Anfiteatro Andrzej Tomaszewski - Auditorium al Duomo Florence
Anfiteatro Andrzej Tomaszewski - Auditorium al Duomo Florence
Anfiteatro Andrzej Tomaszewski - Auditorium al Duomo Florence
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5.20 p.m.<br />
The President of the Fondazione Romu<strong>al</strong>do Del Bianco greets participants<br />
Your excellencies, ladies and gentlement,<br />
I would like to welcome you to this ceremony where we will be dedicating this amphitheatre to<br />
a person who, in different ways, has meant a great de<strong>al</strong> to <strong>al</strong>l of us.<br />
Thank you for being here, indeed many of you from travelling great distances especi<strong>al</strong>ly to be<br />
here for this ceremony today.<br />
It is an important day and your presence only increases its importance.<br />
I would particularly like to thank Agnieszka Stachurska, the daughter of <strong>Andrzej</strong> <strong>Tomaszewski</strong>,<br />
for lending her support to the initiative.<br />
A few years ago the Fondazione Romu<strong>al</strong>do ®<br />
Del Bianco published a book entitled: Polish Travellers<br />
in <strong>Florence</strong>, a kind of tribute to Polish figures who have contributed to enriching our city’s<br />
history. With this ceremony today, our intention is to commemorate another Polish figure, a<br />
scholar and a historian: <strong>Andrzej</strong> <strong>Tomaszewski</strong>. But we are not devoting only a page to his memory,<br />
we are dedicating this entire amphitheatre h<strong>al</strong>l in <strong>Auditorium</strong> <strong>al</strong> <strong>Duomo</strong> to him.<br />
Henceforth this h<strong>al</strong>l, this amphitheatre in which we find ourselves, will be known as the<br />
<strong>Andrzej</strong> <strong>Tomaszewski</strong> Amphitheatre<br />
This is our way of remembering <strong>Andrzej</strong> <strong>Tomaszewski</strong> here, in <strong>Florence</strong>, with affection and<br />
gratitude, in an especi<strong>al</strong>ly important and significant fashion.<br />
Why are we doing this?<br />
As you can read in the essay entitled “The reason for a dedication” on the right of the door leading<br />
into this amphitheatre, it was only natur<strong>al</strong> for the Fondazione to decide to dedicate to his<br />
memory this amphitheatre h<strong>al</strong>l, located only steps away from the square over which<br />
Brunelleschi’s immense cupola towers, in a complex which first saw the light of day as an oratory<br />
for the nearby church of Santa Maria Maggiore, but was converted over the years first into an<br />
Education<strong>al</strong> and Mor<strong>al</strong> Cinema, then into the Dante Cinema, the Mignon Cinema and fin<strong>al</strong>ly<br />
the Astra Movie Theater, thus it has <strong>al</strong>ways been a public area. COMI SpA, the building’s present<br />
owner, and its President Paolo Del Bianco opted to forgo the lure of a potenti<strong>al</strong>ly highly profitable<br />
megastore, choosing instead to turn it into the <strong>Auditorium</strong> <strong>al</strong> <strong>Duomo</strong> to host encounters,<br />
seminars, concerts for budding t<strong>al</strong>ents and other cultur<strong>al</strong> events designed to promote sensitivity<br />
to cultur<strong>al</strong> diversity. The decision was form<strong>al</strong>ized in Odessa, Ukraine, in the home of loc<strong>al</strong><br />
Music Academy Rector Alexander Rovenko, on May 21, 2001.<br />
That is one of the reasons why <strong>Andrzej</strong> <strong>Tomaszewski</strong> suggested to Fondazione Romu<strong>al</strong>do Del<br />
Bianco ®<br />
President Paolo Del Bianco, both in Cracow on 26 May 2006 and in Zakopane the following<br />
day, that he turned this auditorium into a venue for hosting the conventions of the ICO-<br />
MOS Internation<strong>al</strong> Scientific Committee for the Theory and Philosophy of Conservation and<br />
Restoration, a committee which had been established in the course of the ICOMOS’s 15th Gener<strong>al</strong><br />
Assembly in Xi’an, China. The Fondazione welcomed the propos<strong>al</strong> with enthusiasm, planning<br />
to contribute to the committee’s work by involving its own network of contacts for the<br />
discovery, interpretation and communication of cultur<strong>al</strong> diversity in the field of cultur<strong>al</strong> heritage<br />
protection and enhancement, which has emerged in the course of various internation<strong>al</strong> scientific<br />
committee meetings devoted to fostering a better understanding and the potenti<strong>al</strong> harmonization<br />
of operations designed to safeguard the cultur<strong>al</strong> heritage of mankind, which is part and parcel<br />
of the univers<strong>al</strong> rights of man. It was in this very room, on 4 March 2009, that <strong>Andrzej</strong><br />
<strong>Tomaszewski</strong> was confirmed as President of the committee, a post he held until his untimely<br />
death. Thus it is a place that was particularly dear to him.<br />
Today this <strong>Auditorium</strong>, situated only 70 metres from the piazza dominated by Brunelleschi’s<br />
cupola and managed in accordance with the principles and stimulus of the Fondazione Romu<strong>al</strong>do<br />
Del Bianco ®<br />
, is given over to encounters, communication and knowledge to foster the exercise<br />
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