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Chrysanthemum_20

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Chrysanthemum Nr. 20. Oktober 2016 84<br />

Gabriele Hartmann<br />

Monogram<br />

It is getting colder. There should be even snow in the mountains. But the rain remains<br />

rain. Within sight of the Vézère — the rustle of leaves.<br />

He transmits the carefully crafted text into the laptop, cuts back to regular length,<br />

fills the first card with blazing words, squeezes great artifacts into tiny letters:<br />

Lascaux II, the horse that lies on its back.<br />

He copies the second card from the first, the third from the second, at the fourth,<br />

he notices that one of the phrases has become a life of its own. What could have<br />

belonged to a sheep, shall now be one of its own. A difference so fine that the<br />

sheep remains unsettled at the beginning of the line.<br />

“Goats,” she says, “and deer. No sheep.”<br />

In this manner, on the fifth card, the almost sheep mutates into a deer. On its back<br />

there is now a cow.<br />

“Horse”, she says. He sighs. In addition, the fifth card is smaller than the previous<br />

ones, and no space is left for the greeting. “G.” fits in just yet.<br />

“If you had left out the cow, your friends would at least know what sheep sent<br />

them a postcard. Now they might think I did.”<br />

Same initials<br />

a small<br />

stolen spoon<br />

The sixth card is addressed to the recently widowed cousin. A shorter text between<br />

the words space for compassion.<br />

Chrysanthemum No. 20. October 2016 84

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