Download the brochure (PDF) - National Museum of the American ...

More documents

Recommendations

Info

Silver, stone treasures of many nations living together on flat bed trays behind gates they wait to be sorted segregated to be with their own and end the confusion of confiscation living in cramped quarters with unfamiliar cousins from far away places representing things that have nothing to do with one another I listened – they said We like to light up eyes be handled adored We crave human warmth To be brought into the light And visit with you I watch as they wave tearful goodbyes pushed back into the dark becoming one of a hundred shelves lined up behind doors where visual treats rest Safe and ready To visit with you Janet Marie Rogers, Visit With You 25
EVELYN VANDERHOOP HAIDA BRITISH COLUMBIA, CANADA TEXTILE, WOOL, AND CEDAR BARK ARTIST, WATERCOLOR PAINTER VISITING ARTIST, 2000 The Beaver Apron was inspired by my being able to study old aprons at the museums that were made available through the Native Arts Program. 26 There are only about twelve Native people who know the Chilkat weaving technique and only four Native women who have enough knowledge and experience to weave a robe. In the fall of this year I will have finished my first Chilkat robe. I plan on weaving Chilkat all my life. I want to weave as well as my ancestors and to share that tradition with the next generation of weavers. I feel it is necessary to study their work. I would like to study in the New York museums as long as the grant allows. Chilkat weaving requires a great deal of commitment. My first robe has taken one year and eight months to complete.
Page 2: NATIVE ART IN THE AMERICAS NATIVE A
Page 5 and 6: Text and images © 2007, Smithsonia
Page 8 and 9: TABLE OF CONTENTS Introduction.....
Page 11: INTRODUCTION KEEVIN LEWIS, NAVAJO N
Page 14 and 15: this knowledge is meant to be share
Page 16 and 17: opportunities between those artists
Page 18 and 19: Information on the Native Arts Prog
Page 21 and 22: GLORY TACHEENIE-CAMPOY NAVAJO ARIZO
Page 23: 999
Page 26 and 27: Bernice Akamine, O Laka, 2005. Glas
Page 28 and 29: Lisa Telford, Gladiator Dress, 2005
Page 31: JANET MARIE ROGERS TUSCARORA-SIX NA
Page 35 and 36: MARGARET ROACH WHEELER CHICKASAW MI
Page 37: 001
Page 40 and 41: Star Wallowing Bull, The Three Bear
Page 43 and 44: JERRY INGRAM CHOCTAW NEW MEXICO, US
Page 45 and 46: REBECCA LYON ATHABASCAN-ALEUT ALASK
Page 47: 003
Page 50 and 51: GRABADOS DE SANTOS CHAVEZ: REENCUEN
Page 52 and 53: Barbara Daigle Francis, Penobscot C
Page 54 and 55: Teri Rofkar, Earthquake, 2004. Tlin
Page 57 and 58: UMARA NUPOWHOTUK/BUCHEA SIBERIAN YU
Page 59 and 60: OSWALDO “ACHU” DELEON KANTULE K
Page 61 and 62: BENJAMIN JACANAMIJOY TISOY PUEBLO I
Page 63 and 64: HERIBERTO MARTÍNEZ PIOQUINTO PUEBL
Page 65: 005
Page 68 and 69: Nadema Agard, Warrior Woman Stance,
Page 70 and 71: Martha Gradolf, A Little Bling for
Page 72 and 73: Jason Lujan, Peripheral Actions, 20
Page 74 and 75: To hear a sample of Jorge’s music
Page 76 and 77: Kevin Pourier, Swallowtail Horn Cup
Page 78 and 79: Victoria Maurine Mitchell Vazquez,
Page 81 and 82: JOHNNY BEAR CONTRERAS SAN PASQUAL B
Page 83 and 84:
BENJAMIN JACANAMIJOY TISOY PUEBLO I
Page 85 and 86:
MICHAEL KABOTIE/LOMAWYWESA HOPI ARI
Page 87 and 88:
PARTICIPATING ARTISTS 1996 Glory Ta
show all

Download the brochure (PDF) - National Museum of the American ...

Create successful ePaper yourself

Delete template?

Save as template?