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opportunities between those artists and museums, and creating a community connection through a follow-up project. As the program has grown and developed, several new opportunities have emerged that enhance the effectiveness of NMAI outreach endeavors, at the same time meeting the needs of Native artists of the Western Hemisphere and Hawai’i. In 2002, the Native Arts Program opened its doors for the first time to the NMAI’s Latin American constituents by publishing the Call for Proposals in Spanish. The Native Arts Program has provided opportunities to some 56 artists from as far away as Chile, Hawai’i, and Alaska whose artistic media are as diverse as basketry, painting, song, 9
10 and poetry. The Native Arts Program under- went another phase of growth in 2003 by becoming more community-focused and engaging Native artists in conducting regional museum collection research, creating critical art dialogues for local symposia, and interacting with local Native youth groups in creating community murals. Community and Constituent Services also strives to document and make available these experiences through recordings and Web profiles. Information on the Native Arts Program is available at www.AmericanIndian.si.edu or via email at NAP@si.edu
Page 2: NATIVE ART IN THE AMERICAS NATIVE A
Page 5 and 6: Text and images © 2007, Smithsonia
Page 8 and 9: TABLE OF CONTENTS Introduction.....
Page 11: INTRODUCTION KEEVIN LEWIS, NAVAJO N
Page 14 and 15: this knowledge is meant to be share
Page 18 and 19: Information on the Native Arts Prog
Page 21 and 22: GLORY TACHEENIE-CAMPOY NAVAJO ARIZO
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Page 26 and 27: Bernice Akamine, O Laka, 2005. Glas
Page 28 and 29: Lisa Telford, Gladiator Dress, 2005
Page 31 and 32: JANET MARIE ROGERS TUSCARORA-SIX NA
Page 33 and 34: EVELYN VANDERHOOP HAIDA BRITISH COL
Page 35 and 36: MARGARET ROACH WHEELER CHICKASAW MI
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Page 40 and 41: Star Wallowing Bull, The Three Bear
Page 43 and 44: JERRY INGRAM CHOCTAW NEW MEXICO, US
Page 45 and 46: REBECCA LYON ATHABASCAN-ALEUT ALASK
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Page 50 and 51: GRABADOS DE SANTOS CHAVEZ: REENCUEN
Page 52 and 53: Barbara Daigle Francis, Penobscot C
Page 54 and 55: Teri Rofkar, Earthquake, 2004. Tlin
Page 57 and 58: UMARA NUPOWHOTUK/BUCHEA SIBERIAN YU
Page 59 and 60: OSWALDO “ACHU” DELEON KANTULE K
Page 61 and 62: BENJAMIN JACANAMIJOY TISOY PUEBLO I
Page 63 and 64: HERIBERTO MARTÍNEZ PIOQUINTO PUEBL
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Nadema Agard, Warrior Woman Stance,
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Martha Gradolf, A Little Bling for
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Jason Lujan, Peripheral Actions, 20
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To hear a sample of Jorge’s music
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Kevin Pourier, Swallowtail Horn Cup
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Victoria Maurine Mitchell Vazquez,
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JOHNNY BEAR CONTRERAS SAN PASQUAL B
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BENJAMIN JACANAMIJOY TISOY PUEBLO I
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MICHAEL KABOTIE/LOMAWYWESA HOPI ARI
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PARTICIPATING ARTISTS 1996 Glory Ta
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