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daily<br />

<strong>Excelsior</strong> celsior MAGAZINE<br />

MAGAZINE<br />

O N KAUL<br />

The Bhagavad Gita clearly mentions in<br />

verse 29 of Chapter IV, the theory of Kriya<br />

Yoga, the technique of God -communion<br />

that Lahiri Mahasaya gave <strong>to</strong> the world in<br />

the nineteenth century. Kriya Yoga<br />

Pranayama or life control teaches man <strong>to</strong><br />

untie the cord of breath that binds the soul<br />

<strong>to</strong> the body, thus scientifically empowering<br />

the soul <strong>to</strong> fly from the bodily cage in<strong>to</strong><br />

the skies of omnipresent Spirit, and come<br />

back, at will, in<strong>to</strong> the little cage. Thus <strong>by</strong><br />

Kriya Yoga Pranayama or life control the<br />

soul can be released from identification<br />

with the body and united <strong>to</strong> Spirit.<br />

Pranayama is derived from two Sanskrit<br />

words ---prana (Life) and ayama<br />

(control). Pranayama is therefore life control<br />

and not "breathe control". The broadest<br />

meaning of the word prana is force or<br />

energy. In this sense, the universe is filled<br />

with prana; all creation is a manifestation<br />

of force, a play of force. Everything that<br />

was, is, or shall be, is nothing but the different<br />

modes of expression of that universal<br />

force. The universal prana is thus the<br />

Para-Prakrati (pure nature), the immanent<br />

energy or force which is derived from the<br />

Infinite Spirit and which permeates and<br />

sustains the universe.<br />

This present Gita verse deals with two<br />

specific functions of life force in its differentiations<br />

as prana and apana . There are<br />

two main currents in the body. One, the<br />

apana current, flows from the point<br />

between the eyebrows <strong>to</strong> the coccyx. This<br />

downwardly flowing current distributes<br />

itself through the coccyx center <strong>to</strong> the sensory<br />

and mo<strong>to</strong>r nerves and keeps the consciousness<br />

of man delusively tied <strong>to</strong> the<br />

body. The apana current is restless and<br />

engrosses man in sensory experiences.<br />

The other main current is that of prana,<br />

which flows from the coccyx <strong>to</strong> the point<br />

between eyebrows .The nature of this current<br />

is calm; it withdraws inwardly the<br />

devotees attention during sleep or in the<br />

wakeful state, and in meditation unites the<br />

soul with Spirit in the Kutastha Center in<br />

the brain . There is thus an opposite pull<br />

exercised <strong>by</strong> the downwardly flowing current<br />

(apana)and the upwardly flowing current<br />

(apana). Human consciousness is<br />

pulled downward or upward <strong>by</strong> the tug-of<br />

-war between these two currents <strong>to</strong> bind<br />

or release the soul.<br />

From the opposite pulls of the prana<br />

and apana currents in the spine, the<br />

inhalations and exhalations of breath are<br />

born . When the prana current goes<br />

upward, it pulls the vital breath laden with<br />

oxygen in<strong>to</strong> the lungs. There prana quickly<br />

distills a quantity of necessary life force<br />

from the electronic and lifetronic composition<br />

of the oxygen a<strong>to</strong>ms. The refined<br />

energy is sent <strong>by</strong> the prana current <strong>to</strong> all<br />

bodily cells. Without such replenishment<br />

of pure life force, the cell would be powerless<br />

<strong>to</strong> carry on their physiological functions;<br />

they would die. The life energy distilled<br />

from the oxygen also helps <strong>to</strong> reinforce<br />

the life-force centers in the spine and<br />

at the point between the eyebrows, and<br />

the main reservoir of life energy in the<br />

cerebrum. The surplus oxygen from the<br />

Gauri Chabbra<br />

A picture tells a s<strong>to</strong>ry, they say, A pho<strong>to</strong>graph<br />

is worth a thousand words. It isa powerful mediumIt<br />

can make you smile; sober you down, make<br />

you laugh, make you excited. In short, it can tell<br />

a s<strong>to</strong>ry. If you think you can weave a s<strong>to</strong>ry through<br />

an image then pho<strong>to</strong>graphy is the best career for<br />

you. It is a medium of self-expression. The eye of<br />

a pho<strong>to</strong>grapher is what makes a pho<strong>to</strong>graph.<br />

