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GUANGZHOU LIVE 3 - Dorothea Seror

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Analia Beltran i Janes, Spain.<br />

Objectives<br />

Guangzhou Live has today established<br />

its reputation as an important event in<br />

Asia in the field. The goal is to present<br />

the leading international contemporary<br />

action art, with artists of the highest<br />

quality from around the world. But at<br />

the same time it should be a showcase<br />

that pushes the limits, a model for a different<br />

way of presenting contemporary<br />

art, a model for art’s accessibility and<br />

cultural democracy.<br />

The festival promotes action art’s experimental,<br />

mobile, global, intercultural<br />

and profoundly human character<br />

towards a professional and an uninitiated<br />

audience. However, Guangzhou Live<br />

will continue to be an event produced<br />

on a human scale.<br />

We want to remove as many obstacles<br />

as possible so that all members of society,<br />

regardless of income, social class, place<br />

of residence, age, gender, or ethnic<br />

origin, can participate in the experience<br />

of the artwork presented. That’s why the<br />

entrance to Guangzhou Live’s different<br />

parts are free, that’s the reason why we<br />

present the works of art in public space<br />

as well as in the art institution.<br />

By eliminating the possible barriers to<br />

participation, we want to bridge the<br />

invisible societal walls that can exist.<br />

The project’s accessibility is its starting<br />

point with a tailor made international<br />

program based on the idea of cultural<br />

democracy and everybody’s right to b<br />

given access to contemporary art and<br />

culture. But it also proposes a natural<br />

approach to an international pespective<br />

through the invited artists’ different cultural<br />

origin.<br />

The internationalization of the art scene<br />

in Guangzhou and the Pearl River Delta<br />

is not only necessary but inevitable.<br />

Guangzhou Live responds to this by<br />

offering an artistic program that includes<br />

artists from most of the world’s continents<br />

and through networking with<br />

other major festivals in North America,<br />

Europe and Asia. But also to promote an<br />

GL 3<br />

2012<br />

educational integration through a training<br />

program that is part of the festival<br />

and addressed to art students in Guangzhou<br />

and the Guangdong province.<br />

External Strategy<br />

Guangzhou Live’s strategy as a festival in<br />

the international competition is based<br />

on artistic quality and credibility, organizational<br />

stability and active international<br />

networking. In other words, on its<br />

organization and international outlook.<br />

This is one of the reasons that we for<br />

the 2012 edition will continue to invite<br />

artists with an influience in their own regions<br />

and countries. As to be able to initiate<br />

an exchange between other international<br />

producers and chinese artists.<br />

New Format<br />

Guangzhou Live 2012 will be further<br />

developed through a new program for<br />

art critics, “writing action”, how to write<br />

about action art. The festival will commission<br />

the texts of two Chinese art critics<br />

that are to be invited to write about<br />

one of the featured artists’ work.

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