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Nineteen Fifty-Six Vol. 3 Issue 1

This is the Fall 2022 edition of Nineteen Fifty-Six magazine. The theme, Amoir Noir (translated "Black Love") was written with the importance that Black people see authentic depictions of love. Turn the pages of the first issue of Volume 3 and feel the love coming out.

This is the Fall 2022 edition of Nineteen Fifty-Six magazine. The theme, Amoir Noir (translated "Black Love") was written with the importance that Black people see authentic depictions of love. Turn the pages of the first issue of Volume 3 and feel the love coming out.

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and low tones giving us his idiosyncratic style at<br />

its finest. As the song progresses, it speeds up,<br />

then begins to transition at 2:59 displaying unique<br />

expressions. In the music video for this song,<br />

Brent is recorded with a fan who is elated to be<br />

in his presence, he didn’t treat the fan indifferent<br />

but it’s clear he isn’t impressed. The main chorus<br />

of the first 2 minutes 59 seconds of the song is<br />

“(The fame) I swear it isn’t everything,” “(People<br />

screaming your name) I swear it isn’t everything.”<br />

These lyrics convey that just because Faiyaz has<br />

reached a certain stature in the name of fame, he<br />

is still human, fame doesn’t make you any more or<br />

less important than the average person.<br />

Track 13 - DEAD MAN WALKING<br />

Although DEAD MAN WALKING was released as a<br />

single two years prior to the drop of WASTELAND,<br />

it is listed as the thirteenth track lasting at<br />

four minutes and seven seconds. This song<br />

communicates the idea of the intro, VILLAIN’S<br />

THEME. The chorus symbolizes putting yourself<br />

first, stating, “You can do what you wanna, live<br />

how you wanna, spend how you wanna, be who you<br />

wanna be.” These lyrics align with the “temporary<br />

euphoria” implication of VILLAIN’S THEME.<br />

Track 19 - ANGEL<br />

WASTELAND ends with the 19th track, ANGEL.<br />

This song gives a captivating love ballad about<br />

the relationship between the flawed artist and<br />

his lover. In this song he looks to his girlfriend<br />

to never leave his side, despite what he has done<br />

to her negatively while deeming her an angel in<br />

disguise. He feels as if he would be lost without<br />

her and her support, he looks to her as an escape<br />

from the dysfunctional world he feels like he has<br />

created for himself.<br />

The skits of this album truly tie the moral of this<br />

album in and its cinematic theme. In skit one,<br />

EGOMANIAC, lasting at only 1 minute and 22<br />

seconds, Faiyaz is playing the character “Chris.”<br />

Chris is having a conversation with his pregnant<br />

girlfriend who feels like he is not supporting her<br />

in any way. She feels alone and like he doesn’t care<br />

about her as he is giving his attention to other<br />

things and people. Moreover, skit two, OBLIVION<br />

really gives us insight into how his girlfriend is<br />

feeling. In skit two “Chris” seems to be enjoying<br />

a short intimate time with a female friend. How<br />

do these poor actions play out in the end? Finally<br />

in skit three, WAKE UP CALL, we get a full intake<br />

of the consequences of Chris’ actions. This<br />

skit may be a trigger warning as it tells what the<br />

ending of the lovers’ story could be. Chris’ girlfriend<br />

is fed up with his careless actions, as she<br />

states, “You’re the worst thing that ever happened<br />

to me.” During their phone call, she states that<br />

Chris “will never see her or the baby again.” As<br />

Chris tries to make his way to save his girlfriend<br />

and unborn child, he crashes, leaving us feeling<br />

the sorrow of their demise.<br />

45

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