If pho<strong>to</strong>graphy is your avocation, you can make<br />

it in<strong>to</strong> a profitable vocation. With the development<br />

of communication in India, the advertising industry<br />

and the fashion industry have grown and with<br />

the media boom, digital pho<strong>to</strong>graphy is now a profession<br />

which has a great commercial value. It has<br />

become an important part of both print and electronic<br />

media. Pho<strong>to</strong>graphyasacareer in India<br />

offers a plethora of opportunities and an escalating<br />

growth trajec<strong>to</strong>ry.<br />

Education Qualifications and skillset:<br />

There are no specific academic requirements<br />

for full time courses; however, candidates who<br />

have passed <strong>10</strong>+2 are eligible for a degree/diploma/certificate<br />

course in this field. Various colleges<br />

across India offer pho<strong>to</strong>graphyasa subject. Are<br />

you creative and imaginative? Do you have an<br />

eye for aesthetic detail and composition? Do you<br />

enjoy presenting things visually and communicating<br />

ideas <strong>to</strong> others through pho<strong>to</strong>graphs? Is pho<strong>to</strong>graphy<br />

more than a hob<strong>by</strong> <strong>to</strong> you and do you<br />

feel a ripple of excitement when you imagine displaying<br />

your art <strong>to</strong> others? If your answer <strong>to</strong> all<br />

these questions is yes, then this passion can offer<br />

you a lot as a profession.For pho<strong>to</strong>graphyasacareer,<br />

one needs <strong>to</strong> have that extra quality, an interest<br />

in visuals; one must be creative and be able<br />

<strong>to</strong> communicate s<strong>to</strong>ries and ideas through pho<strong>to</strong>graphs.<br />

Career Cursor:<br />

Pho<strong>to</strong>graphy involves both variety and assortment<br />

as far as forking pathways of career options<br />

are concerned. You may make a mark for yourself<br />

in the following fields:<br />

Pho<strong>to</strong>journalism:<br />

As a pho<strong>to</strong>journalist or a press pho<strong>to</strong>grapher,<br />

SACRED SPACE<br />

KRIYA YOGA<br />

inhaled breath is carried <strong>by</strong> the blood<br />

throughout the body ,where it is utilized <strong>by</strong><br />

the five vital pranas in various physiological<br />

processes. It is thus said that the<br />

human breath knots the soul <strong>to</strong> the body<br />

.It is the process of exhalation and inhalation<br />

resulting from the two opposite spinal<br />

currents that gives man perception of<br />

external world. The dual breath is the<br />

s<strong>to</strong>rm that creates form-waves (sensations)<br />

in the lake of the mind. These sensations<br />

also produce body consciousness<br />

and duality and thus obliterate the unified<br />

soul consciousness. Yogis therefore reasoned<br />

that if the body did not decay and<br />

<strong>to</strong>xins did not collect in the cells ,breathing<br />

would not be required; that scientific<br />

mastery of breath <strong>by</strong> preventing decay in<br />

the body would make the flow of breath<br />

unnecessary and provide control over life<br />

and death. From this intuitive perception<br />

of the ancient rishis came the science and<br />

art of pranayama, life -control. Pranayama<br />

is suggested <strong>by</strong> the Bhagavad Gita as<br />

a universally suitable method for man <strong>to</strong><br />

use <strong>to</strong> release his soul from the bondage<br />

of breath.<br />

Kriya Yoga pranayama s<strong>to</strong>ps the bodily<br />

decay associated with apana , manifest<br />

in the exhaling breath ,<strong>by</strong> fresh oblations<br />

of life force or prana, distilled from the<br />

inhaling breath. This practice enables the<br />

devotee <strong>to</strong> dispel the illusion of growth and<br />

decay of the body as flesh; he then realizes<br />

it as made of lifetrons. The body of<br />

the Kriya Yogi is recharged with extra energy<br />

distilled from breath and reinforced <strong>by</strong><br />

the tremendous dynamo of energy generated<br />

in the spine; the decay of bodily tissues<br />

decreases .This lessens and ultimately<br />

makes unnecessary the bloodcleansing<br />

function of the heart. When the<br />

pulsating life of the heart pump becomes<br />

quiet, owing <strong>to</strong> non pumping of venous<br />

blood, exhalation and inhalation are no<br />

longer needed. The life force, which was<br />

you will be required <strong>to</strong> supply pictures <strong>to</strong> national<br />

