43748_mushroom 2005-02 - Mushroom online
43748_mushroom 2005-02 - Mushroom online
43748_mushroom 2005-02 - Mushroom online
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We would like to define ourselves<br />
foremost as cutting edge electronic<br />
music distribution. Practically, we<br />
have realized that we built a very<br />
powerful network, and we have all<br />
kinds of clients in our database.<br />
There are hardly any shops around<br />
the world that sell only psy-trance<br />
music – so why shouldn‘t we also<br />
supply music for the other sections<br />
in their shops? Becoming a one stop<br />
distribution company where you can<br />
find top quality labels and releases<br />
for the whole spectrum of electronic<br />
music is only one step forward in<br />
the evolution of this company.<br />
Now about Hadshot:<br />
Anybody who owns more than five<br />
different releases on Hadshot knows<br />
that there is no strict musical line in<br />
this label. This label is a reflection of<br />
the current style which I‘m playing<br />
and representing - and in the same<br />
way that I change the output of the<br />
label changes. For me, it‘s the only<br />
way to run a label and stand behind<br />
the music which I release. However I<br />
must be doing something good since<br />
the sales didn‘t drop even though I<br />
completely changed the music style<br />
and this label is starting to get a high<br />
profile in other music scenes. It probably<br />
would be a smarter move to<br />
close this label and start a new label<br />
without a background in the psy<br />
trance scene – but I couldn‘t do it<br />
because:<br />
1. There is no challenge in it.<br />
2. I love the name and the logo.<br />
3. She is my baby and I will never<br />
let her down.<br />
About DJ Yaniv:<br />
You all know that I was sunk quite<br />
deep in a musical style that is called<br />
psy–trance for the last ten years. But<br />
sometime between 2001 and 2003, I<br />
was completely burned out – no<br />
tracks really did it to me. I was bored<br />
of almost everything, and couldn‘t<br />
really define myself anymore with<br />
the style I was representing. Maybe<br />
it was I that got bored – or maybe it<br />
was the music style that decided to<br />
stay in the medieval time.<br />
I came to a point where I had to<br />
make a choice:<br />
1. Pretend that I like the music I<br />
play and continue to play around<br />
the world as a psy-trance DJ.<br />
2. Stop playing psy-trance and start<br />
again from scratch.<br />
I must admit that it was a hard decision,<br />
and in the beginning I didn‘t<br />
do the right thing. But after some<br />
time, I got tired trying to trick the<br />
people by playing one Moguai track<br />
in between two Astrix tracks. I have<br />
also realized that people come to<br />
these parties to hear psy-trance -<br />
I‘m not their father or teacher, so I<br />
shouldn‘t try to educate them and I<br />
shouldn‘t fool them – or myself. I<br />
should just try to find my own<br />
crowd and parties that digs the<br />
music which I dig.<br />
Of course, immediately after this<br />
Knapp neun Jahre ist es her, da traf ich<br />
einen Münchner Israeli in Goa. Yaniv legte<br />
in der Shore Bar auf, und ich bekam von<br />
ihm eine kryptische Visitenkarte mit merkwürdigen<br />
Hyroglyphen drauf. Hadshot<br />
Haheizar sollte das heißen und wurde der<br />
Name für sein Label. Ein paar Jahre später<br />
kam der Vertrieb Cosmophilia hinzu,<br />
den er zusammen mit seiner Freundin<br />
Bianca aufgebaut hat. Er wurde zu der<br />
Schaltstelle psychedelisch elektronischer<br />
Musik überhaupt.<br />
Seitdem hat sich die psychedelische<br />
Musik"industrie" komplett verändert -<br />
Auf Deutsch<br />
decision came a very long period<br />
without DJ bookings. But I‘m quite a<br />
determined guy – I got myself a<br />
new look, improved my label logo,<br />
started to mix, and socialized with<br />
different people from the different<br />
scenes, and I can positively say that<br />
in the last year things are moving<br />
quite well for me as a DJ.<br />
Will Hadshot continue to bring<br />
new cutting-edge electronic<br />
music according to the momentary<br />
private taste of Yaniv?<br />
I also really enjoy making those<br />
licensed compilations such as<br />
Chosen and Floor Filler because I<br />
can just take the top records in my<br />
actual set and license them. It‘s<br />
great for people that play CDs<br />
because most of these tracks are<br />
previously released only on vinyl, or<br />
are even not out yet since I mainly<br />
hear them from white labels.<br />
These compilations are very up-todate<br />
and are full of hits. I get great<br />
feedback on them and they always<br />
seem to become sold out quite fast.<br />
So there are definitely more of these<br />
coming …<br />
There are also a couple of new<br />
exclusive acts by Hadshot to be released<br />
on 12” and albums in the<br />
coming months. The global direction<br />
at the moment is pumping electronic<br />
dance music without boundaries.<br />
und auch Yaniv, zumindest musikalisch.<br />
Cosmophilia ist nun Vertrieb für mehr und<br />
mehr progressive Musik, DJ Yaniv spielt<br />
Club-Musik und Electro.<br />
Im Interview erzählt er, wie nach zehn<br />
Jahren der Versunkenheit in PsyTrance<br />
immer gelangweilter war und eine Neuorientierung<br />
brauchte. Es folgte eine sehr<br />
schwierige Phase, selbst seine aber heute,<br />
sagt Yaniv, fühle er sich überaus wohl.<br />
Erst recht musikalisch: Denn Hadshot soll<br />
auf der jetzigen Linie weiterfahren: mit<br />
treibender elektronischer Tanzmusik ohne<br />
Grenzen. (kai/cla)<br />
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