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A Long Way From Home.pdf - Site de Thomas - Free

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introduction • xxvii<br />

grasp why intellectuals and politicians of the early twentieth century<br />

had found Marx so appealing.<br />

According to William J. Maxwell, McKay’s indoctrination into<br />

Marxism initiated his thinking on the <strong>de</strong>velopment of class consciousness<br />

in black political action and racial consciousness in international<br />

Communism. 17 In due time, he attempted to modify Marxist theory<br />

with his 1923 book published in Russia, Negry v Amerike (The Negroes<br />

in America). Arguably the first ever black-authored monograph theorizing<br />

the relationship between race and class, The Negroes in America<br />

indicted the Marxist and Communist neglect of race in transnational<br />

political organization.<br />

Yet reading Marx did not teach McKay how to be a political activist.<br />

Marx “belonged even more to the institutions of learning than to the<br />

street corners from which [he] had so often heard his gospel preached”<br />

(chapter 6). In the cold, snow-la<strong>de</strong>n streets of Moscow in 1922, the distinction<br />

between intellectual thought and daily life struck him as he<br />

interacted with many Russians who knew more about poverty and<br />

hunger than about “the true nature of Communism,” except that<br />

“Lenin was in the place of the Czar and that he was a greater Little<br />

Father” (chapter 14). McKay did not figure out how to overcome the<br />

disconnection between formal intellection and the practical world<br />

until he met Comra<strong>de</strong> Vie, a multilingual, foreign revolutionary of<br />

unknown national origin. It was Vie who critiqued McKay’s radical<br />

perspectives and helped him to figure out where and how to focus his<br />

political energy while abroad. Vie’s advice, coupled with the experience<br />

of reciting “If We Must Die,” taught McKay how to amplify and direct<br />

his political voice.<br />

“As a Writer, Not an Agitator”: McKay’s Radicalism<br />

Paradoxically, McKay embodied the unity and tension between the red<br />

and the black, between commitments to class-based and race-based<br />

strategies of political mobilization. Such red and black approaches to<br />

culture and politics not only tinted McKay’s vision of human difference<br />

in the world, they inflected his rhetoric as well. “If We Must Die”<br />

arose from a political sympathy that he shared with radical causes<br />

around the world and that <strong>de</strong>termined his activities as a writer of<br />

polemical literature, beginning with his days in Jamaica. But he always<br />

held the Communist Party at arm’s length; he never admitted to being

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