and local press. You need <strong>to</strong> have journalistic<br />

qualities and must know what makes a good news<br />

picture besides being able <strong>to</strong> write captions, have<br />

good communication skills and be able <strong>to</strong> work<br />

with reporters. This kind of pho<strong>to</strong>graphy is best<br />

done instinctively. Hence, you need <strong>to</strong> be spontaneous<br />

and know what kind of a picture would best<br />

illustrate your article. If you are adventurous and<br />

willing <strong>to</strong> work under difficult conditions when<br />

needed, you can be the best pho<strong>to</strong> journalist.<br />

Nature and wildlife pho<strong>to</strong>graphy:<br />

Much doth my heart <strong>to</strong> think, what man hath<br />

made of Man. In this world, when everyone is<br />

lamenting about the depletion of Mother Nature,<br />

you can revive the love for Nature <strong>by</strong> being a<br />

Nature Pho<strong>to</strong>grapher. You can capture the perfect<br />

sunsets and waterfalls in your camera then<br />

this is definitely an option that you could consider.As<br />

a Nature and wild life pho<strong>to</strong>grapher, you will<br />

taking pho<strong>to</strong>graphs of animals, birds, plants and<br />

landscapes. If you love adventure and enjoy taking<br />

pictures of trees, sunsets, lakes, etc., capture<br />

the animal kingdom and plant life in its most natural<br />

and habitual form. This kind of pho<strong>to</strong>graphy<br />

is a part of Nature pho<strong>to</strong>graphy which also covers<br />

landscapes and scenery<br />

Fashion pho<strong>to</strong>graphy:<br />

To be a part of this glitzy and glamorous world,<br />

you must have knowledge about latest fashion trends<br />

and you should be willing <strong>to</strong> be experimental and creative.It<br />

is the field where one works for fashion houses,<br />

designers or individual models. With the boom in<br />

the fashion industry the demand for fashion pho<strong>to</strong>graphers<br />

is high<br />

Event Management and wedding pho<strong>to</strong>graphy:<br />

This includes taking pictures of people individually<br />

or in groups. You can either work for someone<br />

or work in a studio of your own.The subjects<br />

range from children <strong>to</strong> pets, functions <strong>to</strong> social<br />

events etc. You can also specialize as wedding<br />

pho<strong>to</strong>graphers.<br />

Forensic Pho<strong>to</strong>graphy<br />

Forensic pho<strong>to</strong>graphy rings a bell about crime<br />

patrol. You would be required <strong>to</strong> click pho<strong>to</strong>graphs<br />

at crime scenes from all possible angles with great<br />

emphasis on details in order <strong>to</strong> help the police or<br />

detective agencies.<br />

Freelancing<br />

To be working as a freelancer, you need <strong>to</strong><br />

have great management skills and the ability <strong>to</strong><br />

work independently. You might not know where<br />

the next job is coming from andthere will be the<br />

hassles of keeping accounts. But, you can beyour<br />

own boss and find, shoot and sell your own<br />

pho<strong>to</strong>graphs.<br />

Scientific Pho<strong>to</strong>graphy<br />

As a scientific pho<strong>to</strong>grapher, you need <strong>to</strong> be a<br />

