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Umara Nupowhotuk/Buchea, Annie, 2003. Bleached caribou hide, fur, and beads, 14 x 12 in. 51
OSWALDO “ACHU” DELEON KANTULE KUNA CIUDAD DE PANAMÁ, PANAMA PAINTER VISITING ARTIST, 2004 I have learned that my ancestors expressed their way of seeing the world, their fears and frustrations in the molas, sculptures, and drawings. 52 After my participation in the Native Arts Program, I believe that there are important differences in the creation of my works. Now, before beginning a piece, I take more care in choosing the elements that I consider using, without copying them exactly. I believe my works to have become more spiritual and deep. Since my participation in the program, I can say as an individual that I have more concrete arguments supporting the validity of my work. It now clearly reflects the philosophy and values of my culture as well as my values as an individual.
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NATIVE ART IN THE AMERICAS NATIVE A
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Text and images © 2007, Smithsonia
Page 8 and 9: TABLE OF CONTENTS Introduction.....
Page 11: INTRODUCTION KEEVIN LEWIS, NAVAJO N
Page 14 and 15: this knowledge is meant to be share
Page 16 and 17: opportunities between those artists
Page 18 and 19: Information on the Native Arts Prog
Page 21 and 22: GLORY TACHEENIE-CAMPOY NAVAJO ARIZO
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Page 26 and 27: Bernice Akamine, O Laka, 2005. Glas
Page 28 and 29: Lisa Telford, Gladiator Dress, 2005
Page 31 and 32: JANET MARIE ROGERS TUSCARORA-SIX NA
Page 33 and 34: EVELYN VANDERHOOP HAIDA BRITISH COL
Page 35 and 36: MARGARET ROACH WHEELER CHICKASAW MI
Page 37: 001
Page 40 and 41: Star Wallowing Bull, The Three Bear
Page 43 and 44: JERRY INGRAM CHOCTAW NEW MEXICO, US
Page 45 and 46: REBECCA LYON ATHABASCAN-ALEUT ALASK
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Page 50 and 51: GRABADOS DE SANTOS CHAVEZ: REENCUEN
Page 52 and 53: Barbara Daigle Francis, Penobscot C
Page 54 and 55: Teri Rofkar, Earthquake, 2004. Tlin
Page 57: UMARA NUPOWHOTUK/BUCHEA SIBERIAN YU
Page 61 and 62: BENJAMIN JACANAMIJOY TISOY PUEBLO I
Page 63 and 64: HERIBERTO MARTÍNEZ PIOQUINTO PUEBL
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Page 68 and 69: Nadema Agard, Warrior Woman Stance,
Page 70 and 71: Martha Gradolf, A Little Bling for
Page 72 and 73: Jason Lujan, Peripheral Actions, 20
Page 74 and 75: To hear a sample of Jorge’s music
Page 76 and 77: Kevin Pourier, Swallowtail Horn Cup
Page 78 and 79: Victoria Maurine Mitchell Vazquez,
Page 81 and 82: JOHNNY BEAR CONTRERAS SAN PASQUAL B
Page 83 and 84: BENJAMIN JACANAMIJOY TISOY PUEBLO I
Page 85 and 86: MICHAEL KABOTIE/LOMAWYWESA HOPI ARI
Page 87 and 88: PARTICIPATING ARTISTS 1996 Glory Ta
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