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WE LOVE SALZBURG, Wirtschaftsmagazin, Lifestyle Magazin, Salzburger Wirtschaft

WE LOVE SALZBURG, Wirtschaftsmagazin, Lifestyle Magazin, Salzburger Wirtschaft

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Under the direction of the conductor Richard Strauss, the Vienna<br />

Philharmonic played 85 concerts and numerous operas<br />

in Vienna before their debut performance at the Salzburg Festival<br />

in 1922. Between 1933 and 1937 one of the most important<br />

orchestral conductors in the world at that time, Arturo<br />

Toscanini, conducted in Vienna and at the Salzburg Festival.<br />

Toscanini was known for his bad temper, and snapped so<br />

many batons during his time that his enterprising assistant<br />

Walter von Hoesslin collected them and later sold them to<br />

American tourists as souvenirs. The young assistant had<br />

been recommended to Toscanini by Max Reinhardt, who later<br />

became the stage designer and co-founder of the Bregenzer<br />

Festspiele.<br />

In 1938, the National Socialists dismissed all Jewish artists<br />

from the Vienna State Opera. The Vienna Philharmonic association<br />

was overseen by propaganda Minister Joseph Goebbels<br />

under the authority of the Ministry of Public Enlightenment and<br />

Propaganda. This meant that conductors could no longer be<br />

freely appointed and performances abroad were restricted.<br />

The period following the annexing of Austria is documented<br />

in detail in the book, ‘Orchestrated Expulsion. The unwanted<br />

Viennese Philharmonic – persecution, murder and exile’ by<br />

Fritz Trümpi and Bernadette Mayrhofer. The ‘modern era’ of<br />

the ‘ambassadors of Austria’ began after 1945. Since then, the<br />

world‘s best conductors have collaborated with the orchestra,<br />

such as Claudio Abbado, Leonard Bernstein, Nikolaus Harnoncourt,<br />

Herbert von Karajan, Zubin Mehta, Riccardo Muti, Seji<br />

Ozawa and Franz Welser-Möst. Since 1997, women have also<br />

been able to become members of the orchestra.<br />

Salzburg honoured ‘its’ Philharmonic in 1968 by naming a street<br />

after it in the old town. The Philharmonic was nationally honoured<br />

in 1988 with the issues of the special Vienna Philharmonic gold<br />

coin. Since 2005, the Vienna Philharmonic’s Angelika-Prokopp<br />

Summer academy has been held every year during the Salzburg<br />

Festival to train and support the next generation of musicians.<br />

The orchestra invests heavily in charity work. For Andreas<br />

Grossbauer, Chairman of the Vienna Philharmonic, social responsibility<br />

is a special concern. ‘We feel we have a responsibility<br />

– in addition to our artistic work – to set an example by<br />

making a positive contribution.’ For years, the Philharmonic<br />

has supported various charitable causes including the ‘Light<br />

in the Dark’ campaign, the Red Cross, an Amnesty International<br />

schools project and avalanche victims. Some of the<br />

proceeds from the Philharmonic Ball – the social highlight of<br />

the Vienna ball season since 1925 – are donated to charity<br />

organisations. Orchestra members also play in hospitals, and<br />

since 2001 an annual charity concert has been organized to<br />

support the CS Hospice Rennweg. In April 2012, the ‘Vienna<br />

Philharmonic & Suntory Music Aid Fund’ was set up following<br />

the Great East Japan earthquake. The latest charitable<br />

project is the ‘Philharmonic House for Asylum Seekers in St<br />

Aegyd’, which offers music courses for refugee children and<br />

organises exhibitions, seminars and charity concerts.<br />

‘With the best efforts, the best is achieved in the best way.’ This<br />

was the motto given to the Vienna Philharmonic by its founder<br />

Otto Nicolai, and the orchestra has remained true to this motto<br />

for 175 years. We congratulate them for it. Eva von Schilgen<br />

Quelle | Source: Wiener Philharmoniker, Wikipedia / Wiener Philharmoniker<br />

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