tupilakosaurus - Print matters!
tupilakosaurus - Print matters!
tupilakosaurus - Print matters!
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Joensen immikkut qutsavigerusupparput<br />
misissuineranut, taarsigassarsiniarnernut,<br />
aningaasaateqarfinnut<br />
qinnuteqarnernut, allaffigeqatigiinnernut,<br />
angalanernut, ingerlatassanik<br />
piareersaanerni aqutsineranut assigiinngitsualuppassuarnullu<br />
amerlaqisunut<br />
nalissaqanngitsumik ikiuussimaneranut.<br />
Tiguartissimanngikkaluarpat, suliaminik<br />
ilisimasaqanngikkaluarpat uteriitsuunngikkaluarpallu<br />
pilersaarusiaq<br />
piviusunngorsimassanngikkaluarpoq.<br />
Assuttaaq qutsavigaavut sulinitsinni<br />
ikiortivut Sara Emilie Anker-Møller,<br />
Kamilla Askholm, Sofie Pil Eriksen<br />
aamma Nina Mouritzen saqqummersitsinerup<br />
piareersarnerani ikkussuunneranilu<br />
piffissaminnik akeqanngitsumik<br />
tunniussisimasut; ikkussuinermi<br />
teknikerinut saqqummersitsinerup<br />
ikkussornerani qasusueqalutik ikiuuttunut<br />
Lars Buchardt, Morten Goll, Søren<br />
Jønsson Granat, Christian Hillesø, Line<br />
Skywalker Karlström, Peter Sommerlund,<br />
Sille Storihle aamma Morten<br />
Tejlgaard; kiisalu meeqqanut ilinniutissiamik<br />
allatumut Katja Abelflindt-imut.<br />
Qamanngattaaq pisumik qutsavigaarput<br />
Kristina Ask/<strong>Print</strong> Matters!<br />
saqqummersitsinermut ilitsersuutip<br />
takoqqusaarutinullu atortussanik<br />
peqqissaarluinnarluni ilusilersuineranut;<br />
Sine Bang Nielsen aamma Annelise<br />
Nielsen atuakkat Etnoæstetik-p<br />
Ittoqqortoormiiniit Oqaluttuat nutaamik<br />
ilusilersornerinut; kiisalu Special-<br />
Trykkeriet Viborg a-s aamma Borgens<br />
Forlag naqitaannut kusanartunut.<br />
Immikkuttaaq qutsavigerusuppavut<br />
Erik Gant, Stephen Heilmann, John<br />
Kendal aamma Jessie Kleemann unamminartorujussuarmik<br />
sulisimanerannut<br />
90<br />
Arkep atuakkiaasa marluk kalaallisut<br />
tuluttullu nutsernerisigut. Angisuumittaaq<br />
qujassutissaqarfigaavut Stephen<br />
Heilmann aamma John Kendal (aappassaanik!)<br />
kiisalu Bjørn Chemnitz,<br />
Naja Møller, Sara Olsvig aamma Juana<br />
Petrussen saqqummersitsinermut ilitsersuummik<br />
nutserilluarsimanerannut<br />
kukkunersiorneranullu.<br />
Naggataagut, minnerunngitsumilli,<br />
qamannga pisumik qutsavigerusuppavut<br />
aningaasaateqarfiit, suliffeqarfiit<br />
inuillu, saqqummersitsinissamut aningaasanik<br />
tapiissuteqarsimasut:<br />
Augustinus Fonden, BildMuseet, Jarl<br />
Borgen, Borgens Forlag, Dansk Veteranbil<br />
Udlejning, Den Frie Udstillingsbygning,<br />
Det Frie Forskningsråd /<br />
Kultur og Kommunikation, Det<br />
Kongelige Grønlandsfond, Knud Højgaards<br />
Fond, Katuaq, Kulturfonden<br />
Danmark-Grønland, Kulturkontakt<br />
Nord, Københavns Billedkunstudvalg,<br />
Namminersorlutik Oqartussat kulturimut<br />
aningaasaliissutaat, Nationalmuseet,<br />
Novo Nordisk Fonden, Nunatta<br />
Katersugaasivia Allagaateqarfialu,<br />
Ny Carlsbergfondet, OAK Foundation<br />
Denmark, Sonning-Fonden, Statens<br />
Kunstråds Billedkunstudvalg, Statens<br />
Kunstråds Litteraturudvalg aamma<br />
Svensk-danska kulturfonden.<br />
Kuratorisk Aktion<br />
Acknowledgements<br />
TUPILAKOSAURUS: Pia<br />
Arke’s Issue with Art, Ethnicity,<br />
and Colonialism, 1981-2006<br />
was only able to develop into<br />
its present form thanks to a<br />
large number of people, institutions,<br />
and foundations to whom<br />
we are forever indebted.<br />
First and foremost, we would<br />
like to express our heart-felt<br />
gratitude to Søren Arke, heir<br />
to Pia Arke’s estate, for granting<br />
us access to her files and<br />
works. Without his confidence<br />
and generosity, this exhibition<br />
would not have been possible.<br />
Also a big thank-you to<br />
Michael Peter-sen and Anette<br />
Korsgaard Lauritsen and to<br />
Annette and Jørgen Gant for<br />
opening up their home to us<br />
and patiently answering all<br />
sorts of questions.<br />
We also want to express our<br />
sincere gratitude to all the<br />
board members of the Pia<br />
Arke Society, whose insightfulness<br />
helped us recognize<br />
a number of strengths and<br />
weaknesses in the project<br />
when conceptualizing it: Tine<br />
Bryld, Erik Gant, Pernille<br />
Kløvedal Helweg, Stefan<br />
Jonsson, Carsten Juhl, Mette<br />
Jørgensen, and Elin Schmidt.<br />
Special thanks are due to<br />
chairman Jarl Borgen for<br />
formalizing the society and<br />
sharing information.<br />
We also want to warmly thank<br />
all the people and institutions,
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