- Page 1 and 2: Efiaard R.Tkfte The Visual Display
- Page 3 and 4: Contents PART I GRAPHICAL PRACTICE
- Page 5 and 6: his studio laying out the book, pag
- Page 7 and 8: The second part ofthe book provides
- Page 9 and 10: 14 GRA?I]ICAL ?RACTICE Ard yet how
- Page 11: 16 GRA?HIcAT ?RACTICT Data Maps The
- Page 15 and 16: 20 GR,{IEICAL IRACTICE The maps rep
- Page 17 and 18: 22 GRATHlCA! PRACTICI Z"l e g t&D E
- Page 19 and 20: 24 GRA?HrCAt ?RACTICt An early and
- Page 21 and 22: 26 GRAPIIICAL ?RACTICT Computerized
- Page 23 and 24: 28 GRA?HIcAL ?RAcTIcT Tir[e-Series
- Page 25 and 26: 30 GRA?HrCAl ?RACTTCI Time+eries di
- Page 27 and 28: 32 GnA?ItrCAL PR1\CITCE The two gre
- Page 29 and 30: 34 GRA?IlIC4L ?RACTTC! Playfair's l
- Page 31 and 32: 36 GRA?HICAL ?RACTICE S* tl,e movem
- Page 33 and 34: 105 r t00 I 35r t 05t00..1 s5.r 38
- Page 35 and 36: 40 GRAPIIICAL ?AACTICT Narrative Gr
- Page 37 and 38: 42 CRA?IIICAI ?RACTICE Thc ncxt tim
- Page 39 and 40: '-d. GRA?IIICAI PRACTICE srraieht l
- Page 41 and 42: 46 GRApETcAL ?RAcTrcr Lambert drew
- Page 43 and 44: 48 GRTTPEICAL ?RACTICB Thesc small-
- Page 45 and 46: JO GRAPEICAL PRACTICI Finally, two
- Page 47 and 48: As to the roptiery and justness of
- Page 49 and 50: J4 GRAprrrCAl !RACTTCI Hcre are sev
- Page 51 and 52: JO CRAIIIICAt PtACTTCt differently;
- Page 53 and 54: J8 cRAPIIIcAL ?RAcTIcE The magnitud
- Page 55 and 56: OO GRAPIIICAL PRACTICE Design and D
- Page 57 and 58: 62 cRA?HIcAl PRAcrrc! Dcsign variat
- Page 59 and 60: 71e Dislonr at the-Bolram are Ear+
- Page 61 and 62: 66 cRA?IIrcAr PRAcTrcr Although Pla
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68 cR,{?IIrcAL ?RAcTIcE Two statist
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70 GRA?HtC41 ?RACTTCI Many publishe
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I t , CASSEPOSTALI DI RISPARMIO ITA
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125 74 GRAPHICA! !RACTICE context i
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76 cRA?IlrCAI- ?RACTTCT Conclusion
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Sources of Graphical Integrity and
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. A news director at a national tel
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SOURCES OF INTEGRITY AND Table r sh
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Table z caphi€l Sophntietion, Col
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Conclusion The conditions under whi
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Evuyone spoke of an inJotnatiofl oe
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92 TIIEORY OF DATA CRA?IJICS Within
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94 TIITORY OT D,{T,{ GNA}IIICS Most
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96 TgroRY OF DATA CRA?HrCS Maxibizi
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g8 TIIEOAY Or DArA GRA?IIrCS Redund
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1OO THEORY OI DATA CRA?IIICS Most d
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]02 TII!ORY OI DATA GRA?IiICS The d
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1O4 TEEORY Ol DATA GRA?HrCS The reG
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With sauge piawes jll then gaps And
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1O8 TITEORY OF DATA GRAPIiICS The e
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110 TIITORY OI DATA GRAP1IICS And,
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112 TAEONY OF DATA GRAPIIICS propor
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E '.r tsT 114 TIITORY OI DATA GRA?H
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"l!;tr*; 116 TIIXORY OF DATA CRA?II
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11d THEORY OF DATA GRA?HICS The add
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12O TIIEORY OF DATA CiA?IIICS Occas
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Painting is special, seyrate, a nat
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124 THTORY OF DATA CRAIHTCS crn be
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126 TIIIORY O! DATA CRA?HICS Redesi
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128 TFIORY O! DAIA GRAPIIICS The wh
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13O THTORY OF DATA CRA?HICS Redesig
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132 TIIIORY OI DATA GRA?IIIC5 A smr
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134 TIITORY OF DATA GRA?IIICS Simil
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13O TIITORY OI DATA GRA?IIICS Concl
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7 Mubifunctioning Graphical Element
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A distinguished graphic thar builds
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But let us consider this shaped poe
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Data-Based Grids Very occasionally
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The gnd that follows presents the d
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Double.-Functioning Labels MUITIIUN
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The grid inoement! ofthe X-axis are
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Puzzles and Hierarchy in Graphics T
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, Graphics can be desigftd ro have
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, SimiJarly. this rable-gnphic orga
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8 Data Density and Small Multiples
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TOTAL PARTICIPATION DATA D!NSITY AN
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An annual sunshine rccord reporrs a
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Data Density atld the Size ofthe Da
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charqjunk, non-data-ink, and redurd
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These grim small multiples show the
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:in nEn |':t-' trt lt! !tFftl rlt t
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Conclusion Well-designed snull mult
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9 t . 1 . l a 1 ' Aesthetics and Te
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Tables also work well when the data
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can be quite small, since the phnse
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Accessible Complexity: The Friendly
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Lirres ia &ta graphics sLould be th
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The analogy to rhe horizon also sug
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If graphia should tend toward the h
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Epilogwe: Designs for the Display o
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Doll. R. 47, 82 dollars, consta.t 6
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Thon,s, Edwrd LLwetlyn 168 Thonas,