Gabbia Bongiorno - Agnellini Arte Moderna
Gabbia Bongiorno - Agnellini Arte Moderna
Gabbia Bongiorno - Agnellini Arte Moderna
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Short Biography<br />
1935<br />
Born June 16 in Cincinnati, Ohio.<br />
1953-55<br />
Studies at the University of Cincinnati and the<br />
Boston Museum School.<br />
1957<br />
Receives B.F.A. from Ohio University, Athens.<br />
Marries Nancy Minto.<br />
1958<br />
Enrolls in graduate study at Ohio University.<br />
Moves to New York City. Teaches at the Rhodes<br />
School.<br />
1959-65<br />
Participates in “Happenings” (performance<br />
pieces) primarily at the Judson and Reuben<br />
Galleries in New York.<br />
1960<br />
First solo exhibition at the Reuben Gallery,<br />
New York.<br />
1961-62<br />
Solo exhibition of “ties” and objects at Martha<br />
Jackson Gallery, New York.<br />
1962<br />
Meets Ileana Sonnabend and begins fourteenyear<br />
association with the Sonnabend Gallery<br />
1963<br />
Begins to make “bathrobe” paintings.<br />
1964<br />
Participates in the Venice Biennale.<br />
First solo exhibition at the Sidney Janis Gallery,<br />
New York<br />
1965<br />
Guest lecturer, Yale University, New Haven,<br />
Connecticut.<br />
Artist-in-residence, Oberlin College, Ohio.<br />
Receives commission for set and costume<br />
design for A Midsummer Night’s Dream from<br />
Actor’s Workshop, San Francisco.<br />
Begins to incorporate “heart” image in his<br />
paintings.<br />
1966<br />
Visiting critic, College of Architecture, Cornell<br />
University, Ithaca, New York.<br />
1967<br />
Moves to London.<br />
1970<br />
Retrospective at the Whitney Museum<br />
of American Art, New York.<br />
1971<br />
Returns to the United States and settles<br />
in Putney, Vermont.<br />
1975<br />
Visiting printmaker, Dartmouth College,<br />
Hanover, New Hampshire.<br />
Designs interior of Los Angeles Biltmore Hotel.<br />
1976<br />
Artist-in-residence at Williams College,<br />
Williamstown, Massachusetts at the invitation<br />
of Thomas Krens.<br />
Begins association with The Pace Gallery,<br />
New York.<br />
1977<br />
First one-man show at The Pace Gallery, New<br />
York; Jim Dine: Paintings, Drawings, Etchings,<br />
1976.<br />
1977-80<br />
Serves on Solomon R. Guggenheim Museum<br />
selection committee.<br />
1980<br />
Elected to American Academy and Institute<br />
of Arts and Letters, New York.<br />
1982<br />
Lessons in Nuclear Peace commissioned<br />
for library at Louisiana Museum, Humlebaek,<br />
Denmark.<br />
1984<br />
2 Big Black Hearts commissioned for Pappas<br />
Companies’ building in White Plains, New York.<br />
1984-85<br />
Jim Dine: Five Themes retrospective at the<br />
Walker Art Center, Minneapolis. Traveled to<br />
Phoenix, Arizona; Saint Louis, Missouri; Akron,<br />
Ohio; Buffalo, New York; and Washington, D.C.<br />
1985<br />
Moves from Vermont to New York.<br />
Paints large mural for John Nuveen & Co.<br />
in Chicago.<br />
Howard Street Venus commissioned by the<br />
Redevelopment Agency of San Francisco,<br />
installed at Convention Plaza.<br />
Participates in Sculpture Chicago International,<br />
Chicago.<br />
1986<br />
Designs sets and costumes for Houston Grand<br />
Opera’s 1986-87 season presentation of Richard<br />
Strauss’s Salome.<br />
1987<br />
Double Boston Venus commissioned<br />
by architect Graham Gund, installed at Bulfinch<br />
Triangle in Boston.<br />
1988<br />
Jim Dine: Paintings, Sculpture, Drawings,<br />
Prints, 1959-1987, at Galleria d’<strong>Arte</strong> <strong>Moderna</strong><br />
Ca’Pesaro, Venice.<br />
Cincinnati Venus commissioned by Tipton<br />
Associates, installed at Centennial Plaza,<br />
Cincinnati.<br />
1988-90<br />
Drawings Jim Dine, 1973–1987 at The<br />
Contemporary Arts Center, Cincinnati, Ohio.<br />
Traveled to Fort Lauderdale, Florida; Santa<br />
Barbara, California; Seattle, Washington; Fort<br />
Worth, Texas; Minneapolis, Minnesota; Chicago,<br />
Illinois; Omaha, Nebraska; and San Francisco,<br />
California.<br />
1989<br />
