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THE FOOL ERRANT - World eBook Library - World Public Library

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gentleman of some forty years, distinguished in presence and address, of suave manners and a cynicism past praying for. This<br />

tainted philosophic habit had permeated him to the soul, so that, not only was he naturally a sceptic in matters of received<br />

opinion, but found a perverse relish in his own misfortune, until he was become, indeed, sceptical of scepticism, and found<br />

himself, at times, in real danger of proving a sincere Christian.<br />

So strange a result of philosophy, reacting upon itself, however, did not disturb his serenity, but, on the contrary, added to his<br />

diversions; for he confessed that his highest pleasure in this life was to discover fresh follies of which he could be capable. He<br />

considered himself as an inexhaustible quarry of humours, vanities, jealousies, whims, absurd enthusiasms, absurd mortifications.<br />

He was able, as he said, to sit at his ease in the side-scene and see himself jigging on the stage in motley or the tragic sock—see<br />

himself as a lover, and cry aloud in delight at the mad persistence of the fool he appeared; see himself directing the affairs of the<br />

nation, and be ready to die of laughing at himself for pretending to be serious, and at his countrymen for thinking him so. He<br />

loved art and spent large sums upon his collection; yet, said he, "I should grudge the money for other occasions did it not furnish<br />

me with the entrancing spectacle of a middle-aged statesman panting after masterpieces, fingering this or that painted board, and<br />

staking his position in this world and the next upon the momentous question, Is this ear in the manner of Fra Angelico? or,<br />

Could Mantegna have so foreshortened a leg? I tell you, Don Francis, there is no more outrageous comedy, no more fantastic<br />

extravaganza playing in Venice at this hour than every moment of my own life can furnish me with. What! I hold in my hand the<br />

destinies of a million of souls, and the iron enters into mine—not because those others are in danger, not because those others<br />

are enslaved—no! but because at Donna Violante's card-table the Marchesa Serafina disregards my call for trumps! I rise up<br />

from my escritoire, where lie papers of State—a threat from the King of Spain, declaration of war from the Emperor, a petition<br />

of right from some poor devil who has been shamefully used by one of my Ministers; I rise, I say, and leave them lying—and for<br />

what? To dangle at some faded opera, which I have heard a thousand times, behind the chair of some fine lady whose person I<br />

could possess (if I wanted it) for the writing of a billet. Is it not incredible? But there is more to come. My future master, the<br />

Grand Prince, is more of a fool than I am, because he doesn't know it. Yet I read more consequence out of some petulant freak<br />

of his than from all the despair of a nation starving to death; and I know very well which would disturb my department the more<br />

effectually— whether it would be a revolution or his being late for Mass. Is not this a humorous state of affairs? Does not this<br />

tickle your sense of the ridiculous? I assure you I have never regretted for a moment my having been involved in the business of<br />

the State. I can laugh at myself day in and day out."<br />

The whimsicality of this kind of talk robbed it of its sting; but what is really curious about the count was that he was perfectly<br />

serious.<br />

He gave the princes—both him who reigned and him who hoped to reign— very bad characters, but said that for purposes of<br />

government he preferred a vicious to a bigoted fool. The first, he said, will be ruled by minions, who can be paid. This makes<br />

administration a simple matter of finance. The second sort of princes are ruled by the frati, who pay themselves. The distinction<br />

is material. "The Grand Duke Cosimo," he said on another occasion, "is living of fright." "Do you not mean dying of it?" I asked<br />

him. "No," said he, "he is living of it. The frati have been at him for years; and now he is so terrified lest he may make a bad<br />

death that he has forgotten to die at all. But, of course, his fears will wear out in time, and then he will perish like any ordinary<br />

man of sense. As for my future master, Don Gastone, he will live just so long as his zest for iniquity endures. When, like some<br />

Alexander of the stews, he has no more vices to conquer, he will die of ennui. It is surprising how few are the changes you can<br />

ring upon the human appetite. Gluttony, drunkenness—"<br />

"Spare me the catalogue, count," I begged him.<br />

"I was enumerating for my own convenience," he said, "as I frequently do, to see if I cannot discover one new variety. Don<br />

Gastone has not yet exhausted acquisition. He has become a numismatist, and ploughed up a populous village the other day in<br />

the search for a penny of Charlemagne's, supposed to have been dropped there in passing. Then there is horticulture—which is<br />

one of my own vices; and, of course, I do not forget piety; but things are not so bad as that just yet. It is important that he<br />

should survive his father, because he is the last of the line of Medici, and I foresee troubles ahead. We shall have an Austrian<br />

prince who will make soldiers of us, or a revolution, when our throats will be cut. An unpleasant alternative—to kill or be<br />

killed!" With these and similar reflections he now dazzled and now depressed, but always interested me.<br />

60

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