GUANGZHOU LIVE 3 - Dorothea Seror
GUANGZHOU LIVE 3 - Dorothea Seror
GUANGZHOU LIVE 3 - Dorothea Seror
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theme<br />
2012<br />
Body & Mind in Time<br />
As a poignant quality in action art the<br />
theme of Guangzhou Live 2 was human<br />
scale. This year our curatorial theme is<br />
Body & Mind in Time, as to accentuate<br />
the two first qualities as being ONE and<br />
inseparable to our existence. But also<br />
inseparable in action art, since they are<br />
the prerogatives without which no live<br />
action work can be realized. Beyond art,<br />
these are also two qualities that makes<br />
us human, uniting us as beings.<br />
The notion of body & mind as One, is as<br />
we know anchored in Chinese philosophy<br />
and thought. But it is also a notion<br />
of common sense. How is it possible<br />
to separate the mind from the body,<br />
to see the body as an envelope and as<br />
something separated from the mind ? It<br />
is the human that unites both, and this<br />
unity is in action art the use of body and<br />
mind in the expression of the work.<br />
The fact that action art is an art where<br />
the artists is not acting or pretending<br />
to play a role, not being somebody else,<br />
not using other people as actors, but<br />
being one with the actions, makes it the<br />
most exemplary expression of the unity<br />
of body and mind in art. Maybe it is also<br />
the reason why this art form has such<br />
a strong anchorage in contemporary<br />
chinese art, why it appeals to chinese<br />
artists, being a media where one finds<br />
a unity of thought and of physical existence.<br />
Primarily, action art is an immediate expression<br />
of the human. A creative process<br />
in which body and mind are inseparable.<br />
In this process the artist starts out<br />
to reflect upon what to express, creating<br />
an idea, and then reflecting on how to<br />
express it. What materials to use or not<br />
to use, what motions to execute, which<br />
action to do or not to do.<br />
In the moment of the live realization of<br />
the work, the creative process usually<br />
changes from what was originally intended.<br />
A change decided through the<br />
body and the mind, being at that instant<br />
united as One. The action artist very seldom<br />
follows an outlined choreography,<br />
Jonas Stampe:<br />
Jonas Stampe, art historian and art critic, is the curator and founder of Guangzhou Live.<br />
He outlines the curatorial theme of the third edition of Guangzhou Live, as Body & Mind in Time.<br />
like in dance or theatre. Instead her or<br />
his body and mind are influenced by<br />
the immediate context, the surrounding<br />
people, the location of the work, the<br />
mood at the moment of the execution.<br />
The artist follows at that moment an<br />
instant flow of emotions and thougths,<br />
a united body & mind, and changes the<br />
action or not as it goes, in the direction<br />
of their unification. Of course, expressing<br />
this unity is not simple, it does<br />
not come automatically, but when the<br />
artists succeeds to do so, it comes with<br />
emotional and intellectual force. It does<br />
not always happen, since this is an immediate<br />
here and now process of creation.<br />
But if risk is a part of the live action<br />
work and one of its inherent qualities so<br />
is courage, honesty, intuition, and instant<br />
improvisation.<br />
Body & Mind are unified in the moment<br />
of creation, and it is maybe this aspect<br />
of action art that makes it such an exciting<br />
and attractive art form. Being confronted<br />
with the unknown, where one