G - hebbel am ufer
G - hebbel am ufer
G - hebbel am ufer
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© Sophie Calle<br />
“Exquisite Pain” is co-produced by Theater der Welt 2005 (Stuttgart), BIT Teatergarasjen<br />
(Bergen), The National Museum of Art, Design and Architecture (Oslo), Kaaitheater<br />
(Brussels), La Filature, scène nationale de Mulhouse, and Tanzquartier Wien.<br />
Sophie Calle’s original work was the product of a period<br />
of intense grief she experienced 20 years ago when a<br />
relationship broke up. Her way of dealing with this was to<br />
recount her misery to everyone she met – 99 times –<br />
and then asking them to share their worst moments with<br />
her, thus 99 stories of powerful grief emerged. Forced<br />
Entertainment base their work on this, exploring how the<br />
forces of language, memory and forgetting move to<br />
contain, preserve or erase events.<br />
that never arrive.<br />
“Exquisite Pain” explores how the forces of language,<br />
memory and forgetting move to contain, preserve or<br />
erase events, how as a person one comes to terms with<br />
trauma. “Exquisite Pain” is about remembering and<br />
forgetting, about love and about loss, about the stories<br />
we tell ourselves when things have gone wrong.<br />
“Exquisite Pain” is an extraordinarily simple and intimate<br />
piece for two performers using text and images by Sophie<br />
Calle. This is the first time the company have worked<br />
with an existing text as source material – not a play from<br />
the theatrical cannon, but rather text and images by the<br />
French conceptual artist Sophie Calle whose extraordinary<br />
work has long attempted to blur the boundaries of visual<br />
art practice with performance and real life.<br />
A man and a woman sit at identical tables and tell stories<br />
of ordinary and not-so-ordinary heart-break, each story<br />
accompanied by a single iconic image. The woman narrates<br />
repeatedly the story of a break up; the suffering<br />
at the end of an affair, each time remembering differently.<br />
In contrast to this obsessive repetition the man tells many<br />
different stories collected from the lives of other people;<br />
each story a snapshot narrative of sorrow, big or small,<br />
that takes its place in a growing catalogue of suffering,<br />
break-ups, humiliations, deaths, illnesses and love letters<br />
“I decided to continue… until I had got over my pain by<br />
comparing it with other people’s, or had worn out my own<br />
story through sheer repetition”