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425 ARTE X645-X659X645ALAN BROWN, D. The London "Madonna 01the rocks" in light 01two milanese adaptations.In Collaboration in Italian Renaissanceart (New Haven, London, YaleUnivo Press, 1978) p. 167-186.CFR.: RépATtATch, 16 (1980) n° 2, p. 80.X646CANNELL, W. S. Leonardo da Vinci "The Virgin01the Rocks". A reconsideration 01thedocuments and a new interpretatton. InGazette des Beaux-Arts, 104 (1984) p. 99­108.CFR.: RevHistEccl, 80 (1985) p. 136*.X647GOULD, C. The newly-discovered documentsconcerning Leonardo's "Virgin 01 therocks" and their bearing on the problem 01the version. InArtibus et Historiae, (1981)n° 3, p. 73-76.CFR.: RépArtATch, 18 (1982) n o 4, p. 77.X648LEIGHTEN, P. Leonardo's "Burlington Housecartoon". In The Rutgers Art Review, 2(1981) p. 31-42.CFR.: RépATtATch, 17 (1981) n o 4, p. 75.X649SNOW SMITH, J. An iconographic interpretation01 Leonardo's Virgin on the Rocks(Louvre). In Arte Lombarda, n° 67 (1983)p.134-142.CFR.: RépATtATch, 21 (1985) n° l, p. 74.Lippi, Filippino, 1457-1504X650CLARK, D. L. Filippino Lippi's "The Virgininspring St. Bernard" and FIorentine humanism.In Studies in Iconography, 7-8(1982) p. 175-187.CFR.:'RépATtATch, 19 (1983) n° 3, p. 83.Lippi, Filippo, 1406-1469X651Fusco, L. An unpublished "Madonna andchild" by Fra Filippo Lippi. In The]. PaulGetty Museum Journal, lO (1982) p. 1-16.CFR.: RépATtATch, 19 (1983) n° 3, p. 83.X652ROWLANDS, E. Filippo Lippi's Tarquinia Madonna:Addittonal Evidencelor a ProposedFlemish Source. In The Rutgers Art Review,5(1984) p. 1-7.CFR.: RépATtATch, 21 (1985) n° 2, p. 74.Lorenzettt; Ambrogio, t 1348X653SEIDEL, M. Die Fresken des Ambrogio Lorenzettiin S. Agostino. In Mitteilungen desKunsthistorischen Institutes in Florenz, 22(1978) n° 2, p. 185-252.CFR.: RépArtATch, 16 (1980) n° l, p. 45.Lotto, Lorenzo, 1480-1556X654DANIA, L. Una inedita pala d'altare di Lo·renzo Lotto. In Antichità viva, 19 (1980)no4,p.7-11.CFR.: RépATtATch, 17 (1981) n° 4, p. 75.X655SGARBI, V. Una Madonna con il Bambino diLorenzo Lotto. In Notizie da Palazzo Albani,7 (1978) n° 4, p. 255-273.CFR.: RépATtATch, 16 (1980) n o 4, p. 75.Maestro della "Madonna di Tersatto"X656GAMULIN, G. Il "Maestro della Madonna diTersatto". InArte Veneta, 34 (1980) p. 18­25.CFR.: RépATtATch, 19 (1983) n°, p. 59.Maisoncelles, Jean de, fl. 1436X657SMITH, J. CHIPPS. Jean de Maisoncelles' portrait01Philippe Le Bon lor the Chartreusede Champmol. A study olBurgundian politicalsymbolism. In Gazette des Beaux­Arts, 99 (1982) n° 1356, p. 7-12.CFR.: RépArtATch, 18 (1982) n° 3, p. 43.Margaritone d'Arezzo, 1216-1293X658DOMENGHINO PONDER, B. Das Madonnenbilddes Margaritone d'Arezzo in WashingtonoIkonographische und stilistische Untersuchungen.In Miinster, 34 (1981) n° 3,p.245.CFR.: RépATtATch, 18 (1982) n° 2, p. 35.Martini, Simone, 1284-1344X659ISHINABE, M. La Maestà di Simone Martini ela diffusione del Bambino stante e benedicentenell'arte italiana. In Antichità viva,19 (1980) n° 1, p. 7-13.CFR.: RépATtATch, 17 (1981) n° 2, p. 23.