CAMA Presents the Royal Philharmonic Orchestra ⫽ Tuesday, January 11, 2022 ⫽ International Series at the Granada Theatre, Santa Barbara ⫽ 7:30PM

Presenting the world’s finest classical artists since 1919 

2021/2022 SEASON 

103 rd CONCERT SEASON 

Olga Kern 

VASILY 

PETRENKO 

Music Director and conductor 

OLGA 

KERN 

piano 

Tuesday, January 11, 2022, 7:30PM 

Granada Theatre, Santa Barbara 

Royal Philharmonic Orchestra photo by Ben Wright. Olga Kern photo by Chris Lee. 

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BOARD OF DIRECTORS 

(December 23, 2021) 

ROBERT K. MONTGOMERY 

Chairman 

DEBORAH BERTLING 

Vice Chair and President, Women's Board 

Rosalind Amorteguy-Fendon 

Marta Babson 

Bitsy Becton Bacon 

Isabel Bayrakdarian 

Edward E. Birch 

Andy Chou 

Stephen Cloud 

NancyBell Coe 

Bridget Colleary 

Joan Crossland 

JAN BOWLUS 

Vice Chair 

WILLIAM MEEKER 

Treasurer 

CHRISTINE EMMONS 

Secretary 

Jill Felber 

Raye Haskell Melville 

Judith L. Hopkinson 

Elizabeth Karlsberg 

Frank E. McGinity 

George Messerlian 

Patti Ottoboni 

Craig A. Parton 

Michele Saltoun 

Judith F. Smith 

Emeritus Directors 

(As of October 1, 2021) 

Robert J. Emmons 

Arthur R. Gaudi 

James H. Hurley, Jr. 

Herbert J. Kendall 

Sara Miller McCune 

Nancy Wood 

Russell S. Bock* 

Dr. Robert M. Failing* 

Mrs. Maurice E. Faulkner* 

Léni Fé Bland* 

Stephen Hahn* 

Dr. Melville H. Haskell, Jr.* 

Mrs. Richard Hellmann* 

Dr. Dolores M. Hsu* 

Robert Light* 

Mrs. Frank R. Miller, Jr.* 

Mary Lloyd Mills* 

Mrs. Ernest J. Panosian* 

Kenneth W. Riley* 

Andre Saltoun* 

Jan Severson* 

* Deceased 

Administration 

(As of October 1, 2021) 

Mark E. Trueblood 

President 

Elizabeth Alvarez 

Director of Development 

Michael Below 

Office Manager/ 

Subscriber Services 

Justin Rizzo-Weaver 

Director of Operations 

2060 Alameda Padre Serra, Suite 201 Santa Barbara, CA 93103 Tel (805) 966-4324 Fax (805) 962-2014 info@camasb.org

INTERNATIONAL SERIES 

AT THE GRANADA THEATRE 

SEASON SPONSORSHIP: SAGE PUBLISHING 

JANUARY 11, 2022 

ROYAL 

PHILHARMONIC 

ORCHESTRA 

Primary Sponsor 

The Elaine F. Stepanek 

Foundation 

Sponsors 

Alison & Jan Bowlus 



Ellen & John Pillsbury 

The Shanbrom Family 


Co-Sponsor 

Stephen J.M. & Anne Morris 

JANUARY 28, 2022 

LOS ANGELES 

PHILHARMONIC 

Principal Sponsor 

Mosher Foundation 

Sponsors 

Peggy and Kurt Anderson 

Bitsy & Denny Bacon and 

The Becton Family Foundation 

Bob & Val Montgomery 


The Towbes Fund for the 

Performing Arts, a field of 

interest fund of the Santa 

Barbara Foundation 

Co-Sponsors 

Jane & Ken Anderson 

Meg & Dan Burnham 

Christine & Robert Emmons 

MARCH 24, 2022 

LONDON 

SYMPHONY 

ORCHESTRA 

Primary Sponsors 



APRIL 12, 2022 

ENGLISH 

BAROQUE 

SOLOISTS 

Principal Sponsor 

Jocelyne & William Meeker 

Sponsor 

NancyBell Coe & Bill Burke 

Co-Sponsors 

Elizabeth Karlsberg & 

Jeff Young 

John & Fran Nielsen 

George & Judy Writer

MASTERSERIES 

AT THE LOBERO THEATRE 

SEASON SPONSORSHIP: ESPERIA FOUNDATION 

MARCH 2, 2022 

JORDI SAVALL 

AND LE CONCERT 

DES NATIONS 

Co-Sponsor 


Concert Partner 

Stephen Cloud 

MARCH 18, 2022 

BENJAMIN 

GROSVENOR, piano 

Sponsors 




Concert Partner 


APRIL 23, 2022 

ISABEL 

BAYRAKDARIAN, soprano 

MARK FEWER, violin 

JAMIE PARKER, piano 

Sponsors 

Bob Boghosian & Beth Gates-Warren 

The Elaine F. Stepanek Foundation 

MAY 24, 2022 

JAMES EHNES, violin 

ORION WEISS, piano

In Memoriam 

CARL PERRY 

JUNE 26, 1932 – OCTOBER 23, 2021 

CAMA mourns the sudden passing of Carl D. Perry this past October. Mr. Perry 

was an extremely well-respected CAMA Board member, mentor, colleague, 

and friend whose expansive imagination and infectious energy brought people 

together in service of CAMA’s community mission. 

A Santa Barbara native, Mr. Perry’s career was remarkable for his many and 

diverse accomplishments. After serving in the US Army as an aide to the 

American Commanding General of Berlin during the Berlin Air Lift, he went 

on to become Vice-President of Worldwide Operations at Hughes Aircraft 

and Executive Vice President at Canadair Ltd., the preeminent civil and 

military aircraft manufacturer in Canada. He assisted the organization and 

implementation of the 1984 Summer Olympics in Los Angeles, and concluded 

his long career by pioneering products for electric and hybrid electric vehicles 

as Chairman and CEO of Enova Systems Inc. of Edmonton, Canada. 

Upon joining the CAMA Board in 2019, Mr. Perry served on committees 

overseeing programming and marketing activities. His long experience and 

expertise in bringing products and services to the public attention were 

invaluable assets that continue to guide CAMA as we move into our coming 

concert seasons. He will long be remembered with great respect and affection. 

4 CAMA'S 103 RD CONCERT SEASON


INTERNATIONAL SERIES AT THE GRANADA THEATRE 

SEASON SPONSORSHIP: SAGE PUBLISHING 

ROYAL PHILHARMONIC ORCHESTRA 

Vasily Petrenko, Music Director and conductor 

Olga Kern, piano 

Tuesday, January 11, 2022, 7:30PM 

The Granada Theatre, Santa Barbara 

Benjamin BRITTEN (1913–1976) 

Four Sea Interludes from Peter Grimes, Op.33a 

I. Dawn 

II. Sunday Morning 

III. Moonlight 

IV. Storm 

Pyotr Ilyich TCHAIKOVSKY (1840–1893) 

Piano Concerto No.1 in B-flat Minor, Op.23 

I. Allegro non troppo e molto maestoso— 

Allegro con spirito 

II. Andante semplice—Allegro vivace assai 

III. Allegro con fuoco 

INTERVAL 

Sir Edward ELGAR (1857–1934) 

Variations on an Original Theme, 

“Enigma,” Op.36 

Theme (Enigma: Andante) 