part of scientific publications and research reports.<br />

dissipated in cellular, nervous, respira<strong>to</strong>ry,<br />

and heart action, withdraws from<br />

the external senses and organs and<br />

unites with the current in the spine .The<br />

Kriya Yogi then learns how <strong>to</strong> commingle<br />

the upward flowing life current<br />

(prana) in<strong>to</strong> the downwardly flowing<br />

current (apana) and commingle the<br />

downwardly flowing current (apana)<br />

in<strong>to</strong> the upwardly flowing current<br />

(prana). He thus neutralizes the dual<br />

movement, and <strong>by</strong> will power withdraws<br />

both currents in<strong>to</strong> one revealing<br />

sphere of spiritual light at the point<br />

between the eyebrows. This light of<br />

pure life energy scintillates from the<br />

cerebrospinal centers directly <strong>to</strong> all the<br />

bodily cells, magnetizing them, arresting<br />

decay and growth ,and making<br />

them vitally self-sustained, independent<br />

of breath or any external source of<br />

life. So long as this light is flowing up<br />

and down as the two battling currents<br />

of prana and apana ----the breaths of<br />

inhalation and exhalation ---they lend<br />

their life and light <strong>to</strong> the sensory perceptions<br />

,and <strong>to</strong> the mortal processes<br />

of growth and decay . But when the<br />

Yogi can neutralize the downward and<br />

upward pull of the spinal currents, and<br />

can withdraw all life force from the senses<br />

and sensory mo<strong>to</strong>r nerves, and can<br />

keep the life force still at the point between<br />

the eyebrows, the cerebral light gives the<br />

yogi life control or power over prana (Kriya<br />

Yoga pranayama). Life force withdrawn<br />

from the senses becomes concentrated<br />

in<strong>to</strong> a steady inner light in which Spirit and<br />

Its Cosmic Light are revealed.<br />

When breath ceases in the Kriya Yogi,<br />

he is suffused with an incomparable bliss.<br />

He realizes then that it is the s<strong>to</strong>rm of<br />

human breath that is responsible for the<br />

creation of the dream wave of the human<br />

body and its sensations; it is breath that<br />

causes body consciousness.<br />

When with cessation of breath and the<br />

quieting of the heart the life force is<br />

switched off from the senses, the mind<br />

becomes detached and interiorized, able<br />

at last <strong>to</strong> perceive consciously the inner<br />

astral worlds and supernal spheres of<br />

divine consciousness.<br />

In the first stage of ecstasy <strong>by</strong> Kriya<br />

Yoga, the yogi perceives the soul blessedness.<br />

By higher ecstasies that come as a<br />

result of complete mastery of the breathless<br />

state, he realizes the physical body<br />

<strong>to</strong> be made of lifetrons that are surrounded<br />

<strong>by</strong> a halo of grosser electroa<strong>to</strong>mic<br />

cells. The yogi perceives the illusion of the<br />

body dream dematerialized in<strong>to</strong> the reality<br />

of god. By experiencing the reality of<br />

the body as prana or lifetrons, controlled<br />

<strong>by</strong> the thought of God, the yogi becomes<br />

one with Him. With that divine consciousness<br />

the yogi is able <strong>to</strong> create, preserve,<br />

or dematerialize the dream a<strong>to</strong>ms of his<br />

body or of any other object in creation.<br />

Attaining this power, the yogi has the<br />

option of leaving his physical dream body<br />

on earth <strong>to</strong> gradually disintegrate in<strong>to</strong> cosmic<br />

a<strong>to</strong>ms; or he can keep his dream body<br />

on earth indefinitely like Babaji.<br />

CAREER COUNSELLING<br />

Pho<strong>to</strong>graphy as a Career Option<br />

Adarsh Ajit<br />

'Some things are beyond evaluation. Home is<br />

one among them'.<br />

Manoj Sheeri, a KPS officer, in his debut book<br />

of s<strong>to</strong>ries, Khushbo-e-Kashmir has tried <strong>to</strong> bring<br />

issues of diverse forms of love in<strong>to</strong> a universal profile<br />

but under local covering. He has also exposed<br />

the rotting socio-cultural ethics in his s<strong>to</strong>ries.<br />

In 'Gold Medal', Ghulam Mohi-u-din, a peon of<br />

a district hospital <strong>to</strong>ils hard <strong>to</strong> make his son, Ikhlaq,<br />

a doc<strong>to</strong>r. He spends everything, at the cost of his<br />

financial security, on him, as he considers his son<br />

as a treasure of treasures. Ikhlaq completes the<br />

course and gets a gold medal. His father frames<br />

the medal and puts it on a front wall. Unfortunately<br />

he receives the first shock from his son when he<br />

comes <strong>to</strong> know about his intensions <strong>to</strong> leave the<br />

