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4th May (Issue 1211) - The Courier

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32 Tuesday 4 <strong>May</strong> 2010 THE COURIER<br />

Culture<br />

Arts<br />

arts<br />

<strong>The</strong> best of the best: top Arts events 2009/10<br />

<strong>The</strong> <strong>Courier</strong>’s Arts writers have looked back on a fantastic year of culture and have brought together their favourite events<br />

Opera North:<br />

La Boheme<br />

�������������<br />

Opera North’s astonishing revival<br />

of Puccini’s heartbreaking<br />

classic, ���������, was undoubtedly<br />

the most eye-opening theatre<br />

experience of the year for me.<br />

I had expected garish costumes<br />

and unintelligible Italian voices,<br />

but instead I was impressed by<br />

the stylish set and overwhelmed<br />

by the emotion evident in each<br />

word that was sung.<br />

From opening scene to tragic<br />

climax, the energy radiating from<br />

each character was irresistible<br />

and the sheer talent of the actors<br />

undeniable.<br />

I am sure not one audience<br />

member was left unmoved by the<br />

display of love and loss played<br />

out on that elegant stage.<br />

Rosie Tallant<br />

Baltic Sea<br />

������������<br />

Located down a narrow cobbled<br />

street close to the Quayside, the<br />

Side Gallery is a tiny attic-like<br />

exhibition space for some very<br />

good photography.<br />

I stumbled across it one day<br />

early this year when a show was<br />

on with black and white shots of<br />

communities around the �������<br />

��� – stark yet personal; the<br />

subtle skill of the photos was<br />

undeniable.<br />

Since then I have ventured back<br />

whenever there has been a new<br />

show on, with intrigue as to what<br />

the interesting subject will be this<br />

time.<br />

Quality instead of quantity is<br />

�����������������������������������<br />

and the adjoining cinema is<br />

equally independent in the shows<br />

it chooses to screen.<br />

Polly Randall<br />

A Woman In Black<br />

�������������<br />

���������������� is a creepy yet<br />

brilliant play, which demonstrated<br />

both the power of acting<br />

and how, by setting a certain<br />

ambiance, a cast of two people<br />

can reduce an audience to a bag<br />

of nerves.<br />

This eerie tale, set in the Victorian<br />

period, surrounds a young<br />

solicitor, Arthur Kipps, and his<br />

experiences in the desolate Eel<br />

Marsh House.<br />

However, the fantastic and surprising<br />

twists that occur due to<br />

the appearance of a woman leave<br />

the audience convinced that they<br />

are now themselves haunted.<br />

<strong>The</strong> performance was fabulously<br />

scary and something I would<br />

highly recommend.<br />

Sally Priddle<br />

Opera North’s take of La Boheme at the <strong>The</strong>atre Royal was one of <strong>The</strong> <strong>Courier</strong> writers’ favourite arts events of the year<br />