I. “C.A.E.” L'istesso tempo 

II. “H.D.S.- P.” Allegro 

III. “R.B.T.” Allegretto 

IV. “W.M.B.” Allegro di molto 

V. “R.P.A.” Moderato 

VI. “Ysobel” Andantino 

VII. “Troyte” Presto 

VIII. “W.N.” Allegretto 

IX. “Nimrod.” Moderato 

X. "Dorabella"—Intermezzo. Allegretto 

XI. “G.R.S.” Allegro di molto 

XII. “B.G.N.” Andante 

XIII. “*** - Romanza” Moderato 

XIV. "E.D.U."—Finale 

Program subject to change. 

www.rpo.co.uk 

ROYAL PHILHARMONIC ORCHESTRA REPRESENTATION 

Sheldon Artists | sheldonartists.com 

OLGA KERN REPRESENTATION 

Arabella Arts | arabella-arts.com 

CAMA thanks our generous sponsors who have made this evening’s performance possible: 

International Series Season Sponsor: SAGE Publishing 

Primary Sponsor: Elaine F. Stepanek Concert Fund 

Sponsors: Alison & Jan Bowlus • Judith L. Hopkinson • Sara Miller McCune 

Ellen & John Pillsbury • The Shanbrom Family Foundation 

Co-Sponsor: Stephen J.M. & Anne Morris 

We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing 

or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited. 


On behalf of the CAMA Board of Directors, we 

send our deep appreciation to the many steadfast 

subscribers whose ticket donations and financial 

contributions to CAMA have sustained our mission 

through these challenging times. 

Thank you for your support of CAMA!

Photo by Chris Christodoulou 

As the Royal Philharmonic Orchestra (RPO) 

celebrates its seventy-fifth anniversary, its 

mission to enrich lives through orchestral 

experiences that are uncompromising in 

their excellence and inclusive in their appeal, 

places the RPO at the forefront of 

music-making in the UK and internationally. 

Typically performing approximately 200 

concerts each season and with a worldwide 

audience of more than half-a-million people, 

the Orchestra embraces a broad repertoire 

that enables it to reach the most diverse audience 

of any British symphony orchestra. 

Whilst artistic integrity remains paramount, 

the RPO is unafraid to push boundaries and 

is equally at home recording video game, 

film and television soundtracks and working 

with pop stars, as it is performing the 

great symphonic repertoire. 

The RPO collaborates with the most inspiring 

artists and was thrilled to welcome 

Vasily Petrenko as its new Music Director 

in August 2021. His appointment stands 

as a major landmark in the Orchestra’s history, 

signalling its determination to broaden 

the audience for orchestral music while enhancing 

its reputation as one of the world’s 

most versatile ensembles. Vasily Petrenko 

made his debut with the RPO at London’s 

Royal Albert Hall in March 2016 delivering 

a powerful interpretation of Mahler’s Symphony 

No.2, ‘Resurrection’. His rapport with 


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the Orchestra’s players has been reaffirmed 

with subsequent London performances, 

and forthcoming plans include a series of 

Mahler’s choral symphonies at the Royal 

Albert Hall, the great works of English composers 

at the Southbank Centre’s Royal Festival 

Hall, and tours to Germany and leading 

European festivals. Vasily Petrenko joins 

a roster of titled conductors that includes 

Pinchas Zukerman (Principal Guest Conductor), 

Alexander Shelley (Principal Associate 

Conductor) and Grzegorz Nowak (Permanent 

Associate Conductor). 

In addition to the Orchestra’s annual 

season of concerts in London’s Royal Albert 

Hall, Southbank Centre’s Royal Festival Hall 

and its home Cadogan Hall, the RPO is a respected 

cultural ambassador and enjoys a 

busy schedule of international touring, performing 

in the world’s great concerts halls 

and at prestigious international festivals. 

The RPO is recognised as being the 

UK’s most in-demand orchestra, an accolade 

that would have pleased Sir Thomas 

Beecham, who founded the RPO in 1946. 

His mission was to lead a vital revival of 

UK orchestras after World War II and form 

an ensemble that comprised the finest musicians 

in the country. The Orchestra has 

since attracted a glittering list of principal 

conductors, including Rudolf Kempe, Antal 

Doráti, Walter Weller, André Previn, Vladimir 

Ashkenazy, Yuri Temirkanov, Daniele Gatti 

and Charles Dutoit. 

The RPO aims to place orchestral music 

at the heart of contemporary society, 

collaborating with creative partners to foster 

a deeper engagement with communities 

to ensure that live orchestral music is 

accessible to as inclusive and diverse an 

audience as possible. To achieve this, in 

1993 the Orchestra launched RPO Resound, 

which has grown to become the most 

innovative and respected orchestral community 

and education programme in the UK 

and internationally. 

The Royal Philharmonic Orchestra has 

always been entrepreneurial and in 1986 it 

was the first UK orchestra to launch its own 

record label. The RPO has gone on to embrace 

advances in digital technology and 

now achieves nearly thirty million downloads 

of its recorded music each year. The 

Orchestra is increasingly active online (rpo. 

co.uk) and on social media (@rpoonline) 

providing audiences with the opportunity to 

engage with the RPO and enjoy ‘behind-thescenes’ 

insights. 

Passion, versatility and uncompromising 

artistic standards are the Royal Philharmonic 

Orchestra’s hallmarks, and as it looks 

forward to an exciting future with its new 

Music Director, Vasily Petrenko, it will continue 

to be recognised as one of the world’s 

most open-minded, forward-thinking and 

accessible symphony orchestras. 

Discover more at rpo.co.uk 


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VASILY PETRENKO 

Music Director and conductor 

The 2021–2022 season marks the start of 

Vasily Petrenko’s tenures as Music Director 

of the Royal Philharmonic Orchestra and 

as Artistic Director of the State Academic 

Symphony Orchestra of Russia (where he 

held the position of Principal Guest Conductor 

from 2016–2021). He becomes 

Conductor Laureate of the Royal Liverpool 

Philharmonic Orchestra, following his hugely 

acclaimed fifteen year tenure as their 

Chief Conductor from 2006–2021, and continues 

as Chief Conductor of the European 

Union Youth Orchestra (since 2015). He 

has also served as Chief Conductor of the 

Oslo Philharmonic Orchestra (2013–2020), 

Principal Conductor of the National Youth 

Orchestra of Great Britain (2009–2013), 

and Principal Guest Conductor of St Petersburg’s 

Mikhailovsky Theatre, where he 

began his career as Resident Conductor 

(1994–1997). 

Vasily was born in 1976 and started 

his music education at the St Petersburg 

Capella Boys Music School – Russia’s oldest 

music school. He then studied at the St 

Petersburg Conservatoire where he participated 

in masterclasses with such luminary 

figures as Ilya Musin, Mariss Jansons and 

Yuri Temirkanov. 

He has worked with many of the 

world’s most prestigious orchestras including 

the Berlin Philharmonic, Bavarian Radio 


Symphony, Leipzig Gewandhaus, London 

Symphony, London Philharmonic, Philharmonia, 

Accademia Nazionale di Santa Cecilia 

(Rome), St Petersburg Philharmonic, 

Orchestre National de France, Czech Philharmonic, 

NHK Symphony and Sydney 

Symphony orchestras, and in North America 

has led the Philadelphia Orchestra, Los 

Angeles Philharmonic Orchestra, Cleveland 

Orchestra, and the San Francisco, Boston, 

Chicago and Montreal Symphony orchestras. 

He has appeared at the Edinburgh Festival, 

Grafenegg Festival and made frequent 

appearances at the BBC Proms. 

