br />

different purposes<br />

Teacher Card Eight www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


What is Sculpture?<br />

Search Engine Keywords:<br />

. Sculptor . Sculpture<br />

. Materials . Modelling<br />

Worksheet One<br />

3<br />

Sculptures can be made from many different types of materials. At<br />

<strong>Madame</strong> <strong>Tussauds</strong> we use wax for our sculptures.<br />

This helps us to create the best likeness of the celebrities we are<br />

modelling. Other materials can also be used in sculpture. These include<br />

wood, plastic, clay, metal and even ice!<br />

Activity One<br />

a) Match the following materials with the word which you feel best describes<br />

its properties.<br />

.Glass<br />

.Metal<br />

.Clay<br />

.Sponge<br />

.Strong<br />

.Transparent<br />

.Absorbant<br />

.Mouldable<br />

b) Sculptures may also be made from other materials such as concrete. Find<br />

the names of other materials that might be used.<br />

Think of words to describe these materials.<br />

Here is how we create our sculptures<br />

1<br />

Activity Two<br />

2<br />

4<br />

Look at the pictures and make notes on how<br />

<strong>Madame</strong> <strong>Tussauds</strong> create their figures.<br />

Find pictures of sculptures in magazines, books or on the internet. Cut out<br />

or sketch the sculptures that you find and record the name of the sculptor.<br />

Investigate which materials the sculptor has used.<br />

5<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


3D Sketching<br />

Search Engine Keywords:<br />

. Angles . Likeness<br />

. Sketch . Portfolio<br />

Worksheet Two<br />

At <strong>Madame</strong> <strong>Tussauds</strong> our guests are allowed to walk up to their favourite<br />

celebrity figure and walk around them. It is important for us to create a<br />

true likeness from all angles.<br />

Activity One<br />

1<br />

4<br />

Activity Two<br />

Using a wooden<br />

mannequin,<br />

sketch the figure<br />

from the front.<br />

Now that you have practiced 3D drawing with a wooden mannequin,<br />

choose somebody you would like to make a sculpture of. It can be a<br />

famous sports, music or TV personality, or a friend.<br />

Decide on the pose for your sculpture. For example, kicking a ball or<br />

singing into a microphone. Find different references or ask a friend to<br />

pose in that position.<br />

a) Start by sketching the pose from the front<br />

b) Now create a sketch of the same pose from the side<br />

c) Now draw a sketch from behind<br />

d) Add the necessary details to your sketch to make your person recognisable<br />

Activity Three<br />

2 3<br />

Now move your<br />

mannequin.<br />

Sketch how it<br />

looks from a<br />

sideways angle.<br />

Move the mannequin into some different positions and sketch them too.<br />

Keep a portfolio of your sketches.<br />

Move the wooden<br />

mannequin<br />

to a reverse<br />

facing position.<br />

Sketch how the<br />

mannequin looks<br />

from behind.<br />

Create a colour sketch of the person you have chosen to refer to when you<br />

make your sculpture.<br />

To do this, you<br />

can use:<br />

• powder paints<br />

• watercolour paints<br />

• coloured pencils<br />

• felt tip pens<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Creating a Sculpture?<br />

Search Engine Keywords:<br />

. Pliable . 3D<br />

. Texture . Pattern<br />

Worksheet Three<br />

Once you have a portfolio of 3D sketches, you are ready to create your<br />

sculpture. You will need a pliable material (such as plasticine, playdough<br />

or clay). These materials are easier to mould into shape. You<br />

could also use modroc or papier mâché.<br />

Activity One<br />

a) Create a 3D sculpture from your sketches. If you are able to choose the<br />

material to use, think about which would be best.<br />

Think about the texture of the item. Should the surface of your sculpture<br />

be smooth or rough?<br />

Use tools to help create the texture and patterns you need<br />

by digging into the smooth surface.<br />

If you are sculpting with plasticine, clay or play-dough,<br />

use your fingers to smooth over the joins.<br />

If you are using play-dough or plasticine, you can<br />

experiment with different colours to create a marbled<br />

effect, or even to create new colours.<br />

b) When your sculpture is complete and you are happy with its likeness to<br />

your 3D sketches, leave it somewhere safe to dry.<br />

Remember:<br />

Don’t forget to refer back<br />

to your 3D sketches to<br />

make sure you create a<br />

likeness from all angles.<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Colour in Sculpture?<br />