Looking Toward the Avenue, a three-part<br />
sculpture commissioned by Tishman Speyer<br />
Trammell Crow Limited Partnership, installed<br />
outside 1301 Avenue of the Americas in New<br />
York City.<br />
East End Venus commissioned by Rosehaugh<br />
Stanhope Developments PLC for Broadgate,<br />
London.<br />
Completes painting commission At the<br />
Wedding for Seibu Department Store in Tokyo.<br />
1990<br />
Traveling exhibition of drawings entitled<br />
In Der Glyptothek presented by the Staatliche<br />
Antikensammlungen und Glyptothek, Munich.<br />
1990-91<br />
Retrospective exhibition at the Isetan Museum<br />
of Art, Tokyo and the Museum of Art, Osaka.<br />
1992<br />
“Jim Dine Childhood Stories”, a 30 minute film<br />
about the artist’s formative years, is produced<br />
by Outside in July, Inc.<br />
Receives the Pyramid Atlantic Award<br />
of Distinction in Washington, D.C.<br />
1993<br />
Black Venus is exhibited in Copier créer de<br />
Turner à Picasso, 300 œuvres inspirées par les<br />
maîtres du Louvre at the Musée du Louvre,<br />
Paris.<br />
Teaches at the Internationale Sommerakademie<br />
für Bildende Kunst, Salzburg, Austria.<br />
1993-94<br />
Jim Dine: Drawing from the Glyptothek<br />
organized by the Madison Art Center,<br />
Wisconsin. Traveled to Salzburg, Cincinnati,<br />
Honolulu, Montreal, and Miami.<br />
Jim Dine: Paintings, Drawings and Sculpture<br />
1973-1993 is exhibited at Borås Konstmuseum,<br />
Borås, Sweden. Traveled to Budapest and Nice.<br />
1994<br />
Jim Dine: Flowers and Plants, with an essay<br />
by Marco Livingstone, is published by Harry<br />
N. Abrams, Inc., New York.<br />
1995<br />
Jim Dine A Self Portrait on the Walls, a 30<br />
minute film documenting the artist’s exhibition<br />
of temporary wall drawings at the Kunstverein<br />
Ludwigsburg, Germany, is produced by Outside<br />
in July, Inc.<br />
1996<br />
Honored by Friends of the Bezalel Museum<br />
on November 18.<br />
1997<br />
Awarded honorary doctorate from California<br />
College of Arts and Crafts on May 24, 1997.<br />
1998<br />
Elected to the Akademie der Kunste, Berlin.<br />
2000<br />
Invited by the Mayor of Siena, Italy, to design<br />
the banner for the Palio, July 2, 2000.<br />
2003<br />
Named Commandeur de l’ordre des Arts<br />
et des Lettres (Commander, Order of Arts and<br />
Letters) on June 25, 2003. Awarded for artistic<br />
or literary contributions in France and around<br />
the world.<br />
2004<br />
The Drawings of Jim Dine, a major<br />
retrospective organized by the National Gallery<br />
of Art, Washington, D.C. Travels: Hasselblad<br />
Center at Goteborg Museum of Art, Goteborg,<br />
Sweden; Die Photographische Summlung/SK<br />
Stiftung Kultur, Cologne, Germany; Davidson<br />
Art Center & Ezra and Cecile Zilkha Gallery,<br />
Wesleyan University, Middletown, Connecticut.<br />
Recipient of the School of the Museum of Fine<br />
Arts, Boston, 10 th Annual Medal Award.<br />
2007<br />
In the summer participates in the Chicago<br />
public art exhibition Cool Globes: Hot Ideas<br />
for a Cooler Planet. Exhibits regularly with<br />
the Alan Cristea Gallery in London.<br />
“For me, drawing is everything – because<br />
it informs everything. It even informs my<br />
poetry. It’s the way I begin everything”<br />
(Robert Ayers (May 23, 2006), Jim Dine, Artinfo,<br />
http://www.artinfo.com/news/story/16853/jimdine/,<br />
retrieved 2008-04-21).<br />
2008<br />
On May 16, inaugurates a nine meter high<br />
bronze statue depicting a walking Pinocchio,<br />
named Walking to Borås. The statue is placed<br />
in the city of Borås, Sweden. Dine previously<br />
worked on a commercial book, paintings, and<br />
sculptures that focused on Pinocchio.<br />
2009<br />
He exhibits Large Parrot Screams Color, 2007,<br />
in Le Jardin des Tuileries in Paris.<br />
2011<br />
Works on Pinocchio, prints and book realized<br />
in Atelier Michael Woolworth in Paris. His<br />
poems-performance, in January, for the issue<br />
of the book.<br />
108 JIM DINE<br />
109