Equally at home in the opera house, 

and with over thirty operas in his repertoire, 

Vasily has conducted widely on the operatic 

stage, including at Glyndebourne Festival 

Opera, Opéra National de Paris, Opernhaus 

Zürich, the Bayerische Staatsoper and Metropolitan 

Opera, New York. 

In the 2021–2022 season, Vasily inaugurates 

his Music Directorship at the Royal 

Philharmonic Orchestra with a series of 

major British symphonic and choral works 

at both the Southbank Centre’s Royal Festival 

Hall and Royal Albert Hall, and a major 

North American tour culminating at New 

York’s Carnegie Hall. He also returns as a 

guest to work with orchestras across the 

globe including the Montreal Symphony 

Orchestra, the Dresden, Israel and Netherlands 

Radio Philharmonic orchestras, the 

New Zealand Symphony and Melbourne 

Symphony orchestras, and the NHK Symphony 

Orchestra of Tokyo, in repertoire 

ranging from Beethoven’s Missa Solemnis 

to Stravinsky, Sibelius and Zemlinsky. 

Future projects with the Royal Philharmonic 

Orchestra also include performances of 

Mahler’s choral symphonies at the Royal 

Albert Hall. 

Vasily has established a strongly defined 

profile as a recording artist. Amongst 

a wide discography, his Shostakovich, 

Rachmaninov and Elgar symphony cycles 

with the Royal Liverpool Philharmonic Orchestra 

have garnered worldwide acclaim. 

With the Oslo Philharmonic Orchestra, 

he has recently released cycles of Scriabin’s 

symphonies and Strauss’ tone poems, 

and selected symphonies of Prokofiev 

and Myaskovsky. 

In September 2017, Vasily was honoured 

with the Artist of the Year Award at the 

prestigious annual Gramophone Awards, 

one decade on from receiving their Young 

Artist of the Year Award in October 2007. 

In 2010, he won the Male Artist of the Year 

at the Classical BRIT Awards and is only 

the second person to have been awarded 

Honorary Doctorates by both the University 

of Liverpool and Liverpool Hope University 

(in 2009), and an Honorary Fellowship of 

the Liverpool John Moores University (in 

2012), awards which recognise the immense 

impact he has had on the Royal 

Liverpool Philharmonic Orchestra and the 

city’s cultural scene. 


Photo by Chris Lee 

OLGA KERN 

piano 

Russian-American pianist Olga Kern has established 

herself as one of the leading pianists 

of her generations. Born in Moscow in 

a family of musicians, she jumpstarted her 

U.S. career with her historic Gold Medal win 

at the Van Cliburn International Piano Competition 

in Fort Worth, Texas as the first 

woman to do so in more than thirty years. 

First prize winner of the Rachmaninoff 

International Piano Competition at seventeen, 

Ms. Kern is a laureate of many international 

competitions. In 2016 she served as 

Jury Chairman of both the Seventh Cliburn 

International Amateur Piano Competition 

and the first Olga Kern International Piano 

Competition, where she also holds the title 

of Artistic Director. Ms. Kern frequently 

gives masterclasses and since September 

2017 has served on the piano faculty of the 

prestigious Manhattan School of Music. 

Beginning with the 2019 season, Ms. Kern 

was appointed the Connie & Marc Jacobson 

Director of Chamber Music at the Virginia 

Arts Festival. Ms. Kern was honored 

with the Ellis Island Medal of Honor in New 

York City in 2017. 



Recent and upcoming highlights include 

performances with the Minnesota 

Orchestra, the symphony orchestras of Baltimore, 

St. Louis, Grand Rapids, Colorado 

and Toledo, the New Mexico Philharmonic, 

the National Symphony of Washington DC, 

the Iceland Symphony Orchestra, the Nordwestdeutsche 

Philharmonie, the Orquesta 

de Sao Paulo, and the New West Symphony. 

In 2017-2018, she served as Artist in Residence 

with the San Antonio Symphony and 

made her debut with the National Youth 

Orchestra on their China tour. Ms. Kern 

has toured extensively in the United States 

with many international orchestras such 

as the Royal National Scottish Orchestra, 

the Royal Philharmonic, the National 

Symphony Orchestra of Ukraine and many 

others. In 2019 she helped celebrate Leonard 

Slatkin’s 75th Birthday in a series of 

special concerts with the National Symphony 

at the Kennedy Center. She will appear 

in recitals in Orford, Sunriver, Fort 

Worth (Cliburn), Carmel, San Francisco, Sicily, 

and Calvia. In spring of 2020 Olga Kern 

has hosted her Second Olga Kern International 

Piano Competition. In the coming 

seasons, she will serve on the jury of many 

international competitions. 

Ms. Kern's discography includes her 

Grammy Nominated recording of Rachmaninoff’s 

Corelli Variations and other 

transcriptions (2004), Brahms Variations 

(2007) and Chopin Piano Sonatas No. 2 

and 3 (2010), the Tchaikovsky piano concerto 

with the Rochester Philharmonic, a 

CD of Russian composers including works 

Photo by Chris Lee 

by Balakirev, the Chopin concerto with 

the Warsaw Philharmonic and a CD of 

the Rachmaninoff cello sonatas with Sol 

Gabetta. She was featured in several documentaries 

including the award-winning 

films about the 2001 Cliburn Competition, 

Playing on the Edge; “They came to play” 

and “Olga’s journey”. 


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50 Guest Rooms & Suites

NOTES ON THE PROGRAM 

By Julian Haylock 

Four Sea Interludes from 

Peter Grimes, Op.33a (1945) 

Benjamin Britten (1913–1976) 

I. Dawn— 

II. Sunday Morning— 

III. Moonlight— 

IV. Storm 

Benjamin Britten excelled at virtually anything 

he turned his hand to. He was a virtuoso 

pianist of profound interpretative insight, 

an inspirational conductor, a natural 

recording artist capable of exciting in the 

studio the same electricity that characterised 

his live concerts—and the possessor of 

an exalted creative gift. 

Britten spent the early part of the Second 

World War in North America, where his 

intimate friendship with the great British 

tenor Peter Pears blossomed. Returning to 

England in 1942—he composed both the 

Hymn to St. Cecilia and Ceremony of Carols 

during the return voyage—Britten was 

exempted from military service as a conscientious 

objector. It was during his time 

in America that the desperately homesick 

composer came across a magazine article 

by E.M. Forster that began ‘To think of Crabbe 

is to think of England’. This was a reference 

to the writer George Crabbe whose 

poem Peter Grimes (part of an 1810 collec- 

Benjamin Britten 

tion entitled The Borough), inspired Britten 

to compose one of the finest operas of the 

twentieth century. 

Peter Grimes is a work of such astonishing 

maturity and profound emotional resource 

that it is easy to overlook the fact 

that Britten was still only thirty-one years of 

age at the time of its 1945 premiere. The 

parallels between the central figure, a roughand-ready 

Suffolk fisherman vilified by an 

uncomprehending society when his apprentice 

is lost at sea, and Britten’s view of his 

own station in life are startlingly realised. 

Desperate to raise the money to marry Ellen 


and in his rush to avoid a party of aggressive 

villagers, Grimes later finds himself responsible 

for the accidental death of a second 

boy, goes mad and commits suicide. 

Keen to promote his latest masterpiece, 

Britten extracted four orchestral interludes 

that punctuate the main action of the opera, 

and conducted the first performance at the 

Cheltenham Festival on 13 June 1945, just 

six days after the opera’s premiere at the 

Sadler’s Wells Theatre in London. 

