Avain 4/2010
Avain 4/2010
Avain 4/2010
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
A B S T R A C T S<br />
Modernism, Everyday Life, and Kolme vuorokautta<br />
The novel Kolme vuorokautta by Sinikka Kallio-Visapää appeared in 1948. This was<br />
almost ten years before the breakthrough of modernist prose in Finnish literature is<br />
thought to have occurred. The novel can be read as an early pioneer of modernist<br />
prose, one that also challenges the understanding of post-war modernism. Kolme vuorokautta<br />
exhibits a number of modernist characteristics, including metafictionality and<br />
a striving towards an autonomic aesthetics. On the other hand, the characters and the<br />
plot of Kolme vuorokautta conflict with modernist aesthetics.<br />
The most interesting aspect of Kolme vuorokautta involves the problematic of<br />
everyday life and art. In the novel, very strictly depicted everyday life plays a major part.<br />
Yet art, which has nothing to do with everyday life, is presented as the most significant<br />
thing in the lives of the characters in the novel. Kolme vuorokautta aims to give the<br />
impression of autonomy as an artwork. It has a small circle of characters and most of<br />
them have no history – and even the music played by pianist Sylvia refers to an autonomic<br />
aesthetics. Kolme vuorokautta also borrows its structure from music – the novel’s<br />
structure is compared to a fugue. Although the structure appears to be fragmented, the<br />
plot actually remains important to the novel. In the figure of Sylvia, the novel presents<br />
the question of the possibility of being a woman, an artist, and a mother at the same<br />
time. This is a question that has often been ignored in later modernist Finnish prose.<br />
Jasmine Westerlund<br />
85