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Colour Choices - choose colour with creativity and ... - Resene

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4<br />

Contrast this <strong>with</strong> the hallways of most hospitals, traditionally painted<br />

stark white, a neutral <strong>colour</strong> often considered clean <strong>and</strong> clinical. When<br />

developing a <strong>colour</strong> scheme, think about what the area will be used<br />

for <strong>and</strong> the emotions you would like to encourage. For example, restful<br />

<strong>colour</strong>s in a bedroom to encourage sleeping or bright reds <strong>and</strong> yellows in<br />

a children’s rumpus room to energise <strong>and</strong> lift spirits. Each <strong>colour</strong> scheme<br />

is appropriate in the right place.<br />

There is generally some existing feature that either dictates or can be used<br />

as an inspiration for the basis of a <strong>colour</strong> scheme. This may be a view from<br />

a window, a work of art, nature, carpets, soft furnishings, stained glass,<br />

art books <strong>and</strong> magazines, a fashion trend or <strong>Resene</strong> <strong>colour</strong> charts. Unless<br />

you have the luxury of decorating from scratch, your starting point for a<br />

<strong>colour</strong> scheme is likely to come from something you already own – a sofa,<br />

curtains or even a favourite painting.<br />

When selecting <strong>colour</strong>s consider lighting, what the room is used for, who<br />

spends the most time using the room, adjacent room <strong>colour</strong> schemes,<br />

whether you want to change perceptions of the room shape or size, what<br />

kind of mood you want to create, <strong>and</strong> any existing furniture or furnishings<br />

that will be part of the finished <strong>colour</strong> scheme. When developing a <strong>colour</strong><br />

scheme, collect pictures of rooms that you find appealing <strong>and</strong> a good<br />

range of samples. Experiment <strong>with</strong> them to determine your final selection<br />

<strong>and</strong> the appropriate accent <strong>colour</strong> or <strong>colour</strong>s.<br />

Most <strong>colour</strong> schemes are improved by the addition of accents, the final<br />

touches that can make a room come to life. Avoid using the same accent<br />

<strong>colour</strong> in too many places or too many accent <strong>colour</strong>s in one room –<br />

sometimes subtlety gives the best result.<br />

How much there is of a <strong>colour</strong> affects how you see it <strong>with</strong> <strong>colour</strong>s tending<br />

to look darker than they appear on <strong>colour</strong> charts. When used in large<br />

quantities or in a small room, strong <strong>colour</strong>s will appear even stronger <strong>and</strong><br />

more intense. If in doubt use a shade lighter than your original choice.<br />

Surface textures also change the way you perceive <strong>colour</strong>. Smooth surfaces<br />

reflect light <strong>and</strong> heavily textured surfaces absorb light. Therefore, the same<br />

<strong>colour</strong> painted in a gloss acrylic paint on a wall will look lighter than the<br />

same <strong>colour</strong> in a heavy woven carpet.<br />

One of the simplest ways of carrying a theme throughout your home is to<br />

use a common <strong>colour</strong> palette. Choose a selection of <strong>colour</strong>s for the entire<br />

home <strong>and</strong> then use different combinations of those <strong>colour</strong>s in each room.<br />

The commonality of the <strong>colour</strong>s will link the entire scheme together.<br />

Lighting<br />

Check <strong>and</strong> select <strong>colour</strong> under the actual lighting conditions of the space<br />

to be painted to avoid disappointment, as the same <strong>colour</strong> may look very<br />

different when compared under artificial <strong>and</strong> natural lighting. Consider<br />

when you use the room most <strong>and</strong> select your <strong>colour</strong> scheme using those<br />

lighting conditions.<br />

<strong>Colour</strong> also behaves entirely differently on a ceiling surface than on a wall<br />

surface. A <strong>colour</strong> painted on a ceiling looks darker than the same <strong>colour</strong><br />

on a wall. Likewise window walls will appear darker as they do not receive<br />

direct light.<br />

White <strong>and</strong> off-whites are usually the safest <strong>colour</strong>s to use as they distort<br />

less under various types of light, however they will reflect other <strong>colour</strong>s

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