The mist-laden stirrings of a new dawn 

are magically conjured up by Britten, the 

slowly illuminated seascape serving as a 

bleak backdrop to the early-morning fisherman 

gathering their nets. The French horns 

announce the second section, a peaceful 

evocation of a village Sunday morning as 

everyone makes their way to church. The 

music moves almost imperceptibly on to 

the same scene lit by moonlight, the magical 

scoring for bassoons, French horns and 

strings creating an indelible impression of 

stillness before the storm breaks, throwing 

the raging sea into utter turmoil, punctuated 

by torrential outbursts from the brass 

and French horns. 

Piano Concerto No.1 in 

B-flat Minor, Op.23 (1874) 

Pyotr Ilyich Tchaikovsky (1840–1893) 

I. Allegro non troppo e molto maestoso— 

Allegro con spirito 

II. Andante semplice 

III. Allegro con fuoco 

Pyotr Ilyich Tchaikovsky 

Pyotr Ilyich Tchaikovsky spent most of his 

life attempting to reconcile the scorching 

inspiration and confidence of his finest music 

with a sensitive nature overwhelmed by 

insecurity and anxiety. His emotional intuitiveness 

was to prove both a blessing and 

a curse, for while it helped facilitate some 

of the most treasurable music of the Romantic 

era, the lukewarm and occasionally 

downright hostile reception that greeted 

many of his finest scores often resulted in 

periods of creative paralysis. 

He was constantly plagued by selfdoubts 

about his music’s true worth. Time 

and time again his correspondence reveals 

the repeated cycle of surging confidence 

during the composition period—‘this will 


e my greatest work so far’—followed by a 

corresponding dip in mood during which he 

would invariably insist that his talent had 

‘dried up’, or that he was ‘played out’. 

Tchaikovsky began work on his B-flat 

minor Piano Concerto in November 1874 

and, fired by a seemingly unstoppable flow 

of blinding inspiration, had it completed 

within the month. Understandably excited 

by his new creation, he played it through to 

his friend, the distinguished pianist and pedagogue 

Nikolai Rubinstein (the Concerto’s 

intended dedicatee), who promptly tore the 

score to shreds: ‘It appeared that my concerto 

was worthless,’ ranted Tchaikovsky, 

‘that it was unplayable, that the passagework 

was so commonplace, unskilfully written 

and awkward that it would be impossible 

to put it right; that the composition itself 

was bad and trivial; that I had stolen this bit 

from here and that bit from there; that were 

only two or three pages worth keeping, and 

that the rest would have to be scrapped or 

completely rewritten.’ To his eternal credit, 

Tchaikovsky changed not one single note. 

The Concerto was eventually premiered 

in Boston, and such was its resounding success 

that even Rubinstein quickly admitted 

his initial error of judgement, and played 

no small part in establishing Tchaikovsky’s 

early reputation by taking the work on a celebrated 

world tour. In a letter to his patron, 

Nadezhda von Meck, Tchaikovsky revealingly 

summed up his thoughts on the Concerto: 

‘It is a struggle between two forces 

of equal standing... a powerful orchestra, 

commanding inexhaustible resources 

of tone colour, against which the small, 

inconspicuous, but intelligent opponent 

pits its all and triumphs—provided the pianist 

is talented!’ 

Variations on an Original Theme, 

"Enigma," Op.36 (1898-1899) 

Edward Elgar (1857–1934) 

I. Theme 

II. 

CAE (Var.1) 

III. HDS-P (Var.2) 

IV. RBT (Var.3) 

V. WMB (Var.4) 

VI. RPA (Var.5) 

VII. Ysobel (Var.6) 

VIII. Troyte (Var.7) 

IX. WN (Var.8) 

X. Nimrod (Var.9) 

XI. Dorabella (Var.10) 

XII. GRS (Var.11) 

XIII. BGN (Var.12) 

XIV. ***(Var.13) 

XV. EDU (Var.14) 

Edward Elgar’s output during the 1890s, 

save for the delightful Serenade for Strings 

(1892), was dominated by choral music, including 

the two oratorios, The Black Knight, 

and The Light of Life. Despite their relative 

success, Elgar still urgently sought the recognition 

that could only be won by an indisputable 

masterpiece. In 1899 he effectively 

hit the jackpot with his Variations on an 

Original Theme ("Enigma"), the instant success 

of which ensured that he went into the 


new century an international celebrity. 

The Variations are in effect a series of 

character portraits dedicated ‘To my friends 

pictured within’. Elgar began the work with 

the most humorous of intentions: ‘I’ve written 

what I think they [his friends] would 

have written, if they were asses enough to 

compose.’ Yet, as he later pointed out, he 

‘continued in deep seriousness’. Not all is 

deep introspection, however, as is hilariously 

illustrated by Elgar's tone-deaf architect 

friend’s valiant attempts at playing the 

piano (Variation 7, Troyte Griffith), and his 

fond portrait of George Robertson Sinclair’s 

bulldog (Variation 11) as it falls in the River 

Wye and scrambles to get back out again. 

Hew David Steuart-Powell’s habit of running 

his fingers over the piano keys as a prelude 

to chamber music sessions with Elgar and 

friends is also gently sent-up in Variation 2. 

The more cryptic headings for each 

variation were successfully decoded long 

ago—the ravishing Nimrod variation (No.9), 

for example, alludes to Elgar’s publisher at 

Novello, August Jaeger (‘Jaeger’ in German 

means ‘hunter’, hence the reference to the 

Biblical ‘Nimrod’). Variation 13 is marked 

purely with asterisks, and many now believe 

that they refer to one Helen Weaver, a music 

student to whom Elgar was once engaged 

and utterly heartbroken at losing. Elgar 

and his wife also make appearances at 

opposite ends of the work: Variation 1 is 

headed C.A.E. (Caroline Alice Elgar), and 

the rip-roaring finale (Variation 14) E.D.U. 

(Elgar himself). 

Rather more perplexing is the ‘Enigma’ 

Edward Elgar 

of the title which refers to a theme that apparently 

forms a ‘silent counterpoint’ to 

the one we actually hear at the beginning. 

Auld lang syne and God Save the Queen are 

particular favourites, although recent years 

have witnessed a whole series of ingenious 

solutions. Elgar himself left us almost totally 

in the dark: ‘The Enigma I will not explain 

—its “dark saying” must be left unguessed, 

and I warn you that the apparent connexion 

between the Variations and the Theme is often 

of the slightest texture; further, through 

and over the whole set, another and larger 

theme “goes” but is not played.’ 


