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A PREGAÇÃO NA IDADE MÍDIA - Luiz Carlos Ramos

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RAMOS, <strong>Luiz</strong> <strong>Carlos</strong>. A Pregação na Idade Mídia: os desafios da sociedade do<br />

espetáculo para a prática homilética contemporânea. São Bernardo do Campo,<br />

2005. 280 f. Thesis (Doctor Degree in Sciences of Religion – Praxis and Society)<br />

— São Paulo Methodist University, São Bernardo do Campo, 2005.<br />

ABSTRACT<br />

This research intends to demonstrate how the modern spectacular communication<br />

phenomenon affects the contemporary homiletic praxis. It certifies that the<br />

religious practices have been more and more spectacular, to the extent that, influenced<br />

by the media; they are reformulated according to the rules of the spectacle<br />

(show business) and of the industry of the entertainment. In the media age,<br />

the experience of preaching in the churches finds in the communication medium<br />

its modus operandi (principles), its modus faciendi (methods) and its modus<br />

vivendi (purposes). Meanwhile, the broadcastings turn into typical religious<br />

agencies, spiritual entities (virtual) and electronic temples, whose liturgical and<br />

missionary practices spread good-news that should be believed and images that<br />

should be adored. This analysis of the phenomenon has the following elements<br />

as starting point: the references offered by the homiletic historians; the reapproach<br />

done by Chaïm Perelman to the Aristotelian principles regarding the<br />

persuasive communication — the so called New Rhetoric —; and by Guy<br />

Debord’s critical approach to the society of the spectacle. This approach is accomplished<br />

in three stages: first, the conceptualization of homiletic is explored<br />

from a historical retrospective; second, a theory of the classic homiletic principles,<br />

methods and purposes is formulated (a theology of the proclamation); and<br />

third, from the historical and theoretical references, the research proceeds to a<br />

comparative analysis of the spectacle homiletic practice in relation to the classic<br />

homiletic. The result will be a collection of general references that make possible<br />

a better understanding of the contemporary homiletic phenomenon, as well<br />

as foundation for future analysis, of more specific character, for the conventional<br />

homiletic as well as for the telehomiletic.<br />

Key words: homiletic – sermon – preaching – rhetoric – persuasion – seduction<br />

– communication – media –spectacle – entertainment.

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