GUANGZHOU LIVE 3 - Dorothea Seror
GUANGZHOU LIVE 3 - Dorothea Seror
GUANGZHOU LIVE 3 - Dorothea Seror
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Analia Beltran i Janes, Spain.<br />
Objectives<br />
Guangzhou Live has today established<br />
its reputation as an important event in<br />
Asia in the field. The goal is to present<br />
the leading international contemporary<br />
action art, with artists of the highest<br />
quality from around the world. But at<br />
the same time it should be a showcase<br />
that pushes the limits, a model for a different<br />
way of presenting contemporary<br />
art, a model for art’s accessibility and<br />
cultural democracy.<br />
The festival promotes action art’s experimental,<br />
mobile, global, intercultural<br />
and profoundly human character<br />
towards a professional and an uninitiated<br />
audience. However, Guangzhou Live<br />
will continue to be an event produced<br />
on a human scale.<br />
We want to remove as many obstacles<br />
as possible so that all members of society,<br />
regardless of income, social class, place<br />
of residence, age, gender, or ethnic<br />
origin, can participate in the experience<br />
of the artwork presented. That’s why the<br />
entrance to Guangzhou Live’s different<br />
parts are free, that’s the reason why we<br />
present the works of art in public space<br />
as well as in the art institution.<br />
By eliminating the possible barriers to<br />
participation, we want to bridge the<br />
invisible societal walls that can exist.<br />
The project’s accessibility is its starting<br />
point with a tailor made international<br />
program based on the idea of cultural<br />
democracy and everybody’s right to b<br />
given access to contemporary art and<br />
culture. But it also proposes a natural<br />
approach to an international pespective<br />
through the invited artists’ different cultural<br />
origin.<br />
The internationalization of the art scene<br />
in Guangzhou and the Pearl River Delta<br />
is not only necessary but inevitable.<br />
Guangzhou Live responds to this by<br />
offering an artistic program that includes<br />
artists from most of the world’s continents<br />
and through networking with<br />
other major festivals in North America,<br />
Europe and Asia. But also to promote an<br />
GL 3<br />
2012<br />
educational integration through a training<br />
program that is part of the festival<br />
and addressed to art students in Guangzhou<br />
and the Guangdong province.<br />
External Strategy<br />
Guangzhou Live’s strategy as a festival in<br />
the international competition is based<br />
on artistic quality and credibility, organizational<br />
stability and active international<br />
networking. In other words, on its<br />
organization and international outlook.<br />
This is one of the reasons that we for<br />
the 2012 edition will continue to invite<br />
artists with an influience in their own regions<br />
and countries. As to be able to initiate<br />
an exchange between other international<br />
producers and chinese artists.<br />
New Format<br />
Guangzhou Live 2012 will be further<br />
developed through a new program for<br />
art critics, “writing action”, how to write<br />
about action art. The festival will commission<br />
the texts of two Chinese art critics<br />
that are to be invited to write about<br />
one of the featured artists’ work.