ORCHESTRA PERSONNEL 

FIRST VIOLINS 

Duncan Riddell 

Tamás András 

Shana Douglas 

Esther Kim 

Eriko Nagayama 

Andrew Klee 

Kay Chappell 

Anthony Protheroe 

Erik Chapman 

Sophie Mather 

Imogen East 

Joanne Chen 

Patrycja Mynarska 

Rosemary Hinton 

Caroline Frenkel 

Judith Choi-Castro 

SECOND VIOLINS 

Andrew Storey 

David O'Leary 

Jennifer Christie 

Charlotte Ansbergs 

Jennifer Dear 

Peter Graham 

Stephen Payne 

Manuel Porta 

Sali-Wyn Ryan 

Siân McInally 

Nicola Hutchings 

Joanna Watts 

Nicole Crespo 

O'Donoghue 

Sarah Thornett 

VIOLAS 

Abigail Fenna 

Liz Varlow 

Ugne Tiškuté 

Chian Lim 

Esther Harling 

Jonathan Hallett 

Triona Milne 

Clive Howard 

Raymond Lester 

Joseph Fisher 

Pamela Ferriman 

Rebecca Carrington 

CELLOS 

Richard Harwood 

Jonathan Ayling 

Chantal Webster 

Roberto Sorrentino 

Jean-Baptiste Toselli 

William Heggart 

Rachel van der Tang 

Naomi Watts 

Anna Stuart 

George Hoult 

DOUBLE BASSES 

Colin Paris 

David Gordon 

Benjamin Cunningham 

Ben Wolstenholme 

Mark O'Leary 

Marianne Schofield 

David FC Johnson 

Alice Durrant 

FLUTES/PICCOLOS 

Emer McDonough 

Jenny Farley 

OBOES 

John Roberts 

Timothy Watts 

CLARINETS 

Sonia Sielaff 

James Gilbert 

BASS CLARINET 

Katy Ayling 

E-FLAT CLARINET 

James Gilbert 

BASSOONS 

Richard Ion 

Emma Harding 

CONTRABASSOON 

Fraser Gordon 

FRENCH HORNS 

Alexander Edmundson 

Christopher Gough 

Finlay Bain 

Andrew McLean 

Flora Bain 

TRUMPETS 

Jason Evans 

Mike Allen 

Adam Wright 

TROMBONES 

Matthew Gee 

Matthew Knight 

BASS TROMBONE 

Josh Cirtina 

TUBA 

Kevin Morgan 

TIMPANI 

Christopher Ridley 

PERCUSSION 

Stephen Quigley 

Martin Owens 

Gerald Kirby 

Richard Horne 

HARP 

Susan Blair 

MANAGEMENT 

Managing Director 

James Williams 

Business 

Development 

Director / Deputy 

Managing Director 

Huw Davies 

Finance Director 

Ann Firth 

Concerts Director 

Louise Badger 

Tours Manager 

Dawn Day 

Director of 

Community 

and Education 

(Maternity Cover) 

Lisa Rodio 

Orchestra Managers 

Jane Aebi 

Kathy Balmain 

Librarian 

Patrick Williams 

Stage Managers 

Dan Johnson 

Esther Robinson 

Assistant Stage 

Manager 

Peter Lever 

Tours Assistant 

Christopher Grieve 

Orchestra list correct at time of going to press.

I 

t was March 6, 2020 when we last gathered together at the Granada Theatre 

and CAMA was presenting an historic concert in celebration of the 100th 

anniversary of the first concert by the Los Angeles Philharmonic in Santa 

Barbara. It was a marvelous occasion—then the COVID‐19 pandemic hit only a few days 

later and concerts state- and nationwide were cancelled. 

Following the longest period of “dark stages”—19 months!—in CAMA's long history, 

we were at last able to present a special performance by Les Violons du Roy with 

mandolinist Avi Avital on October 19, 2021 at the Lobero Theatre. Not even World War II 

had caused such a prolonged interruption of CAMA’s live performances. We were thrilled 

that so many of our patrons were able to join us for the “welcome back” performance. 

We are all so delighted to be back in our theaters, continuing CAMA's long tradition of 

bringing the world’s finest classical artists to everyone in our community. 

CAMA's Board of Directors and staff thank you all who have supported CAMA over these 

past two years. Your heart-warming and generous support has enabled us to come 

through the past many months carrying the bright torch of our mission to bring the 

finest in classical music to our community. We are most sincerely grateful. 

Avi Avital performing with Les Violons du Roy at the Lobero Theatre for CAMA ⫽ October 19, 2021 

Photo by David Bazemore

CENTENNIAL CIRCLE 

CRESCENDO 

$250,000–$500,000 

Bitsy & Denny Bacon and The Becton Family Foundation 

Robert & Christine Emmons 

The Elaine F. Stepanek Foundation 

CADENZA 

$100,000–$249,000 




The Samuel B. & Margaret C. Mosher Foundation 

SAGE Publishing 

George & Judy Writer 

RONDO 

$50,000–$99,999 

Anonymous 

Marta Babson 

Deborah & Peter Bertling 


Dan & Meg Burnham 

NancyBell Coe & William Burke 

Jill Felber & Paul A. Bambach 

Herbert & Elaine Kendall 

Lois Sandra Kroc 


Mari & Hank Mitchel 


Northern Trust 

Michele & Andre Saltoun 

The Walter J. & Holly O. Thomson Foundation 

Patricial Yzurdiaga 

Cumulative Centennial Celebration Gifts of $50,000 and above include Centennial Circle membership. 

October 2018–May 2020

LIFETIME GIVING 

DIAMOND CIRCLE 

$500,000 and above 



Suzanne & Russell Bock 

Linda Brown* 

The Andrew H. Burnett 


Esperia Foundation 

The Stephen & Carla Hahn 




Mary Lloyd & Kendall Mills 





Elaine & Edward Stepanek 

The Towbes Fund for the 

Performing Arts 

SAPPHIRE CIRCLE 

$250,000–$499,999 

The CAMA Women's Board 


Ann Jackson Family Foundation 


The Walter J. & Holly O. Thomson 


Wood-Claeyssens Foundation 

Patricia & Joseph Yzurdiaga 

RUBY CIRCLE 

$100,000–$249,999 

Denise & Stephen Adams/Adams 

Family Foundation 

Hollis Norris Fund 




Janet & Thomas Kelly/Winona 

Fund 

Virginia Castagnola-Hunter 


Léni Fé Bland 

Mary & Raymond Freeman 

George H. Griffiths and Olive J. 

Griffiths Charitable Fund 

Raye & Melville H. Haskell, Jr. 

Dolores M. & Immanuel Hsu 

Shirley Ann & James H. Hurley, Jr. 

Shirley & Seymour Lehrer 

John & Lucy Lundegard 


Mr. & Mrs. Frank R. Miller, Jr./ 

The Henry E. & Lola Monroe 


Montecito Bank & Trust 



Kathleen & John Moseley/The 

Nichols Foundation 

Nancy & William G. Myers 


Santa Barbara Bank & Trust 

Santa Barbara Foundation 

Jan & John G. Severson 

Judith F. & Julian Smith 

Jeanne C. Thayer 

Marilyn & H.Wallace Vandever 

Wallis Foundation 

Nancy & Byron Kent Wood 


EMERALD CIRCLE 

$50,000–$99,999 

Anonymous (3) 

Ruth Appleby 

Marta Babson 

Helene & Jerry Beaver 

Linda & Peter Beuret 

Edward & Sue Birch 

Bob Boghosian & Beth Gates- 

Warren 

Elizabeth & Andrew Butcher 

Louise & Michael Caccese 

Jane & Jack Catlett 

Roger & Sarah Chrisman, 

Schlinger Chrisman Foundation 

Bridget & Robert Colleary 

Suzanne & Maurice Faulkner 



Sherry & Robert Gilson 

Janette "Dotsy" Main Hellmann 

& Richard Hellmann 

Joanne C. Holderman 

Natalia & Michael Howe 

Hutton Parker Foundation 

Ellen & Peter Johnson 

Elizabeth Karlsberg & Jeff Young 

Lynn P. Kirst & Lynn R. Matteson 


Betty & Max Meyer 


Craig & Ellen Parton 

Austin H. Peck 

Marjorie & Hugh Petersen 

Diana & Roger Phillips 

Theodore Plute & Larry Falxa 

Lady Leslie & Viscount Paul 

Ridley-Tree 

SB County Office of Arts 

& Culture 

The Shanbrom Family Foundation 

Barbara & Sam Toumayan 

Carrie Towbes and John Lewis 

TOPAZ CIRCLE 

$25,000–$49,999 

Anonymous 

Peggy & Kurt Anderson 

Barbara & Edward Bakewell 

Helen & Andrew Burnett 

California Small Business Relief 

Program 

Huguette Clark 

Cecelia & Leonard Dalsemer 

Edward DeLoreto and William 

DeLoreto 

Patricia & Larry Durham 

Frederika & Dennis Emory 

Nancyann & Robert Failing 

Rosalind Amorteguy-Fendon & 

Ronald Fendon 

Priscilla & Jason Gaines 

Preston B. & Maurine M. Hotchkis 


The George Frederick Jewett 


Patricia Kaplan 

Jill Dore Kent 

Otto Korntheuer/The Harold L. 

