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Download the brochure (PDF) - National Museum of the American ...

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EVELYN VANDERHOOP<br />

HAIDA<br />

BRITISH COLUMBIA, CANADA<br />

TEXTILE, WOOL, AND CEDAR BARK ARTIST, WATERCOLOR PAINTER<br />

VISITING ARTIST, 2000<br />

The Beaver Apron<br />

was inspired by my<br />

being able to study<br />

old aprons at <strong>the</strong><br />

museums that were<br />

made available<br />

through <strong>the</strong> Native<br />

Arts Program.<br />

26<br />

There are only about twelve Native people<br />

who know <strong>the</strong> Chilkat weaving technique<br />

and only four Native women who have<br />

enough knowledge and experience to<br />

weave a robe. In <strong>the</strong> fall <strong>of</strong> this year I will<br />

have finished my first Chilkat robe. I plan on<br />

weaving Chilkat all my life. I want to<br />

weave as well as my ancestors and to share<br />

that tradition with <strong>the</strong> next generation <strong>of</strong><br />

weavers. I feel it is necessary to study <strong>the</strong>ir<br />

work. I would like to study in <strong>the</strong> New<br />

York museums as long as <strong>the</strong> grant allows.<br />

Chilkat weaving requires a great deal <strong>of</strong><br />

commitment. My first robe has taken one<br />

year and eight months to complete.

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