If you have sculpted your model from clay, papier mâché or modroc,<br />

your sculpture will now need painting.<br />

You can use:<br />

• poster paints •readimix<br />

• coloured paper •fabrics<br />

Activity One<br />

a) Choose the method or methods that will give the best texture for<br />

your sculpture.<br />

b) Refer to your colour sketch to apply colour to your sculpture.<br />

c) Can you guess which colours are made by mixing the colours shown?<br />

d) Experiment with colour mixing and record your findings in a table.<br />

If you are using paints, you may need to mix several colours together to<br />

get the shade or colour you want. By adding a little paint at a time, you<br />

create new shades.<br />

Yellow<br />

Yellow<br />

Green<br />

Red<br />

Blue<br />

Red<br />

White<br />

Blue<br />

Black<br />

Lighter shades may be created by adding your colour to white paint.<br />

When we describe colour we say that reds are warm colours and<br />

blues cold.<br />

Activity Two<br />

Now that your sculpture is complete, compare it to your<br />

original sketches.<br />

a) Is there a good likeness between your original sketches and the<br />

completed sculpture?<br />

b) If not, why not? Do you think you could have selected a more suitable<br />

material to model with?<br />

Worksheet Four The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


What is a Self-portrait?<br />

The wax models that you see in <strong>Madame</strong> <strong>Tussauds</strong> are known as ‘wax<br />

figures or portraits’ because they are an exact likeness of a famous<br />

person. The face, hair, height and body-shape are all copied exactly.<br />

A self-portrait is when an artist<br />

attempts to create an artistic<br />

likeness of himself. Many famous<br />

artists have created self-portraits.<br />

A portrait can tell you many<br />

things about a person. It can show<br />

you what fashions were like at<br />

the time, how people lived and it<br />

can also tell you about important<br />

events that happened at the time.<br />

Activity One<br />

Select one of the above artists<br />

and investigate their self-portrait<br />

work. What name did they give to<br />

their self-portraits?<br />

Activity Two<br />

a) Describe your classmate’s face. On a separate piece of<br />

paper record the following details:<br />

1. What colour eyes do they have? 2. What shape are their eyes?<br />

3. What is their hair like? 4. How would you describe its style?<br />

5. What are their teeth like? 6. What is their skin tone?<br />

7. What is the shape of their mouth like? 8. What is their expression?<br />

What else do you notice?<br />

b) Practice pulling a happy and sad face. How does your face change with<br />

your expressions? What happens to each of your features as you change<br />

from a sad to a happy face:<br />

Happy face Sad face<br />

Eyes<br />

Mouth<br />

Nose<br />

Self-potrtraits created by:<br />

L.S. Lowry, Picasso, Van Gough<br />

and Salvador Dali<br />

Worksheet Five The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Drawing your own Self-portrait<br />

Keywords:<br />

. Portrait . Self-portrait<br />

. Likeness . Expressions<br />

Worksheet Six<br />

Activity One<br />

Use a mirror to help you to draw a self-portrait. With this you can create<br />

your own self-portrait. Follow instructions 1,2,3 and 4. Remember to<br />

keep looking in the mirror to help you.<br />

a) Once you have finished, look at your picture. Does it look like you? If not,<br />

why not? Which features do you think you have drawn incorrectly?<br />

b) Swap portraits with the person sitting next to you. Does their portrait look<br />

like them? If not, why not? Which features do you think they have<br />

drawn incorrectly?<br />

1<br />

Draw a horizontal line to show the<br />

level of your eyes<br />

3 4<br />

Draw a second line to mark the<br />

bottom of your nose<br />

Draw a vertical line of symmetry.<br />

Draw 5 ovals across the eye line<br />

Draw a third line to show where your<br />

mouth appears<br />

Activity Two<br />

Collect photos of yourself or family members. Describe the differences in<br />

clothing styles, hairstyles, facial expressions and age.<br />

a) Study photographs of yourself from when you were a baby. How have<br />

you changed?<br />

b) Draw a timeline of yourself, as a baby, when you<br />

first started school and as you are now.<br />

2<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Collage<br />

Search Engine Keywords:<br />

. Portrait . Self-portrait<br />

. Likeness . Expressions<br />

Using a self-portrait you can create a self-portrait collage.<br />

Before you begin this activity you will need to bring into school a<br />

collection of your favourite mementos from home.<br />

These could include:<br />

. Family photographs<br />

. Photographs of friends<br />

. Favourite postcards<br />

. Magazine articles<br />

. Favourite pop group pictures<br />

. Autograph collections<br />

. Photographs of your pets<br />

. Theme park tickets<br />

Activity One<br />

a) Take a photocopy of the self-portrait. You may also want to photocopy any<br />

items (such as family photographs) which need to be returned.<br />

b) Carefully cut out the photocopy of your face with a pair of scissors.<br />

c) On a large piece of card, create a background for your collage. You can<br />

draw or paint your background or use wrapping paper, comics, magazines<br />

or newspaper.<br />

d) Now stick the<br />

cut-out of your<br />

self-portrait to<br />

the card.<br />

e) Lastly, stick your<br />

mementos to the<br />

background of<br />

your collage.<br />

Activity Two<br />

Write a short paragraph describing your favourite mementos and<br />

explain why they are special to you.<br />

Activity Three<br />

Draw a picture of <strong>Madame</strong> Tussaud and create a portrait collage.<br />

