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Chrysanthemum_20
Chrysanthemum_20
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Chrysanthemum Nr. 20. Oktober 2016 84<br />
Gabriele Hartmann<br />
Monogram<br />
It is getting colder. There should be even snow in the mountains. But the rain remains<br />
rain. Within sight of the Vézère — the rustle of leaves.<br />
He transmits the carefully crafted text into the laptop, cuts back to regular length,<br />
fills the first card with blazing words, squeezes great artifacts into tiny letters:<br />
Lascaux II, the horse that lies on its back.<br />
He copies the second card from the first, the third from the second, at the fourth,<br />
he notices that one of the phrases has become a life of its own. What could have<br />
belonged to a sheep, shall now be one of its own. A difference so fine that the<br />
sheep remains unsettled at the beginning of the line.<br />
“Goats,” she says, “and deer. No sheep.”<br />
In this manner, on the fifth card, the almost sheep mutates into a deer. On its back<br />
there is now a cow.<br />
“Horse”, she says. He sighs. In addition, the fifth card is smaller than the previous<br />
ones, and no space is left for the greeting. “G.” fits in just yet.<br />
“If you had left out the cow, your friends would at least know what sheep sent<br />
them a postcard. Now they might think I did.”<br />
Same initials<br />
a small<br />
stolen spoon<br />
The sixth card is addressed to the recently widowed cousin. A shorter text between<br />
the words space for compassion.<br />
Chrysanthemum No. 20. October 2016 84