Beatles to Bowie: the<br />

Sixties Exposed<br />

�������������<br />

As a big fan of bands such as <strong>The</strong><br />

Who and <strong>The</strong> Kinks, when I heard<br />

about ����������������������������� ��-<br />

������ I had to pay the Laing a visit.<br />

<strong>The</strong> gallery is an exciting celebra-<br />

����������<br />

Tate Britain<br />

I’ve always felt that Tate Britain<br />

remains quietly underestimated.<br />

Also on the banks of the Thames,<br />

also with that famous four-letter<br />

name, it provides as many innovative<br />

and fascinating exhibitions<br />

as its little sister but rarely gets as<br />

much attention.<br />

VVVVVV<br />

Forget Modern Warfare 2 or any<br />

other of those identikit "realistic"<br />

shooters: the best game released<br />

in the last eight months was<br />

VVVVVV, an independent game<br />

developed by Terry Cavanagh.<br />

VVVVVV is a minimalistic plat-<br />

tion of the 50th anniversary of<br />

the beginning of the era, which<br />

provides a chronological depiction<br />

of the development of “Swinging<br />

London” using previously unseen<br />

photographs.<br />

If you're interested in fashion,<br />

what you might like about the gallery<br />

is that the images feature some<br />

of the fantastic styles prevalent in<br />

the Sixties when Carnaby Street<br />

This year, again, it won my Annual<br />

Favourite Tate prize. <strong>The</strong> clincher<br />

was the ���������� retrospective.<br />

After rising to fame in the mid-<br />

90s for winning the Turner Prize<br />

with, as ���������� would have you<br />

������������������������������<br />

has become one of Britain’s most<br />

��������������������������������������<br />

decades.<br />

From his provocative insights into<br />

black Nineties culture to his latest<br />

form game with a single button that<br />

������������������������������������<br />

the ceiling.<br />

Somehow, from this simple<br />

mechanic, Cavanagh carves out a<br />

mind-boggling range of scenarios,<br />

each cleverer than the last, like a<br />

puzzle game melded with Mario<br />

Bros.<br />

����������������������������<br />

was the “fashion capital of the<br />

world”.<br />

<strong>The</strong> exhibition does not just boast<br />

incredible photographs – there<br />

are also displays of magazines<br />

and record sleeves from the time<br />

serving to further depict the Sixties<br />

culture.<br />

Gemma Farina<br />

mysterious Trinidadian pieces,<br />

this exhibition was thoroughly<br />

beautiful, engaging and thoughtprovoking.<br />

<strong>The</strong> highlight? Seeing the adapted<br />

Union Jack, green, black and white,<br />

wave gently against a grey London<br />

�����������������������������������lery<br />

on which it was mounted.<br />

Alice Vincent<br />

brilliant gameplay is a charming,<br />

retro presentation, including<br />

(surprisingly good) gameboy-style<br />

chiptunes.<br />

<strong>The</strong> paper-thin plot is irrelevant:<br />

VVVVVV is gaming in its purest,<br />

most unadulterated form.<br />

Elliot Bentley<br />

Wunderbar Festival<br />

If you did not take part, you<br />

missed out.<br />

<strong>The</strong> festival aimed to combine<br />

contemporary performances,<br />

visual art and extraordinary happenings.<br />

Personal highlights included a<br />

chance to get your hair cut by children<br />

(this I opted out of), a chance<br />

to break apart scrap metal, and<br />

the opportunity to tour people’s<br />

houses where the owners shared<br />

their interest, be it bathing or tea<br />

parties.<br />

<strong>The</strong> sheer amount of weird and<br />

wonderful happenings made this<br />

the most exciting arts event last<br />

year. Hopefully there will be a<br />

repeat this year and you had better<br />

go.<br />

Olivia Mason<br />

Northern Lights<br />

Film Festival<br />

���������������<br />

This annual festival brings the<br />

���������������������������������<br />

and media right to our doorstep<br />

up here in the North East.<br />

It is an extravaganza of special<br />

events, one-off screenings, new<br />

media and conferences with the<br />

best in the business.<br />

����������������������������ested<br />

in careers in TV or media,<br />

this week of shows was not to be<br />

missed.<br />

It was a true celebration of how<br />

Newcastle is a major player in the<br />

�����������������������������������<br />

us students too.<br />

It was the perfect opportunity<br />

to get involved, with many of the<br />

hundreds of volunteers spawning<br />

from our very campus.<br />

It’ll hopefully be around next<br />

year so make sure you don’t miss<br />

it.<br />

Ciara Littler<br />

Jenny Holzer<br />

BALTIC<br />

<strong>The</strong> BALTIC’s brought some of<br />

modern art’s biggest names to<br />

the shores of Gateshead in recent<br />

times, but their Jenny Holzer exhibition<br />

has surely been one of their<br />

more remarkable imports.<br />

Consisting of both a retrospective<br />

section and a display of<br />

her recent work based around<br />

�������������������������������<br />

records of American renditions,<br />

her trademark LED displays lit up<br />

the gallery space, and made for an<br />

unforgettable glimpse into a side<br />

of global politics and American<br />

dominance usually hidden.<br />

It was a real coup for the Baltic,<br />

and best of all, it’s still going until<br />

<strong>May</strong> 16, if you need an arts top-up<br />

during your revision.<br />

Mark Corcoran-Lettice

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