valley and work in Saudi Arab. Reluctantly, he<br />

allows Ikhlaq <strong>to</strong> take his everything <strong>to</strong> Arab except<br />

the gold medal. Mohi-u-din gets another shock on<br />

hearing the news of his son's marriage in Arab.<br />

Dejected and depressed Mohi-u-din expresses his<br />

dismay.<br />

'Had I not educated my son, he would have been<br />

here with me'<br />

Even on hearing the news of the ill health of his<br />

mother, Ikhlaq does not come <strong>to</strong> see them. Mother<br />

dies. Out of continued shocks, Mohi-u-din spits<br />

on the medal as if he was spitting on his son's face.<br />

The trauma, miseries, <strong>to</strong>rtures, struggle for survival,<br />

dispersal, the unprecedented increase in<br />

inter-caste marriages and erosion of cultural values<br />

are depicted in the s<strong>to</strong>ry Oc<strong>to</strong>ber 2002 in which<br />

Heemal, a central character, and a displaced Kashmiri<br />

Pandit woman goes through the unusual experiences<br />

of her most sorrowful years of displacement.<br />

An interesting s<strong>to</strong>ry has been built on a Hindu<br />

woman who is blind and is living lonely in a big<br />

house in Kashmir. Ali develops relations with her<br />

and becomes frequent visi<strong>to</strong>r <strong>to</strong> her house. Ali is<br />

a militant and the blind woman is unaware about<br />

it. One day, police raids the house and finds arms<br />

and ammunition there. The two, Ali and the blind<br />

woman, are arrested. A new, mostly unpredicted<br />

reality comes out. Ali and the blind woman are<br />

ready <strong>to</strong> die for each other as they are bonded<br />

<strong>to</strong>gether in a son and mother relationship. Police<br />

does not buy this s<strong>to</strong>ry and failing <strong>to</strong> unravel the<br />

truth, they treat them as mentally imbalanced and<br />

send them <strong>to</strong> a lunatic asylum.<br />

The s<strong>to</strong>ry Doc<strong>to</strong>r Sahab unveils the conditions<br />

that compel Dr. Avtar Krishen <strong>to</strong> prepare for leaving<br />

the valley. He cures the militant and the army<br />

men get suspicious and begin enquiry. He attends<br />

<strong>to</strong> injured army man and is suspected <strong>by</strong> the militant<br />

organizations. Despite all odds, he proves <strong>to</strong><br />

be a true and dutiful doc<strong>to</strong>r who treats all, irrespective<br />

of colour, creed, section and community. He is<br />

now thought as an indispensable asset for the people.<br />

Suspicions against him cease and he is loved<br />

<strong>by</strong> one and all. He abandons the idea of leaving<br />

Kashmir.<br />

Toofan is the s<strong>to</strong>ry of a beautiful fisherwoman<br />

who dreams <strong>to</strong> become another Habba Kha<strong>to</strong>on,<br />

in wait of a king <strong>to</strong> marry her. She leaves selling<br />

The areas that it covers are biology, medicine,<br />

chemistry and engineering. You have <strong>to</strong> have<br />

domainknowledge and interest <strong>to</strong> be a part of this<br />

field.<br />

Pay Packet:<br />

If you are looking for a fat pay packet at the<br />

start, you are mistaken .Asa beginner, the financial<br />

benefits are low but as you improve, these<br />

benefits increase. It is acareer which requires<br />

patience and a never-say-die attitudeOne has <strong>to</strong><br />

be very brave <strong>to</strong> start off as a freelancer. You would<br />

rather begin <strong>by</strong> working in a studio. One can start<br />

as an assistant <strong>to</strong> senior pho<strong>to</strong>graphers in which<br />

you'd be paid Rs 3500 <strong>to</strong> Rs 6000. Once you are<br />

established, you would be paid as per the assignment.<br />

The range can be from Rs <strong>10</strong>,000 <strong>to</strong> Rs<br />

30,000. Fields like commercial pho<strong>to</strong>graphy pay<br />

higher compared <strong>to</strong> the other fields. Beginnings<br />

can be made at Rs. 15,000 which may grow over<br />

a period of time.<br />

To be a successful pho<strong>to</strong>grapher you need <strong>to</strong><br />

