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PD Primer - PennDesign - University of Pennsylvania

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having fun<br />

oUtinG<br />

dry heave in the mÜttER mUSEUm<br />

19 S 22nd Street (btw Chestnut and Market) www.collphyphil.org/mutter.asp<br />

When naming his band Motörhead, Welsh metal<br />

god Lemmy Kilmister claims he added an umlaut,<br />

not to guide pronunciation but “to make it look<br />

mean.” One wonders if Philadelphia’s own diacritically<br />

acclaimed Mütter Museum was the first to<br />

establish the umlaut as today’s preferred mark <strong>of</strong><br />

the beast. The museum <strong>of</strong> the College <strong>of</strong> Physicians<br />

proudly boasts a collection <strong>of</strong> more than 20,000<br />

haunting “objects.” The visible majority <strong>of</strong> these<br />

appear to be the preserved bits and pieces <strong>of</strong> 19th<br />

century medical unfortunates: i.e. people. Inside<br />

the museum, a wall <strong>of</strong> skulls decimated by syphilis<br />

vies with a skeleton <strong>of</strong> conjoined twins for your<br />

attention. Sliced sections <strong>of</strong> a human head demand<br />

closer inspection. Did I mention the museum<br />

houses the world’s largest preserved human colon?<br />

Despite attempts to present the collection with<br />

tact and scientific acumen, a kitsch Chamber <strong>of</strong><br />

Horrors ambience reigns over the Mütter’s largely<br />

subterranean galleries, ultimately lending the<br />

whole ghastly display a rather endearing—if no less<br />

grisly—charm.<br />

lower your pulse at ShoFUSo hoUSE &<br />

GARdEn<br />

West Fairmount Park/ www.sh<strong>of</strong>uso.com<br />

The words serene and architecture are not <strong>of</strong>ten<br />

paired in the design studios <strong>of</strong> Meyerson. Dynam-<br />

177 <strong>PD</strong>PRIMER 2011<br />

oUtinG<br />

ic, emergent, reflexive, catalytic, rigorous and, lately, even<br />

horrific are all candidates more likely to precede architecture’s<br />

utterance—words designed to keep a student’s adrenaline<br />

surging all night long. Who’s going to stay up 25 hours a<br />

day, eight days a week in search <strong>of</strong> an irenic, tranquil, sedate<br />

or serene architecture? We might even have to maintain lucid<br />

mental states in order to produce such work! Whether or<br />

not we ever strive for designs that impart restful calm over<br />

destabilizing momentum, visit ing such projects is good for<br />

our health. We are fortunate to have the Sh<strong>of</strong>usu House<br />

nearby. Designed in the manner <strong>of</strong> 16th century Japanese<br />

villas, residences like Sh<strong>of</strong>uso once housed scholars seeking<br />

a serene environment for reflection. Indeed, after the din <strong>of</strong><br />

the studio, it’s easy to welcome the meditative hush suffusing<br />

the house. When the villa’s sliding walls are opened to reveal<br />

its elegant garden, the house and landscape invoke a pr<strong>of</strong>ound,<br />

singular stillness. Though now thoroughly embedded<br />

in its current site, the building was first exhibited at the New<br />

York MoMA in 1954. The garden was designed when the<br />

structure was relocated to its present position in the Horticulture<br />

Center in the West Philly section <strong>of</strong> Fairmount Park.<br />

Sh<strong>of</strong>uso’s legacy as artwork will be further extended in 2007<br />

with the installation <strong>of</strong> site-specific murals by the acclaimed<br />

Japanese painter Hiroshi Senju.<br />

cycle scenic WEST RIVER DRIVE<br />

West River Drive (btw Spring Garden & The Falls Bridge)<br />

Philly drivers are out for blood. They habitually roll through<br />

stop signs. They compulsively pull into crosswalks. When a<br />

light goes green, they love peeling out to make a quick left<br />

<strong>PD</strong>PRIMER 2011 178

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