Wyman Foundation

LIFETIME GIVING 

Laura & Robert Kuhn 

Chris Lancashire & Catherine Gee 

Lillian & Jon Lovelace 

Leatrice & Eli Luria 

Marilyn & Frank Magid 

Ruth McEwen 

Frank McGinity 

Mary & James Morouse 

Pat Hitchcock O'Connell 

Efrem Ostrow Living Trust 

The Outhwaite Foundation 

Carolyn & Ernest Panosian 

Performing Arts Scholarship 


John & Ellen Pillsbury 

William H. Kearns Foundation 

Mary Dell Pritzlaff & John Pritzlaff 

Mary Louise & Kenneth W. Riley 

Dorothy Roberts 

City of Santa Barbara 

Anitra & Jack Sheen 

Linda Stafford Burrows 

Marion Stewart 

Irene & Robert Stone/Stone 


Ina & Martin Tornallyay 

Steven Trueblood 

Carol & Edward R. Valentine 

Susie & Hubert Vos 

Marjorie K. & Roderick S. Webster 

Westmont College 

Ann & Dick Zylstra 

AMETHYST CIRCLE 

$10,000–$24,999 

Rebecca & Peter Adams 

Christina & David Allison 

Bernice & Mortimer Andron 

Sally & Robert Arthur 

Marjorie & J.W. Bailey 

Else Schilling Bard 

Joan C. Benson 

Leslie & Philip Bernstein 

Frank Blue & Lida Light Blue 

Toos & Erno Bonebakker 

Shelley & Mark Bookspan 

Cynthia Brown & Arthur Ludwig 

Suzanne & Peyton Bucy 

The CAMA Fellows 

Margo & Charles Chapman 

Chubb Sovereign 

Carnzu Clark 

Stephen Cloud 

Nan Burns & Dr. Gregory Dahlen 

Karen Davidson, M.D. 

Elizabeth & Kenneth Doran 

Julie & William Esrey 

Audrey Hillman Fisher 


David W. Fritzen/DWF Magazines, 

DWF Media International 

Catherine H. Gainey 

Tish Gainey & Charles Roehm 

Dorothy & John Gardner 

Kay & Richard Glenn 

Corinna Gordon, Larry Dale 

Gordon 

Dorothy & Freeman Gosden 

Grace Jones Richardson Trust 

Dianne & Robert S. Grant 

Beverly & Bruce Hanna 

Dolores & Robert Hanrahan 

Lorraine C. Hansen 

Margret & David F. Hart 

Betty & Stan Hatch 

Renee & Richard Hawley 

Ruth & Alan Heeger 

Mary & Campbell Holmes 

Jackie Inskeep 

Glenn Jordan & Michael Stubbs 

Martha & Peter Karoff 

Connie & Richard Kennelly 

Mahri Kerley/Chaucer's Books 

Linda & Michael Keston 

Kum Su Kim 

MaryAnn & Frederick Lange 

Dodie Little 

Ruth & John Matuszeski 

Dona & George McCauley 

Jayne Menkemeller 

Sally & George Messerlian 

Keith W. Moore 

Maryanne Mott & Herman Warsh 

Sybil & Russell Mueller 

Myra & Spencer Nadler 

Karin Nelson & Eugene Hibbs/ 

Maren Henle 

Fran & John Nielsen 

Ellen Lehrer Orlando & Thomas 

Orlando 

Joanne & Alden Orput 

Mr. & Mrs. Charles W. Partridge 

John Perry 

Patricia & Carl Perry 

Justyn & Ray Person 

Susan & James Petrovich 

Ann M. Picker 

Anne & C.Wesley Poulson 

Susannah Rake 

Jaquelin & Frank Reed 

Jack Revoyr 

Regina & Rick Roney 

Rebecca Ross 

Betty Barrett & John Saladino 

William E. Sanson 

Maryan & Richard Schall 

Nancy & William Schlosser 

Pat & Roby Scott 

Dody Waugh & Eric Small 

Sally & Jan E.G. Smit 

Constance & C.Douglas Smith 

Barbara & Wayne Smith 

Betty J. Stephens 

Diane & Selby Sullivan 

The Godric Foundation 

Joseph Thomas 

Milan E. Timm 


Drs. Shirley & Kenneth Tucker 

Barbara & Gary Waer 

Nick & Patty Weber 

Dr. Robert W. Weinman 

Victoria & Norman Williamson 

Lisa Bjornsen Wolf & David 

Russell Wolf 

Charles and Merryl Snow Zegar 

*promised 

Gifts received by December 13, 2021

MOZART SOCIETY 

CAMA’s mission is to enrich Santa Barbara’s cultural life by bringing live performances by worldrenowned 

classical artists and orchestras of the highest artistic excellence to our community 

and by providing creative, focused music education programs for individuals of all ages. 

CAMA thanks and honors the following members of the CAMA community who have 

contributed to CAMA’s Endowment. A commitment to CAMA’s Endowment ensures the 

success of CAMA’s next 100 years. Gifts at every level are deeply appreciated. 

James H. Hurley and Judith L. Hopkinson 

Co-Chairs Endowment 

CONDUCTOR'S CIRCLE 



Linda Brown* 


Elaine Stepanek 

Esperia Foundation 

CRECENDO CIRCLE 

$250,000–$499,999 



The Andrew H. 

Burnett Foundation 





CADENZA PATRONS 

$100,000–$249,999 


The Stephen & Carla 

Hahn Foundation 


Nancy & William G. Myers 

Jan Severson 


The Towbes Fund for 

the Performing Arts 


RONDO PATRONS 

$50,000–$99,999 

Ruth Appleby 



Dr. Dolores M. Hsu 


The Samuel B. & Margaret C. 


Santa Barbara Bank & Trust 


CONCERTO PATRONS 

$25,000–$49,999 

Jane Catlett 

Bridget B. Colleary 

Suzanne Faulkner 

Léni Fé Bland 



Hutton Parker Foundation 


Mr. & Mrs. Frank R. Miller, Jr./ 



Efrem Ostrow Living Trust 







SONATA PATRONS 

$10,000–$24,999 

Anonymous 


Denise & Stephen Adams/ 

Adams Family Foundation 

Marta Babson 

Else Schilling Bard 



Bob Boghosian & 

Beth Gates-Warren 




Margo Chapman 





& Ronald Fendon 



Sherry & Robert Gilson 


Mary & Campbell Holmes 

Patricia Kaplan 

Winona Fund 


Lynn P. Kirst 

Laura Kuhn 

John Lundegard 

Keith Moore 

Jayne Menkemeller 

Betty Meyer 

Mary & James Morouse 


Pat Hitchcock O'Connell 

John Perry 

Marjorie & Hugh Petersen 


Susannah Rake 



Sally & Jan E.G. Smit 

Constance Smith 



Betty J. Stephens 


Marilyn Vandever 


David & Lisa Wolf 

*promised 

Gifts received by December 13, 2021

LEGACY SOCIETY 







Linda Brown 



Jane Catlett 





& Ronald Fendon 








Dr. Dolores M. Hsu 




Lynn P. Kirst 


John Lundegard 

Keith Moore 






Andre & Michele Saltoun 




Marilyn Vandever 



Gifts received by December 13, 2021 

We gratefully acknowledge all CAMA Mozart Society and Legacy 

Society members for their gifts to CAMA’s endowment, ensuring 

CAMA’s mission to bring the world’s greatest classical artists to 

Santa Barbara for years to come. 

