L.ART en Loire 8
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letter from<br />
a brok<strong>en</strong> (he)art<br />
creation of cont<strong>en</strong>ts, creators of thought? How may we participate<br />
in the emerg<strong>en</strong>ce and vitality of our cultures in situations<br />
where sometimes there is not a lot of safety, and at<br />
worst no safety? Yet, culture, art, knowledge construct us as<br />
humans, and as citiz<strong>en</strong>s. They are our souls, which help raise<br />
us, touch us and sometimes appal us. They can unsettle us,<br />
but always they educate us, show us the way, give us faith in<br />
humanity, ev<strong>en</strong> in the most dreadful mom<strong>en</strong>ts.<br />
So our weapons are our drawings and cartoons, our canvases,<br />
our novels, our poems, ours haikus, as our short texts,<br />
our essays, our magazines, our films, our hap<strong>en</strong>nings, our<br />
dancing and our music. Our art is our shield. Our «wars»<br />
don’t kill anyone, because our fights are for love, and faith<br />
in humanity.<br />
Among the Charlie Hebdo dead, there is one who particularly<br />
touched me. It was Cabu. Cabu, for the fr<strong>en</strong>ch of<br />
our g<strong>en</strong>eration (described as at the crossrads of irony, sincerity,<br />
hypocrisy, and overt naivety) was our father. As The<br />
Simpsons, and South park, our father in irony. He educated<br />
us to caricature, to the press cartoon, with t<strong>en</strong>derness and<br />
love, with pati<strong>en</strong>ce and respect. Cabu? We waited for that<br />
mom<strong>en</strong>t, in front of the TV, wh<strong>en</strong> he was going todraw in our<br />
favorite kids TV show. For me, it was like waiting for a sweet,<br />
a long awaited mom<strong>en</strong>t. And I remember seeing him on TV.<br />
Oh my god, no, it was not bullets I wanted to s<strong>en</strong>d him.<br />
Certainly not. I remember, wh<strong>en</strong> I saw him, I wanted to kiss<br />
and hug him. Wh<strong>en</strong> we saw him, it was only t<strong>en</strong>derness and<br />
love we wanted to give him, to share with him, and nothing<br />
else. I was young, it was long time ago, but I never forgot this<br />
great Cabu with his sweet and funny cartoons. Father has<br />
passed, our g<strong>en</strong>eration is orphaned.<br />
His cartoons were an emotion because art is emotion. And<br />
emotion creates us as human, as being. Emotion and tears<br />
are beautiful. They are our hearts’ art, the bloody tears of<br />
our wounded bodies. Wounded to unspeakable depth by<br />
the death of our fathers, our brothers, and sisters. About<br />
the gatherings, some said it was beautiful, but of no utility.<br />
I answered that beauty is yet useful by itself. It shows the<br />
unity of a nation, a people, behind this idea of freedom of<br />
speech, and its corollary, freedom of opinion (for agreeing<br />
or disagreeing). It shows this solidarity, this shared mourning,<br />
this support we give each other, for staying on our feet.<br />
It’s a great mom<strong>en</strong>t of naivety. But sometimes, naivety is<br />
necessary. Believing in us, having faith in humanity is what<br />
the world needs, what human beings need, to have trust in<br />
the future.<br />
In France, in foreign countries, this se<strong>en</strong> support is a caress<br />
to our afflicted and teary hearts, a sweet caress of reassurance<br />
in this time of mourning and pain. It is a little soothing,<br />
a way to show to our dead what they meant to us, what freedom<br />
repres<strong>en</strong>ts for each and everyone of us.<br />
Caresses to the soul, caresses to the heart are so important<br />
in these mom<strong>en</strong>t, a calming cure. Sometimes, what makes<br />
you feel good can take peculiar ways. The day of the twelve’s<br />
murders, an artist had published her last song, and the video<br />
of it. It’s Sia, and I can say, at that mom<strong>en</strong>t, my mind was<br />
not in list<strong>en</strong>ing music mode. In the <strong>en</strong>d, I decided to list<strong>en</strong><br />
to it (for permiting me to think about something else). It was<br />
no deception. Both the song and the video are absolutely<br />
spl<strong>en</strong>did, very emotional. But more, it was a shock.<br />
The music and the video spoke to me about myself, my<br />
feelings, after the attack. About my emotions, various, contradictory,<br />
savage, viol<strong>en</strong>t or sweet. A desire for revolt, a desire<br />
for crying, breaking everything, hiding myself away, being<br />
angry, being with the other, needing him or her, a desire<br />
for t<strong>en</strong>derness and r<strong>en</strong>dering t<strong>en</strong>derness back.<br />
The music and the video have no link, of course, with the<br />
ev<strong>en</strong>t, but in the <strong>en</strong>d, they accompanied me in my process<br />
of mourning and shock. Because the music of Elastic Heart<br />
is the symphony of my emotions, the video the mirror of my<br />
pains. They are my music for Charlie, a music video I sp<strong>en</strong>d<br />
my time list<strong>en</strong>ing to and watching. And I cry…<br />
Because emotions are music<br />
And music is emotion<br />
We always come back to (he)art…<br />
He was named Cabu<br />
He was named Ahmed<br />
He was named Charb<br />
She was named Elsa<br />
He was named Tignous<br />
He was named Franck<br />
He was named Wolinski<br />
He was named Michel<br />
He was named Bernard<br />
He was named Frédéric<br />
He was named Honoré<br />
He was named Mustapha<br />
For Charlie Hebdo<br />
For the 12<br />
For the 17<br />
For freedom of speech<br />
For newspapers<br />
For art<br />
For we, all<br />
L.<strong>ART</strong> <strong>en</strong> LOIRE - # 8 - février 2015 - mini thème : oscillation métamoderniste philosophia 95