læs bogen her - Den Frie

other artists. We heard so many things, and we chose
not to interrupt because we made a deliberate choice
not to interact.
It would be interesting to evaluate all this: what did
we experience afterwards and what was the critique,
after not having curation? Maybe we should send a letter
you
happened?” Because there were a lot of things that
discussing even more in the aftermath.
Pind:
that we seem to have the same problem in Toves Galleri.
We have no leadership or I try not to be the leader there,
over. Maybe people are too polite, or maybe we are used
use the space. But, in response to what you said, I would
say that if you wanted to have more chaos, then yes,
structure. You should just have made a hardcore concept
saying: ”here is a map. Draw a cross where you want your
something. In Toves Galleri I urge people to be egoistic,
way to bring everybody forward, but people respond
by saying: ”oh, can you do that? Is it actually OK to be
Danish thing.
GH:
are not any big prima donna shows going on. We are
nobody steals other peoples’ projects. So, it means that
we have a really good environment to discuss art in and
exciting. It creates a good atmosphere. Of course it is
JH:
exhibition, a big potential chaos, which is really nice.
KJS: It is also a question of how you see an artist group
hand have stereotypical and conservative ways of
many forms of artist groups and battles here too? At Den
Frie Centre of Contemporary Art we are really interested
i-noor as an artist group, or encircling Koh-i-noor as a
even though you may not see yourself as a collective.
MJ: Over the years you have found a way to brand
yourselves as artists or as an artist group. So even though
you might not share even artistic interests as individuals,
you clearly manage to create or communicate an
artists, if you do not want to relate to the traditional
on the one hand you have ‘nothing in common’, but on
the other hand you clearly have been able to present an
alternative.
JH:
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