Thank you

INTERNATIONAL CIRCLE 

Anonymous (4) 

Sylvia Abualy 

Catherine L. Albanese 

Todd & Allyson Aldrich Family 

Charitable Fund 

Jane & Kenneth Anderson 

Peggy & Kurt Anderson 

Argonaut Charitable Foundation 

Marta Babson 

Bitsy & Denny Bacon and The 

Becton Family Foundation 

Becky & William Banning 

Ms. Isabel Bayrakdarian 

Helene Beaver 

Bitsy & Denny Bacon and The 

Becton Family Foundation 



Jerry & Geraldine Bidwell 



Bob Boghosian & Beth Gates- 

Warren 

Shelley & Mark Bookspan 

Diane Boss 


Cynthia Brown & Arthur Ludwig 

Wendel Bruss 

Suzanne & Peyton Bucy 

Barbara Burger & Paul Munch 

Alison H. Burnett 


Karen Bushnell 


Louise & Michael Caccese 

Annette & Richard Caleel 


Susan & Claude Case 


Roger & Sarah Chrisman, 

Schlinger Chrisman Foundation 

Patricia Clark 

Lavelda & Lynn Clock 

Stephen Cloud 

Betsy & Kenneth Coates 

NancyBell Coe & Bill Burke 


Joan & Steven Crossland 

Gregory Dahlen III & Christi 

Walden 

Jan Davis-Hadley 

Janet Davis 

Sheryl & Michael DeGenring 

Edward S. DeLoreto 

Diane L. Dodds 

Margaret & Ronald Dolkart 

Nancy Donaldson 

Elizabeth & Kenneth Doran 

Glenn and Karen Doshay 

Ann & David Dwelley 

Wendy & Rudy Eisler 

Julia Emerson 


Frederika & Dennis Emory 

Nancy Englander 

Lois Erburu 

Thomas & Doris Everhart 


Bob & Margo Feinberg 


Rosalind Amorteguy-Fendon & 

Ronald Fendon 



Catherine H. Gainey 

Tish Gainey & Charles Roehm 


Dorothy & John Gardner 


George H. Griffiths and Olive J. 

Griffiths Charitable Fund 

The Stephen & Carla Hahn 


David Hamilton 


Renee & Richard Hawley 

Maison K 

Kevin Hess 

Barbara Hirsch 

Ronda & Bill Hobbs 

Gerhart Hoffmeister 


Hollis Norris Fund 


Natalia & Michael Howe 


Jackie Inskeep 

Ann Jackson Family Foundation 

Karin Jacobson & Hans Koellner 

Gina & Joseph Jannotta 

Diane Johnson 

Ellen & Peter Johnson 

Glenn Jordan & Michael Stubbs 

Gerd & Peter Jordano 

Elizabeth Karlsberg & Jeff Young 


James P. Kearns 


Connie & Richard Kennelly 

Jill Dore Kent 

Kum Su Kim & John Perry 

Sally Kinney 

Lynn P. Kirst 

Thomas & Travis Kranz 


Chris Lancashire & Catherine Gee 

Stefanie L. Lancaster Charitable 


Francis and Stefanie Lancaster 

MaryAnn Lange 

Elinor & James Langer 


INTERNATIONAL CIRCLE 

Kathryn Lawhun & Mark Shinbrot 

Shirley & Seymour Lehrer 

Dodie Little 

Christie & Morgan Lloyd 

Nancy & James Lynn 

Gloria & Keith Martin 

Maureen Masson 

Phyllis Brady & Andy Masters 

Ruth & John Matuszeski 

Donald & Karine McCall 

Dona & George McCauley 


Jeffrey McFarland 

Frank McGinity & Debbie Geremia 

Patriicia & William McKinnon 


Sally & George Messerlian 



Robert Miller & Susie Triolo Miller 





Peter L. Morris 

The Samuel B. & Margaret C. 