be dedicated and hard-working. It is a fast-paced<br />

profession. One must be ready <strong>to</strong> meet the needs<br />

of the clients or audience.<br />

For queries contact gauri_nagpal @yahoo.com<br />

WHO IS SHE?<br />

Very smart and beautiful<br />

Very sweet and cheerful<br />

So hardworking and dutiful<br />

I respect her with heart full<br />

Whether morning or afternoon<br />

I see her, always on the boon<br />

Running from rain, hiding from<br />

sun<br />

Changing this corner or <strong>to</strong> that<br />

one<br />

So, keep and so, calm<br />

Away from any charm<br />

For her only work is the worship<br />

Dwell smiles always on her lips<br />

Lovely her life style, priding her<br />

work<br />

She is a nightingale, she is the<br />

skylark<br />

She is the source of pious inspiration<br />

She is my breathing and respiration<br />

Everyday like honeybees<br />

New life, <strong>to</strong> me she gives<br />

She is another school of knowledge<br />

Who is but this great living college?<br />

Look outside near our college<br />

gate<br />

An old woman selling chocolates<br />

Who cannot walk, on her legs?<br />

But yet she works and not begs<br />

fish as she<br />

hopes that<br />

Shaukat, the<br />

son of a shopkeeper<br />

loves<br />

her and will be<br />

informing her<br />

soon about it.<br />

But her dreams<br />

shatter when<br />

she receives<br />

the news of<br />

Shaukat marrying<br />

another girl.<br />

On that day, she<br />

does not come<br />

home. Searching<br />

every corner<br />

and every tide<br />

of the lake, her<br />

parents think of<br />

her committing<br />

suicide. But<br />

amazingly she<br />

appears again next morning only <strong>to</strong> sell the fish<br />

afresh.<br />

Apna Apna Karb is a s<strong>to</strong>ry of Ghar Devta narrating<br />

different tales of vacant houses of a mohalla<br />

<strong>to</strong> a thief who takes shelter on verandah there.<br />

Ghar Devta pleads him <strong>to</strong> unlock the door and free<br />

him so that he searches the masters of the house<br />

who have left this mohalla due <strong>to</strong> rising atrocities.<br />

On hearing the incessant cries, sighs, robbery,<br />

rapes and negative trends in this mohalla during<br />

the night the thief comments:<br />

'This is not a mohalla but a hell'.<br />

Ghar Devta replies <strong>to</strong> him:<br />

'This was not a hell. The mohalla was no less<br />

than a heaven'<br />

In Ghar, Abdul Rahim, a carpenter, wants his<br />

aspirations <strong>to</strong> be fulfilled <strong>by</strong> constructing his own<br />

house. On the advice of a teacher called Master Ji<br />

he insures the new house which is extremely stunning,<br />

architecturally unparallel and technically perfect.<br />

The insurance surveyor estimates the policy <strong>to</strong><br />

the sum of Rs 5 lakhs, the highest in the rural areas.<br />

Cross firing engulfs the vicinity. Rahim's house guts<br />

<strong>to</strong> rashes. After coming out of the shock he visits the<br />

insurance company along with Master Ji. The manager<br />

rejects the claim terming it <strong>to</strong>o high <strong>to</strong> be sanctioned.<br />

Rahim revisits next morning. The manager<br />

hands over Rahim <strong>to</strong> the police. The police think him<br />

as a weird man, gone mad due <strong>to</strong> losing of a home.<br />

Mater Ji succeeds in releasing him on bail. Rahim<br />

collects the pieces of wood in the remains and<br />

makes a model of his house. He goes gain <strong>to</strong> the<br />

insurance office. Claim is settled. Manager appeals<br />

him <strong>to</strong> donate the model <strong>to</strong> the company and he<br />

