Painting Fine-Art Cartoons in Oils - Enchanted Images

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surprising use of color Barks’s copy of Merlin Enabnit’s Color With Palette Knife and Brush. Enabnit focused on how to mix tints and values using pure color, without adding black and white, how to gray colors to intensify the brilliance of hues, and how to juxtapose cool colors against warm ones. 202
primary colors are primary Barks’s copy of Walter Foster’s How to Do Water Colors. Foster focused on creating richly colored paintings using only the three primary colors: red, yellow and blue. This technique would have appealed to Barks, who often spoke of using the same limited palette in his oil paintings. 203
Page 3 and 4:
AFTERCarl Barks painting fine-art c
Page 5 and 6:
about the “hunger” print “Hun
Page 7 and 8: contents introduction a short biogr
Page 9 and 10: In some ways this book is as litera
Page 11 and 12: In Italy, Gilberto “Gil” Ugolin
Page 13: preview of “a short biography of
Page 16 and 17: collector of comic strips that had
Page 18 and 19: Landon’s School of illustrating a
Page 20 and 21: (CBC, 105). But without success:
Page 23 and 24: at the feet of the master “As for
Page 25 and 26: images. I had seen the comic covers
Page 27 and 28: Detail from my copy of “Time Out
Page 29 and 30: Making contact with “the good art
Page 31 and 32: preview of “narrative composition
Page 33 and 34: Barks spent his life creating gags
Page 35 and 36: ELEMENT 2: Distraught ducks Diagram
Page 37 and 38: Porky, the trap, the injured bear c
Page 39 and 40: preview of “dynamic symmetry” 1
Page 41 and 42: I always used to wonder how Barks w
Page 43 and 44: preview of “cartoon-ality” 143
Page 45 and 46: cartoon-ality “I wouldn’t draw
Page 47 and 48: preview of “the layout drawing”
Page 49 and 50: the layout drawing “much work has
Page 51 and 52: preview of “underpainting” 195
Page 53 and 54: “The whole painting builds itself
Page 55 and 56: preview of “color theory” 199
Page 57: “I tried to keep my palette as cl
Page 61 and 62: Barks’s “Grumbacher’s Color C
Page 63 and 64: preview of “barks’s personal re
Page 65 and 66: arks’s personal reference library
Page 67 and 68: American Shelter: An Illustrated En
Page 69 and 70: about the author John Garvin is an
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Painting Fine-Art Cartoons in Oils - Enchanted Images

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