læs bogen her - Den Frie
læs bogen her - Den Frie
læs bogen her - Den Frie
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COFFEE TABLE PARTICIPANTS:<br />
JENS AXEL BECK Visual Artist and member of Koh-i-noor<br />
JACOB BORGES Visual Artist and member of Koh-i-noor<br />
JESPER CARLSEN Visual Artist and member of Koh-i-noor<br />
GUDRUN HASLE Visual Artist and member of Koh-i-noor<br />
NIELS HENRIKSEN Art Historian<br />
JONN HERSCHEND Visual Artist<br />
HEIDI HOVE Visual Artist and member of Koh-i-noor<br />
STINE MARIE JACOBSEN Visual Artist and member of Koh-i-noor<br />
MERETE JANKOWSKI Rector at Funen Art Academy<br />
KIRSE JUNGE-STEVNSBORG Artistic Director at <strong>Den</strong> <strong>Frie</strong> Centre of Contemporary Art<br />
PIND<br />
LEA PORSAGER Visual Artist and member of Koh-i-noor<br />
ACCUMULATION: CHAOS OR<br />
COORDINATION?<br />
Gudrun Hasle (GH): We got invited by <strong>Den</strong> <strong>Frie</strong> Centre<br />
of Contemporary Art to do a show and we had a lot of<br />
discussions about how we should do it, because we do<br />
not see ourselves as an artist group. We see ourselves<br />
more as running an alternative project w<strong>her</strong>e we give<br />
<br />
lesser opportunities <strong>her</strong>e in Copenhagen. So that is sort<br />
of how we see ourselves. We are all very individual and<br />
that was also how Koh-i-noor was made. The discussion<br />
<br />
ended up with a concept w<strong>her</strong>e two members of Koh-<br />
<br />
<br />
the idea about how Koh-i-noor is functioning. We each<br />
invited two artists and they each invited one more<br />
person to be in the show. So in total we were 40 artists<br />
in the show and the members of Koh-i-noor were also<br />
<br />
<br />
picture of our individual connections spread out wide.<br />
The way we designed and curated the show was in the<br />
8<br />
end with the idea of accumulation as a turning point, and<br />
<br />
<br />
John Herschend (JH): Does the theme “accumulation”<br />
encounter the selection of artists and the installation of<br />
the exhibition, or is that different?<br />
GH: It has been a problem, and we had a lot of problems in<br />
curating the show, especially with concept development<br />
and planning, because we wanted it to be free. One of<br />
the most important things in the show and in Koh-i-noor<br />
<br />
and not us as curators. It was important to create space<br />
for the art and the artists, and not so much for the<br />
curation of the show. When you go through the show the<br />
<br />
Jesper Carlsen (JC): I am quite happy about this project<br />
because the format is so free, and does not dictate the<br />
artists, and thus we could all commit to the project in all<br />
<br />
<br />
being curators. One member curates and has control over