Maryanne Mott 

Russell Mueller 

Mrs. Raymond King Myerson 

Karin Nelson & Eugene Hibbs/ 

Maren Henle 

Fran & John Nielsen 


Ellen Lehrer Orlando & Thomas 

Orlando 

Gail Osherenko & Oran Young 

Patti Ottoboni 

Anne & Daniel Ovadia 


Carol & Kenneth Pasternack 

Samuel F. Pellicori 

Performing Arts Scholarship 


Patricia & Carl Perry 


Ann M. Picker 


Minie & Hjalmar Pompe van 

Meerdervoort 

Carol & Edward Portnoy 


Donald Rink 

The Roberts Brothers Foundation 

Dorothy Roberts 

Regina & Rick Roney 

Merlin Rossow 



Ada B. Sandburg 

William E. Sanson 


City of Santa Barbara 

Lynn & Mark Schiffmacher 

Nancy Schlosser 

The Shanbrom Family Foundation 

Maureen & Les Shapiro 


Halina W. Silverman 

Dody Waugh & Eric Small 

Paul & Delia Smith 


Barbara & Wayne Smith 




Marion Stewart 

Irene & Robert Stone/Stone 


Elaine & Robert Sweet 

Pamala Temple 

Suzanne Holland & Raymond 

Thomas 



Milan E. Timm 


TheTowbes Fund for the 

Performing Arts, a field of 

interest fund of the 

Bicky Townsend 


Steven Trueblood 

Dr. Shirley Tucker 

Carol Vernon & Robert Turbin 

Department of Music, University 

of California, Santa Barbara 

Hubert Vos 

Esther & Tom Wachtell 


Sheila Wald 

Nick & Patty Weber 

Dr. Robert Weinman 

Judy L Weisman 


Victoria & Norman Williamson 

Winona Fund 

Wood-Claeyssens Foundation 



Grace & Edward Yoon 

Patricia Yzurdiaga 

Katina Zaninovich 

Zegar Family Fund 

Cheryl & Peter Ziegler 

Ann & Dick Zylstra 



MUSICIANS SOCIETY 

BENEFACTORS 

$500–$999 

Catherine L. Albanese 

Barbara Burger and Paul Munch 

Sandy and Jerry Gothe 

Dr. Hsiu-Zu Ho & 

Dr. William A. Below 

Edward O. Huntington 

James and Stephanie Ingraham 

Sue Larsen 

Phyllis Brady & Andy Masters 

Julia & Arthur Pizzinat 

Monica Romero 

Michael and Nancy Sheldon 

Taka Yamashita 

CONTRIBUTORS 

$250–$499 

Helen Arnold 

Jyl & Allan Atmore 

Howard A. Babus 

Lance and Judy Boyd 

Maggy Cara 

Edith M. Clark 

Michael & Ruth Ann Collins 

Meg & Jim Easton 

Claudette & Gene Geller 

Nancy & Frederic Golden 

Robert L. Grant 

Marie-Paule & Laszlo Hajdu 


Lorna S. Hedges 

David and Linda James 

Debbie & Frank Kendrick 

Christine & James V. McNamara 

Doug and Diane Morgan 

Carolyn & Dennis Naiman 

Maureen O'Rourke 

George Porter 

Gaines Post 

Muriel & Ian K. Ross 

Denis and Jennifer Sanan 

Naomi Schmidt 

Joan Tapper & Steven Siegel 

Beverly & Michael Steinfeld 

Heidi Stilwell 

Jerre Sumter 

Katherine Thomassin 

ASSOCIATES 

$100–$249 

Anonymous 

Peter and Mary Alden 

Barbara Bonadeo 

Margaret & David Carlberg 

Joanne & John Chere 

Marna Coday 

Pattie & Charles Firestone 

Eunice & J.Thomas Fly 

Edward Gastaldo 

Bernice & Harris Gelberg 

Ghita Ginberg 

Bradford and Ursula Ginder 

Robert Hanrahan 

Victoria Hendler 

Emmy & Fred Keller 

Anna & Petar Kokotovic 

Lady Patricia & Sir Richard 

Latham 

Catherine Leffler 

Mr. Paul Levine 

Lesli and Michael Marasco 

Ria S. Marsh 

Barbara & Ernest Marx 

Andrew Mester 

Betty Meyer 

Catherine & Kenneth Murphy 

Carol Hawkins & Larry Pearson 

Jean Perloff 

Jane Roney 

Sonia Rosenbaum 

Dr. Paul Ryack 

Alan R Schweitzer 

Laura Tomooka 

Mary H. Walsh 

Jon and Nina Warner 

Lorraine & Stephen Weatherford 

Judy & Mort Weisman 

Theresa & Julian Weissglass 

David Yager 

FRIENDS 

$10–$99 

Anne Ashmore 

Susan Badger 

Melvin and Pearl Brooks 

Polly Clement 

Amelia Dallenbach 

Margaret & Nicholas Dewey 

Sumner and Dana Fein 

Nona & Lorne Fienberg 

George and Leanne Friedenthal 

Susan & Larry Gerstein 

Elliot Gross 

Betty Harwick 

Ms. Martha Hassenplug 

Carol Hester 

Christine Hoehner 

Susan S. Johnston 

Ms. Jaclyn Maduff 

Christine Markussen 

Phillip and Pam McLendon 

Sandra and Nelson Merwizer 

Lori Kraft Meschler 

Elisabetta Riva 

Doris & Bob Schaffer 

Dr. and Mrs. Stuart L Silverman 

Julie & Richard Steckel 

Hayley Thompson 

Patricia & Edward Wallace 

Fritz and Hertha Will 



MUSIC EDUCATION 


The Walter J. & Holly O. Thomson Foundation 

$10,000–$24,999 

Ms. Irene Stone/ Stone Family Foundation 


Mr. & Mrs. Frank R. Miller, Jr. / The Henry E. & Lola Monroe Foundation 

$1,000–$9,999 

CAMA Women's Board 


Stefanie L. Lancaster Charitable Foundation 


James P. and Shirley F. McFarland Fund of the Minneapolis Foundation 

Performing Arts Scholarship Foundation 


$100–$999 

Becky & William Banning 

William S. Hanrahan 

Lynn P. Kirst 

CAMA Education Endowment Fund Income 

$10,000 AND ABOVE 

William & Nancy Myers 

$1,000–$4,999 

Linda Stafford Burrows – 

This opportunity to experience great musicians excelling is given in honor and loving memory of Frederika Voogd Burrows 

to continue her lifelong passion for enlightening young people through music and math. 

Kathryn H. Phillips, in memory of Don R. Phillips 

Walter J. Thomson/The Thomson Trust 

$50–$999 

Lynn P. Kirst 

Keith J. Mautino 

Performing Arts Scholarship Foundation 

Marjorie S. Petersen 


Volunteer docents are trained by CAMA's Education Committee Chair Joan Crossland to deliver this program to 

area schools monthly. Music enthusiasts are invited to learn more about the program and volunteer opportunities. 

Call the CAMA office at (805) 966-4324 for more information about the docent program. 


BUSINESS SUPPORTERS 

We thank the many businesses that support 

CAMA's programs and events! 

Laurel Abbott, Berkshire 

Hathaway Luxury Properties 

Alma Rosa Winey 

American Riviera Bank 

Babcock Winery 

James P. Ballantine 

Belmond El Encanto 

Bertling Law Group 

Bibi Ji 

Black Sheep Restaurant 

Blue Star Parking 

Bon Fortune Style & Events 

Brander Vineyard 

Wes Bredall 

Ca' Dario Ristorante 

Camerata Pacifica 

Casa Dorinda 

Cebada Wine 

C'est Cheese 

Chaucer's Books 

Chocolats du CaliBressan 

Chooket Patisserie 

Cottage Health System 

Custom Printing 

eji experiences 

Eye Glass Factory 

Felici Events 

Finch & Fork 

First Republic Bank 

Flag Factory of 

Santa Barbara 

Frequency Wine 

Gainey Vineyard 

Grace Design Associates 

Grassini Family Vineyards 

Grimm’s Bluff 

Colin Hayward/ 

The Hayward Group 

Steven Handelman Studios 

Hogue & Company 

Holdren's Catering 

Indigo Interiors 

Inside Wine Santa Barbara 

Islay A/V 

Kristin Jackson 

Graphic Design 

Jano Printing & Mailworks 

Jardesca 

Le Sorelle 

Lumen Wines 

Maravilla/Senior 

Resource Group 

Michael's Catering 

Microsoft ® Corporation 

Mission Security 


Montgomery Vineyard 


Oak Cottage of 

Santa Barbara 

Oceania Cruises 

Olio e Limone/Olio Crudo 

Bar/Olio Pizzeria 

Opal Restaurant & Bar 

Opera Santa Barbara 

Pacific Coast 

Business Times 

Pali Wine Co. 

Peregrine Galleries 

Performing Arts 

Scholarship Foundation 

Pete Clements Catering 

Presqu’ile Winery 

Regent Seven Seas Cruises 

Renaud's Patisserie & Bistro 

Rose Story Farm 


Santa Barbara 

Choral Society 


Santa Barbara 

Travel Bureau 

Santa Barbara Winery 

Stewart Fine Art 

The Tent Merchant 

The Upham Hotel 

UCSB Arts & Lectures 

Via Maestra 42 

Westmont Orchestra

The CAMA Women’s Board 

invites you to celebrate 

with cocktails and hors d’oeuvres at 

The Cabrillo Pavilion 

Monday 

March 21, 2022 

5:30–7:30PM 

featured speaker 

Julian Reeve, 

Music Director of the Broadway hit Hamilton, 

TED Talk speaker, and author 


(805) 966-4324 

info@camasb.org 

www.camasb.org

Sometimes, a Round of 

Applause Just Isn’t Enough. 

Northern Trust is proud to support Community Arts Music 

Association of Santa Barbara. For 130 years, we’ve been 

meeting our clients’ financial needs while nurturing a culture 

of caring and a commitment to invest in the communities we 

serve. We’re proud to play a supporting role. 

TO LEARN MORE VISIT 

northerntrust.com 

WEALTH PLANNING | BANKING | TRUST & ESTATE SERVICES | INVESTING | FAMILY OFFICE

CAMA Presents the Royal Philharmonic Orchestra ⫽ Tuesday, January 11, 2022 ⫽ International Series at the Granada Theatre, Santa Barbara ⫽ 7:30PM

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