During your visit to <strong>Madame</strong> <strong>Tussauds</strong> think about what you might<br />

include on your collage. For example your <strong>Madame</strong> <strong>Tussauds</strong> ticket<br />

and photographs you have taken on the trip. You could also add items<br />

which relate to her job and her life, for example a piece of candle wax or<br />

pictures of France where she was born.<br />

Worksheet Seven The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Masks and Mask-making<br />

Worksheet Eight<br />

<strong>Madame</strong> Tussaud, the creator of <strong>Madame</strong> <strong>Tussauds</strong>, began her business<br />

by making wax masks. During the French Revolution she created masks<br />

of important people of the time.<br />

Masks are used in many different<br />

cultures for lots of different reasons.<br />

They can be used in religious<br />

practices, in celebration and at<br />

carnivals, such as the famous Venice<br />

Carnival.<br />

Activity One<br />

When decorating your mask you might want to use<br />

poster paints to colour your skin tone, or props<br />

including different coloured wool to stick onto your<br />

mask for hair.<br />

Here are some extra materials you might want to add to<br />

your mask:<br />

.Coloured beads .Glitter .Pipe cleaners<br />

.Silver foil .Coloured fabrics<br />

1<br />

3<br />

5<br />

Trace or take a photocopy of the<br />

self-portrait you have already created<br />

in Worksheet Two.<br />

Now cut out holes for the eyes and<br />

mouth. Ask your teacher to help you.<br />

2<br />

4<br />

Stick your picture to a piece of card<br />

and cut around the outside.<br />

Now you can decorate your mask<br />

however you like!<br />

To make a handle for your mask, tape<br />

a wooden lolly stick or a thick piece of<br />

card to the base.<br />

The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Studio Secrets<br />

1.What happens when you press<br />

Jamie Oliver’s tummy?<br />

A) music plays<br />

B) he talks<br />

C) it rumbles<br />

Answer:<br />

2.Who blushes when you whisper<br />

in her ear?<br />

Answer:<br />

3.What colour are Britney’s shoes?<br />

Answer:<br />

4.What animal sound can<br />

you hear when one of Sherlock<br />

Holmes’ books is pulled?<br />

Cat, Dog or a Horse<br />

Answer:<br />

You have a mission to complete<br />

and some exciting secrets to<br />

discover as you take a walk<br />

around <strong>Madame</strong> <strong>Tussauds</strong>.<br />

Find and write the<br />

correct answers<br />

5.What part of Sleeping Beauty’s<br />

body moves?<br />

Answer:<br />

6.What was Jenson Button’s top<br />

score on Batak?<br />

What is yours?<br />

Answer:<br />

7.What award is Britney Spears<br />

holding?<br />

Answer:<br />

8.Who in your class has the<br />

same eye colour as Madonna?<br />

Answer:<br />

9.On the Spirit of London Ride,<br />

what is William Shakespeare<br />

writing with?<br />

Answer:<br />

10.Which is the largest figure in<br />

the attraction?<br />

Answer:<br />

Pupil worksheet The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>


Studio Secrets<br />

1.What happens when you press<br />

Jamie Oliver’s tummy?<br />

A) music plays<br />

B) he talks<br />

C) it rumbles<br />

Answer: It rumbles<br />

2.Who blushes when you whisper<br />

in her ear?<br />

Answer: J-Lo<br />

3.What colour are Britney’s shoes?<br />

Answer: Silver<br />

4.What animal sound can<br />

you hear when one of Sherlock<br />

Holmes’ books is pulled?<br />

Cat, Dog or a Horse<br />

Answer: Dog<br />

You have a mission to complete<br />

and some exciting secrets to<br />

discover as you take a walk<br />

around <strong>Madame</strong> <strong>Tussauds</strong>.<br />

Find and write the<br />

correct answers<br />

5.What part of Sleeping Beauty’s<br />

body moves?<br />

Answer: Her chest<br />

6.What was Jenson Button’s top<br />

score on Batak?<br />

What is yours?<br />

Answer: 56<br />

7.What award is Britney Spears<br />

holding?<br />

Answer: MTV Award<br />

8.Who in your class has the<br />

same eye colour as Madonna?<br />

Answer:<br />

9.On the Spirit of London Ride,<br />

what is William Shakespeare<br />

writing with?<br />

Answer: A feather/quill<br />

10.Which is the largest figure in<br />

the attraction?<br />

Answer: The Hulk<br />

Pupil worksheet www.madame-tussauds.co.uk/schools • The images shown depict wax figures created and owned by <strong>Madame</strong> <strong>Tussauds</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!