allows it on a condition. He suggests them <strong>to</strong> write<br />

on the model:<br />

'Some things are beyond evaluation. Home is<br />

one among them'.<br />

On the whole the book, Khushbo-e-Kashmir, is<br />

a successful endeavour of the author. There are a<br />

few plots that have procedural errors. The craft of<br />

s<strong>to</strong>ries gives obvious perfume of Kashmiri soil.<br />

Sheeri has not missed any beautiful gesture of scenic<br />

Kashmir. Sheeri's s<strong>to</strong>ries straightway pursue<br />

the social feature. Mohamad Zaman Azarda in his<br />

foreword comments:<br />

'The s<strong>to</strong>ries are the mirror of socio-political and<br />

economical lives'.<br />

Dr. M. Ashaq Raza<br />

WHAT I LOVE ABOUT YOU<br />

The sparkle in your eye,<br />

The warm of your skin,<br />

The <strong>to</strong>uch of your hand,<br />

The naughtiness in your smile.<br />

That body near mine,<br />

The beating of your heart,<br />

And the magic of your <strong>to</strong>uch.<br />

It is for all these reasons and<br />

more,<br />

Why I Love You Sooo Much........<br />

MEHAK SHARMA<br />

JAMMU<br />

SUNDAY, FEBRUARY 03, 2013 (PAGE-3)<br />

BOOK REVIEW<br />

Slices of Socio-political Life<br />

Name of the book: Khushbo-e-Kashmir<br />

Name of the author: Manoj Sheeri<br />

Pages: 1<strong>10</strong><br />

Price: Rs 200<br />

Institute Scape:<br />

A number of institutes and universities<br />

offer certificate and diploma courses in pho<strong>to</strong>graphy.<br />

Some also offer it as three year integrated<br />

courses and subsidiary subjects.<br />

Below is a list of these institutes.<br />

Degree courses in Pho<strong>to</strong>graphy (B.A. 3 year<br />

integrated)<br />

* Utkal University, Bhubaneswar, Orissa<br />

* Pune University, Poona<br />

* Fergusson college, Pune( B.A. Degree<br />

Course in pho<strong>to</strong>graphy)<br />

Diploma Courses (one year)<br />

* Kashi Vidyapeeth, Varanasi<br />

* Ravishankar University , Raipur<br />

* Sri Venkateshwara University, Tirupati<br />

* Southern Film Institute, Thiruvallam, Thiruvananthapuram<br />

(1 year certificate course)<br />

Other institutions are:<br />

* International school of pho<strong>to</strong>graphy, New<br />

Delhi<br />

* Academy of Pho<strong>to</strong>graphy, Kolkata<br />

Pho<strong>to</strong>graphy as a subsidiary subject:<br />

* Film and Television Institute of India, Pune<br />

* Film and Television Institute of Tamil Nadu,<br />

* India International Pho<strong>to</strong>graphic Council,<br />

New Delhi<br />

* MCRC, Jamia Millia Islamia, Jamnagar,<br />

* National Institute of Design, Allahabad, UP<br />

* St. Xavier's Institute of Communication, St.<br />

Xavier's college, Mumbai<br />

* The Film and TV Institute of Tamil Nadu,<br />

Chennai.<br />

INNER VOICE<br />

SUNDAY<br />

A Sunday is so typical<br />

When dad is around<br />

The morning starts<br />

With a loud TV sound<br />

One groan from my sister<br />

And another from me<br />

Doesn't melt his heart<br />

To let us sleep for a<br />

Minute or three<br />

Mom tries <strong>to</strong> catch up<br />

On her wee bit of sleep<br />

For she knows dad is there<br />

To make a cup of tea<br />

But once we are all up<br />

It all seems so bright<br />

For that's the only day<br />

When dad has all the<br />

Time!!!!!!!<br />

Dhanak Bansal<br />

Akhnoor<br />

TRICOLOUR<br />

Displaying the tricolour<br />

I wanted <strong>to</strong> say<br />

How independent<br />

How self-dependent<br />

We are here <strong>to</strong>day<br />

And I wanted <strong>to</strong> say<br />

How we feel important<br />

How we look with enthusiasm<br />

Displaying the tricolour<br />

I wanted <strong>to</strong> know<br />

Why people in large number<br />

Are gathering under<br />

This tricolour that is with me.<br />

e-mail: innervoice@dailyexcelsior.com<br />

-Sumair Sharma<br />

Christ School Poonch

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