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COFFEE TABLE PARTICIPANTS:<br />

JENS AXEL BECK Visual Artist and member of Koh-i-noor<br />

JACOB BORGES Visual Artist and member of Koh-i-noor<br />

JESPER CARLSEN Visual Artist and member of Koh-i-noor<br />

GUDRUN HASLE Visual Artist and member of Koh-i-noor<br />

NIELS HENRIKSEN Art Historian<br />

JONN HERSCHEND Visual Artist<br />

HEIDI HOVE Visual Artist and member of Koh-i-noor<br />

STINE MARIE JACOBSEN Visual Artist and member of Koh-i-noor<br />

MERETE JANKOWSKI Rector at Funen Art Academy<br />

KIRSE JUNGE-STEVNSBORG Artistic Director at <strong>Den</strong> <strong>Frie</strong> Centre of Contemporary Art<br />

PIND<br />

LEA PORSAGER Visual Artist and member of Koh-i-noor<br />

ACCUMULATION: CHAOS OR<br />

COORDINATION?<br />

Gudrun Hasle (GH): We got invited by <strong>Den</strong> <strong>Frie</strong> Centre<br />

of Contemporary Art to do a show and we had a lot of<br />

discussions about how we should do it, because we do<br />

not see ourselves as an artist group. We see ourselves<br />

more as running an alternative project w<strong>her</strong>e we give<br />

<br />

lesser opportunities <strong>her</strong>e in Copenhagen. So that is sort<br />

of how we see ourselves. We are all very individual and<br />

that was also how Koh-i-noor was made. The discussion<br />

<br />

ended up with a concept w<strong>her</strong>e two members of Koh-<br />

<br />

<br />

the idea about how Koh-i-noor is functioning. We each<br />

invited two artists and they each invited one more<br />

person to be in the show. So in total we were 40 artists<br />

in the show and the members of Koh-i-noor were also<br />

<br />

<br />

picture of our individual connections spread out wide.<br />

The way we designed and curated the show was in the<br />

8<br />

end with the idea of accumulation as a turning point, and<br />

<br />

<br />

John Herschend (JH): Does the theme “accumulation”<br />

encounter the selection of artists and the installation of<br />

the exhibition, or is that different?<br />

GH: It has been a problem, and we had a lot of problems in<br />

curating the show, especially with concept development<br />

and planning, because we wanted it to be free. One of<br />

the most important things in the show and in Koh-i-noor<br />

<br />

and not us as curators. It was important to create space<br />

for the art and the artists, and not so much for the<br />

curation of the show. When you go through the show the<br />

<br />

Jesper Carlsen (JC): I am quite happy about this project<br />

because the format is so free, and does not dictate the<br />

artists, and thus we could all commit to the project in all<br />

<br />

<br />

being curators. One member curates and has control over

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